Showing posts with label Debut author. Show all posts
Showing posts with label Debut author. Show all posts

Tuesday, November 26, 2019

Showcase NVK by Temple Drake

Today I'm showcasing NVK by debut author Temple Drake, yet another fantastic release by fave indie firm, Other Press.  Written in spare, high-octane prose, NVK is the first in a series of dark, hypnotic novels that explore the roots of desire and the cruel costs of immortality.
Enjoy!

ISBN-13:
 978-1-59051-936-3
Publisher: Other Press

Release Date: 11-26-2019

Length:
 352pp

ADD TO: GOODREADS

Overview:
HER SECRET MUST BE KEPT FOR ALL ETERNITY.

Set in the otherworldly megalopolis that is today’s Shanghai, Temple Drake’s suspenseful first novel blends the gothic, the erotic, and the supernatural as it charts an intense and dangerous affair.

One night in 2012, executive Zhang Guo Xing takes a group of European clients to a fashionable nightclub in Shanghai. While there, he meets a strikingly beautiful young Western woman called Naemi Vieno Kuusela. The physical attraction between them proves irresistible, and they embark on an intoxicating affair. But Naemi is not what she appears to be…

To Zhang’s surprise, she veers between passion and wariness, conducting the relationship entirely on her own terms. He feels driven to find out more about her, and is swiftly drawn into a web of intrigue, mystery, and horror. Is she a ghost? A demon? Do the living dead walk the streets of twenty-first century Shanghai?



Tuesday, January 8, 2019

Showcase Wanderer by Sarah Leon Other Press

Today I'm showcasing Sarah Leon's debut Wanderer, this was originally published in French by the then 21 year old talented artist and now available in the US translated by John Cullen. I have my copy and can't wait to dig in and I'm sure after reading more about it you will too. And look for my review soon!
Enjoy!



ISBN-13: 978-1590519257
Publisher: Other Press
Release Date: US release 1-8-2019
Length: 208pp
Buy It: Amazon/B&N/Kobo/IndieBound


ADD TO: GOODREADS

Overview:
An exceptional debut novel that explores the stifled, unspoken feelings of a music teacher and his former student, and the damage done by their years of silence

Hermin, a composer and instructor, leads a secluded life near the Bourbonnais Mountains in France, composing an homage to Schubert. On a bitter January night, this studious peace is broken when his former pupil, Lenny, a piano prodigy, mysteriously knocks at his door. The two men must confront the ghosts of their past, somewhere between musical harmony, erotic tension, and revelation.

Wanderer, echoing Schubert’s recurring theme, is a novel of rare delicacy, a twilight adagio, a Winterreise, and a subtle ode to German Romanticism.


Tuesday, November 5, 2013

Debut author interview-Shona Patel-Teatime for the Firefly

I'm so pleased to bring you an interview that tells us a little about debut author, Sweet Adeline's member and Tea Drinking aficionado Shona Patel. Her debut novel is getting rave reviews. Sit back and learn a bit about the author then go out and get the book.




  • ISBN-13: 9780778315476
  • Publisher: Harlequin
  • Publication date: 9/24/2013
  • Edition description: Original
  • Pages: 432





Overview:
Layla Roy has defied the fates. Despite being born under an inauspicious horoscope, she is raised to be educated and independent by her eccentric grandfather, Dadamoshai. And, by cleverly manipulating the hand fortune has dealt her, she has even found love with Manik Deb—a man betrothed to another. 
Editorial Review:
"With lyrical prose and exquisite detail, Shona Patel's novel brings to life the rich and rugged landscape of India's tea plantation, harboring a sweet love story at its core." - Shilpi Somaya Gowda, New York Times bestselling author of Secret Daughter
Kirkus Reviews:
 A lyrical novel that touches on themes both huge and intimate and, like Layla, is so quietly bold that we might miss its strength if we fail to pay attention.
Library Journal:
The historical detail makes this debut novel a rich reading experience. Those who enjoy historical fiction and portraits of foreign cultures will surely love this book.—Kristen Stewart

Read an excerpt:

My name is Layla and I was born under an unlucky star. The time and place of my birth makes me a Manglik. For a young girl growing up in India in the 1940s, this is bad news. The planet Mars is predominant in my Hindu horoscope and this angry red planet makes people rebellious and militant by nature. Everyone knows I am astrologically doomed and fated never to marry. Marriages in our society are arranged by astrology and nobody wants a warlike bride. Women are meant to be the needle that stitches families together, not the scissors that cut.
But everything began to change for me on April 7, 1943.
Three things happened that day: Boris Ivanov, the famous Russian novelist, slipped on a tuberose at the grand opening ceremony of a new school, fell and broke his leg; a baby crow fell out of its nest in the mango tree; and I, Layla Roy, aged seventeen, fell in love with Manik Deb.
The incidents may have remained unconnected, like three tiny droplets on a lily leaf. But the leaf tipped and the drops rolled into one. It was a tiny shift in the cosmos, I believe, that tipped us together—Boris Ivanov, the baby crow, Manik Deb and me.
It was the inauguration day of the new school: a rainy-sunshine day, I remember well, delicate and ephemeral—the kind locals here in Assam call "jackal wedding days." I am not sure where the saying comes from, or whether it means good luck or bad, or perhaps a little bit of both. It would seem as though the sky could not decide whether to bless or bemoan the occasion—quite ironic, if you think about it, because that is exactly how some people felt about the new English girls' school opening in our town.
The demonstrators, on the other hand, were pretty much set in their views. They gathered outside the school gates in their patriotic white clothes, carrying banners with misspelled English slogans like: INDIA FOR INDANS and STOP ENGLIS EDUCATON NOW.
Earlier that morning, my grandfather, Dadamoshai, the founder of the girls' school, had chased the demonstrators down the road with his large, formidable umbrella. They had scattered like cockroaches and sought refuge behind the holy banyan tree.
"Retarded donkeys! Imbeciles!" Dadamoshai yelled, shaking his umbrella at the sky. "Learn to spell before you go around demonstrating your nitwit ideas!"
Dadamoshai was an advocate of English education, and nothing irked him more than the massacre of the English language. The demonstrators knew better than to challenge him. They were just rabble-rousers anyway, stuffed with half-baked ideas by local politicians who knew what to rail against, but not what to fight for. Nobody wanted to butt heads with Dadamoshai. He had once been the most powerful District Judge in the state of Assam. With his mane of flowing hair, his long sure stride and deep oratorical voice, he was an imposing figure in our town, and people respectfully stepped aside when they saw him coming. To most people he was known simply as the Rai Bahadur, an honorary title bestowed on him by the British for his service to the crown. There was even a road named after him: the Rai Bahadur Road. It's a very famous road in our town and anybody can direct you there, yet it appears unnamed on municipal maps because it does not lead to any place and deadends in a river over which there is no bridge. The Rai Bahadur Road is just that: a beginning and an end unto itself.
When I arrived at the school that morning, the demonstrators were a sorry lot. It had rained some more and the cheap ink from their banners had run, staining their white clothes. What was even sadder was that somebody had tried to hand-correct the spellings with a blue fountain pen. Somewhere down the line, they had simply lost heart. They sat listlessly on their haunches and smoked cigarettes while their limp banners flopped against the wall.
One of them nudged the other when he saw me coming. I heard him say, "It's her, look—the Rai Bahadur's granddaughter!"
I must have rekindled their patriotism because they grabbed their banners and blocked my entrance to the school. "No English! India for Indians! No English!" they shouted.
I was wondering how to get past them when I remembered something Dadamoshai once told me: Use your mind, Layla—it is the most powerful weapon you have. I continued to walk toward them and pointed my mind like a sword. It worked: they parted to let me through. The gate shut behind me, and I continued down the graveled driveway to the new school building. It was an L-shaped structure, freshly whitewashed, with a large unpaved playground and three tamarind trees. Piles of construction debris lay pushed to one side.
The voices of young girls chirruped on the veranda. Students aged nine or ten sat cross-legged on the floor, stringing together garlands of marigold and tuberose to decorate the stage for the inauguration ceremony.
"Layla!" Miss Rose called out from a classroom as I walked past. I peeked through the door. Rose Cabral was sitting at the teacher's desk, sorting through a pile of printed programs. There was a large world map tacked to the back wall and the room smelled overwhelmingly of varnish. Miss Rose, as she was called, was a young Anglo-Indian teacher with chestnut brown hair and pink cat's-eye glasses with diamond accents. The small fry of the school swooned with adoration for her and wanted to lick her like a lollipop.
Miss Rose was about to say something when she sneezed daintily. "Oh dear," she said, wiping her nose on a pink handkerchief edged with tatting lace. "I don't know if it's the varnish or this fickle weather. Layla, oh my! How you have grown! What a lovely young woman you are. Are you still being privately tutored by Miss Thompson, dear?"
"No, not any longer, Miss Rose," I said. "I passed my matriculation last year."
"So you must be all ready to get married now, eh? Suitors will be lining up outside your door."
"Oh no—no, I don't plan to get married," I said quickly. "I want to become a teacher, actually." I did not tell Miss Rose that marriage was not in my cards. It would be hard to explain to her why being born under a certain ill-fated star could negate your chances of finding a husband.
A tiny, round-shouldered girl with thick braids appeared in the doorway, pigeon-toed and fidgeting.
"Yes, what is it, Malika?" Miss Rose said. "Miss…miss…"
"Speak up, child."
"We have no more white flowers, Miss Rose."
"The tuberose? I thought we had plenty. All right, I am coming." Miss Rose sighed, bunching up her papers. "I better go and see what's going on. Oh, Layla, there's a packet of rice powder for you lying on the secretary's desk in the principal's office. I suppose you know what it is for?"
"It's for the alpana I am painting in the entryway," I said. Miss Rose looked blank, so I explained. "You know, the white designs—" I made curlicue shapes in the air "—the kind you see painted on the floor at Indian weddings and religious ceremonies?"
"Ah yes. They are so intricate. Boris Ivanov will like that. He loves Indian art. I hope you have brought your brushes or whatever you need, Layla. We don't have anything here, you know."
"I don't need any brushes," I said. "I just use my fingers and a cotton swab. I have that. Miss Rose, is my grandfather still here?"
"The Rai Bahadur left for the courthouse an hour ago. He said to tell you he will be home for lunch. Boris Ivanov's train is running three hours late. Let me know if you need anything, Layla. I am here all afternoon."
It was close to lunchtime when I got the alpana done, so instead of going to the library as I had planned, I went home. Dadamoshai's house was a fifteen-minute walk from the school. I passed the holy banyan tree and saw that the protestors had abandoned their wilted banners behind it. The tree was over two hundred years old, massive and gnarled, with thick roots that hung down from the branches like the dreadlocks of demons. In its hollowed root base was a collection of faded gods surrounded by tired marigold garlands. I walked past the stench of the fish market, the idling rickshaws at the bus stand and the three crooked tea stalls that supported one another like drunken brothers, till I came to a four-way crossing where I turned right on to the Rai Bahadur Road.
It was an impressive road, man-made and purposeful: not like the fickle pathways in town, that changed directions with the rain and got bullied by groundcover. The road to my grandfather's house was wide and tree-lined, with Gulmohor Flame Trees planted at regular intervals: exactly thirty feet apart. Their leafy branches crisscrossed overhead to form a magnificent latticed archway. On summer days the road was flecked with gold, and spring breezes showered down a torrent of vermilion petals that swirled and trembled in the dust like wounded butterflies. Rice fields on either side intersected in quilted patches of green to fade into the shimmering haze of the bamboo grove. Up ahead, the river winked over the tall embankment where fishing nets lay drying on bamboo poles silhouetted against the noonday sun.
I adjusted my eyes. Was that a man standing under the mango tree by our front gate? It was indeed. Even at that distance, I could tell he was a foreigner, just by his stance. His legs planted wide, shoulders thrown back, he had that ease of body some foreigners have. I was curious. What was he doing? His hands were folded together and he was gazing up at the branches with what appeared to be deep piety. Oddly enough, it looked as though the foreigner was praying to the mango tree!
The man heard me coming and glanced briefly in my direction. He must have expected me to walk on by, but when I stopped at our gate, he looked at me curiously. He was a disconcertingly attractive man in a poetic kind of way, with long, finger-raked hair and dark and steady eyes behind black-framed glasses. A slow smile wavered and tugged at the corners of his mouth.
When I saw what he was holding in his cupped hands, I realized I had misjudged his piety. It was a baby crow.
"Do you live in the Rai Bahadur's house?" he asked pleasantly. He spoke impeccable Bengali, with no trace of a foreign accent. I figured he must be an Indian who probably lived abroad.
"Yes," I said.
The man was obviously unschooled in the nuances of our society, because he stared at me candidly with none of the calculated deference and awkwardness of Indian men. I could feel my ears burning.
The crow chick struggled feebly in his hand. It stretched out a scrawny neck and opened its yellow-rimmed beak, exposing a pink, diamond-shaped mouth. It was bald except for a light gray fuzz over the top of its head. Its blue eyelids stretched gossamer thin over yet unopened eyes.
"We have a displaced youngster," the man said, glancing at the chick. "Any idea what kind of bird this is?"
"It's a baby crow," I replied, marveling how gently he held the tiny creature. It had nodded off to sleep, resting its yellow beak against his thumb. He had nicely shaped fingernails, I noticed.
I pointed up at the branches. "There's a nest up that mango tree."
He was not looking at the tree, but at my hand. "What's that?" he asked suddenly.
"Where?" I jerked back my hand and saw I had traces of the white rice paste still ringed around my fingernails. "Oh," I said, curling my fingers into a ball, "that's…that's just from the alpanadecoration I was doing at the school."
"Are you related to the Rai Bahadur?"
"He is my grandfather."
"Is this the famous English girls' school everybody is talking about? What is the special occasion?"
"Today is the grand opening," I said. "A Russian dignitary is coming to cut the ribbon."
"Boris Ivanov?" he asked.
I stared at him. "How did you know?"
"There are not many Russians floating around this tiny town in Assam, are there? I happen to be well acquainted with Ivanov."
I wanted to ask more, but refrained.
He tilted his head, squinting up at the branches, then pushed his sliding glasses back up his nose with his arm. The chick woke up with a sharp cheep that startled us both. "Ah, I see the nest. Maybe I should try and put this little fellow back," he said.
"You are going to climb the mango tree?" I asked a little incredulously. The man looked too civilized to climb trees. His shirt was too white and he wore city shoes.
"It looks easy enough." He looked up and down the branches as though he was calculating his foothold. He grinned suddenly, a deep crease softening the side of his face. "If I fall, you can laugh and tell all your friends."
I had no friends, but I did not tell him that.
"There's not much point, really." I hesitated, wondering how I was going to say this without sounding too heartless. "You see, this is very common. Baby crows get pushed out of that nest every year by…" I moved closer to the tree, shaded my eyes and looked up, then gestured him over. "See that other chick? Stand right where I am standing. Can you see it?"
We were standing so close his shirtsleeve brushed my arm. I could smell the starch mingled with faint sweat and a hint of tobacco. My head reeled slightly.
He tilted his head. "Ah yes, I see the sibling," he said.
"That's not a sibling—it's a baby koel."
His face drew a blank.
"The Indian cuckoo. Don't you know anything about koels?"
"I am afraid not," he said, looking bemused. "But I beg to be educated. Before that, I need to put our friend down someplace. I am getting rather tired of holding him." He looked around, then walked over to the garden wall and set the baby crow down on the ground. It belly-waddled into a shady patch and stretched out its scrawny neck, cheeping plaintively.
I was about to speak when a cloud broke open and a sheet of golden rain shimmered down. We both hurried under the mango tree. There we were all huddled cozily together—the man, the chick and me.
A cycle rickshaw clattered down the road. It was fat Mrs. Ghosh, squeezed in among baskets and bundles, on her way home from the fish market. She looked at us curiously, her eyes bulging slightly, perhaps wondering to herself: Am I seeing things? Is that the Rai Bahadur's granddaughter with a young man under the mango tree? This was going to be big news, I could tell, because everybody in town knew that the Rai Bahadur's granddaughter avoided the opposite sex like a Hindu avoids beef.
The cloud passed and the sun winked back and I hurried out from under the tree. To cover up my embarrassment, I launched into an involved lecture on the nesting habits of koels and crows.
"The koel, or Indian cuckoo, is a brood parasite," I said. "A bird that lays its egg in the nest of another. Like that crow's nest up there." I pointed upward with my right hand and then, remembering my dirty fingernails, switched to my left hand. "See how sturdy the nest is? Crows are really clever engineers. They pick the perfect intersections of branches and build the nest with strong twigs. They live in that same nest for years and years."
"Are their marriages as stable as their nests?" The man winked, teasing me. "Do they last as long?"
"That…that I don't know," I said, twisting the end of my sari. I wished he would not look at me like that.
"I am only teasing you. Oh, please go on."


Tuesday, October 15, 2013

**GIVEAWAY** + Interview with author debut author Barbara Davis - The Secrets She Carried

Today on The Reading Frenzy I'm pleased to introduce debut author Barbara Davis who is answering questions about her novel The Secrets She Carried. When I asked about the premise  and how the idea came about she said––"One day I was waiting in the car for Tom when I noticed a single gravestone on the side of the road. Now, in North Carolina, this isn’t really unusual. They’re everywhere,..." See the rest of this answer and all the rest below





  • ISBN-13: 9780451418777
  • Publisher: Penguin Group (USA)
  • Publication date: 10/1/2013
  • Pages: 384




I have one copy US Only of
The Secrets She Carried to Giveaway
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Courtesy Barbara's Publisher Penguin Group USA
Thank You Penguin US
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Overview:
When a young woman returns to North Carolina after a thirty-year absence, she finds that the once grand tobacco plantation she called home holds more secrets than she ever imagined. Though Peak Plantation has been in her family for generations, Leslie Nichols can’t wait to rid herself of the farm left to her by her estranged grandmother Maggie—and with it the disturbing memories of her mother’s death, her father’s disgrace, and her unhappy ...
 Praise for Davis’ debut:
Davis paints a picture of two eras and beautifully flawed characters with evocative and caring words.”—Susan Crandall, author of Whistling Past the Graveyard
“Lovely and assured writing. Adele Laveau's haunting voice and Leslie Nicholl's journey toward understanding lingered long after I read the final page of this engrossing tale."—Julie Kibler, author of Calling Me Home
“A beautifully crafted page-turner with many twists but a simple theme: no matter how far you run, you can’t escape your past.  Part contemporary women’s fiction, part historical novel, the plot moves seamlessly back and forth in time to unlock family secrets that bind four generations of women….A stunning read from the first page to the last sentence.”—Barbara Claypole White, author of The Unfinished Garden
–––––––––––––––––––––––––––––––––
Barbara welcome to The Reading Frenzy.

Tell my readers a little about The Secrets She Carried.
SECRETS is the story of two women from different generations whose stories eventually collide. Leslie Nichols is big-city editor forced to return her childhood home when her estranged grandmother leaves her the family tobacco plantation. Peak Plantation was never a happy place for Leslie, evoking some pretty troubling memories about her mother’s death. Her plan is to dispose of the place and its memories, as quickly as possible, until she stumbles onto a cryptically marked grave that was clearly never meant to be found. Suddenly, Leslie’s need to run away is replaced with an almost obsessive need to know the truth behind who is buried in the mysterious grave and what connection that person might have with her family. Unfortunately, there’s a man living on the property, a caretaker who isn’t quite what he appears, who has his own motives for keeping the secrets of the grave a secret. 

Barbara congratulations on your debut novel.
According to your website you left the corporate world to pursue your lifelong dream of being an author.
Tell us how and when that dream started and how you finally were able to fulfill it.
It really has been the most amazing journey, so much so that I sometimes have to pinch myself. Fourteen years ago I was promoted and my fiancé and I moved to North Carolina. At the time I was a VP with a national jewelry chain, but about four years ago, I was laid off from my job. At the time, it felt like the end of the world. Then I realized I needed to pay attention to the message the Universe was sending. Finally, with tons of encouragement from my fiancé, I realized it was time to pursue my lifelong dream of writing. I’d been simmering on the idea for SECRETS for several years, and suddenly I had no excuse not to follow through. It took a good six months to find my voice again, after so many years in the corporate world, but I finally did, and I’ve never looked back since. Sometimes disasters really do turn out to be blessings.       

Where did the premise for The Secrets She Carried come from?
One day I was waiting in the car for Tom when I noticed a single gravestone on the side of the road. Now, in North Carolina, this isn’t really unusual. They’re everywhere, along the sides of the road, in the middle of cornfields, even in a mall parking lot in Greenville, because back in the day that’s what people did. Loved ones were buried on family farms. But now those farms are gone, roads have been built—the landscape has changed, and yet these graves, these lost loved-ones, remain. And as I sat there I found myself wondering who was buried in that particular grave, and how long they’d been there. It all felt very sad to me, very lonely. I wondered if there were family members looking for that person, and what story that departed loved one might have to tell so many years later. And just like that Adele Laveau was born. In what felt like minutes, her story came to life in my head and refused to go away.

What kind of research did this novel require?
I was born in New Jersey so I had no real knowledge about tobacco farming which played a role in the backstory of Peak Plantation. I did a lot of research about the day to day operations of planting, curing, and marketing back in the thirties, much more than I needed to do, as it turned out, but it’s easy to get lost in research when the subject is so rich. I also had to research how the small-town farming economies were hurt during the Great Depression, and how folks coped with scarcity and rampant unemployment. Luckily, this information is still very plentiful here in Carolina. Also, since Peak has since been converted to a vineyard, I had to learn a lot about wine and wine-making, which, I confess wasn’t much of a hardship.

Now that your first novel’s been put to bed; whew.
What about the experience will you change for the next novel?
I think my biggest takeaway from SECRETS is that going forward I don’t need to worry about getting it “perfect” before I turn in that first draft. There’s SO much writing that happens after that. So much of the “original” draft of SECRETS was scrapped, stuff I agonized over that ended up on the so-called cutting room floor—and none of it was missed. Novel writing, as much as we may hate to admit it, really does take a village. So many hands and hearts go into taking a good novel and making it great. That happens in layers, when fresh eyes and ideas are brought into the process. I can’t say enough how much of Secrets is owed to my fiancé, my critique partners, my wonderful agent and amazing editors.

Tell us about where you were and your reaction when you learned your book had sold?
Oh, wow. Just thinking of it makes me choke up. It all happened pretty quickly, actually, certainly more quickly than I’d been told to hope for. About a month after my agent started shopping the manuscript, she called me and said we had an offer, followed by a second call shortly thereafter, that we had a second competing offer. I remember feeling numb for a minute, and then bursting into tears of relief, that it all hadn’t been for nothing, that I wasn’t the only one who thought it was a worthwhile book. Tom walked into the room, took one look at my face and thought someone had died. He still teases me about it.   

What were your reactions to your early reviews?
Do you think you’ll be one of the authors who read all the reviews or one that doesn’t?
I think my initial reaction was shock that people were actually reviewing it at all. Being a debut author, I didn’t really expect to get a lot of early attention, but so far it’s all been pleasant surprises, so that’s good. I think I’ll read most of them early on, mainly because I’m still learning about how the process works. I’d like to say I’ll one day get past worrying about reviews, but I’m not sure I will. I think you can learn from criticism, even when it isn’t particularly fun.    

Barbara are you a reader?
Fiction or Non-Fiction?
I’m a huge reader. Mostly women’s fiction, with some positive living/inspirational non-fiction sprinkled in. I’m a big fan of writers like Diana Chamberlain, Karen White, Susan Crandall and Sarah Jio. Plus, I love discovering and supporting new writers in my genre. There’s so much amazing talent out there. 

What’s next for you?
I’m currently working on my second novel, THE WISHING TIDE, which is set on North Carolina’s outer banks, and is due out in November 2014. It’s a story about three people whose lives intersect in some pretty interesting and unexpected ways. They’re all struggling to get un-stuck from their pasts, trying to learn how to fight for happiness. There are some real twists and turns, so I’m having a lot of fun writing it.

Barbara I know new fans will want to meet you in person.
Will there be a tour for this release?
My first signing is scheduled for Tuesday, October 15th at 7pm, at Flyleaf Books: 752 Martin Luther King Jr. Blvd. - Chapel Hill, N.C.
Other events are currently being scheduled, and will be posted on the Events tab of my Facebook page: https://www.facebook.com/barbaradavisauthor?ref=hl

Thank you for sharing some time, good luck with this novel and all your future endeavors as well.
Thanks, so much for having me!




Connect with Barbara WebsiteFacebook - Twitter
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Wednesday, August 14, 2013

Interview with debut author Cheryl Seagraves who chats about her novel Life Over Love


Please welcome debut author Cheryl Seagraves whose novel Life Over Love is about a subject matter that may be hard to read but important and very personal to her. Here's a tidbit of what she says about her personal journey to becoming an author.––"I had seen a documentary about how Margaret Mitchell had written the last sentence of Gone with the Wind, put that away and started from the beginning. I decided to give it a shot like that. Write a book about a woman like me, write that last sentence and fill in the rest. The more I wrote the more I loved writing..."Read the rest of this answer and all her others below.









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Contest ends September 2, 2013




OVERVIEW:
Brianna Garcia is a young mother whose spirit and fiery temper were so beaten down, she was barely recognizable to her own self. Beaten both by the words and the fists of her first love. The father of her children. Her husband. She was at her lowest, lost, and ashamed by what she had become. Brianna felt so full of self-loathing that she constantly entertained thoughts of suicide. 

What readers are saying about Life Over Love:
Amazon:
June-These kind of books are good to read, it might give a person the courage they need to leave before it's too late....
Debra-Loved this book. Fell in love with Brianna, her spirit and how she handled herself through a very rough time. A good read about a serious personal situation told with a lot of heart and a touch of humor. The characters were very real.
Michelle-I thoroughly enjoyed this book. It was such an emotional roller coaster with the main character Brianna. I often found myself trying to talk her out of situations or mind frames like I could change the outcome
Goodreads:
Marsha-It is hard to get through at times due to the subject of domestic abuse, but it is a very real look at what life is like for women in that situation. It was refreshing to witness Brianna's courage and strength of character as she struggled to rebuild her life for herself and kids. I think this book is a great plat form to encourage women that they can take charge of their lives, even though it may seem scary and daunting.
Georgia-This story is an emotional tear jerker, but the characters are very real and it is told with a touch of humor. It is a great read and it leaves me hopeful that someone in a similar situation may be able to seek help before it's too late.
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Please welcome debut author Cheryl Seagraves to The Reading Frenzy.

Tell us about your novel Life Over Love.
This is a hard subject matter to write about or to read.
Being a mother of four, at what age do you think parents should start teaching their children about abuse, either what to look for in others or personally?
I’ve been trying to teach my kids to respect others and keep their hands to themselves ever since they were in the “gimme that, it’s mine” stage as toddlers. As for sitting them down to have a serious discussion about abuse I think one should start a dialogue at around age twelve. Keep it age appropriate, but talk to them about self- respect. Lay the foundation to be able to speak openly about the realities of dating and all that entails. 

Cheryl, I love the cover of your blog.
Do you blog for fun, for stress relief, to rant?
All of the above or am I way off base?
Thanks about the blog cover. That is my favorite family picture, taken by Expressions by Brandy. I originally started my blog as an outlet for my feelings. My husband was in school and working, I was working and taking care of the family and I had read a blog post about a search for a suicidal boy. I was so worried about that boy. I had lost a cousin to suicide shortly before and I needed to get my thoughts out of my head. The blog was my way to do that. Since my life has changed along with choices I’ve made, like quitting my old job, selling my art, and writing my book I guess you could say it is all of the above. It has evolved into a place where I write to entertain with a little humor, relieve stress, relate to other women like myself, and now it’s becoming a platform to get to know other authors.

Tell us a little about yourself and your family.
 At fourteen I quit school and acquired my GED. That was in 1998. I was married and divorced by the age of twenty-two. I have two of the most amazing kids as a result. I struggled for a while after the divorce, working three jobs at one point. I met my husband at one of them. It took me three years to trust him enough to say yes. I’m so glad I did. He is not only my best friend, but he is my biggest supporter. We work together as a team in everything from paying the bills to disciplining the kids. He’s taught me about the importance of communication in any relationship. Together we have two more girls ages six and three. Although I don’t let him tell me the bad things he sees as an EMT his weird and funny stories from work along with my kids never fail to keep me inspired in my writing. 

   
Cheryl it says that one of your loves is painting.
What kind of paintings do you create?
Are your paintings on display anywhere?
I paint mostly with acrylics. I only give the originals to my family, but I sell the digital prints on canvas through eBay and Facebook. I’ve also been doing professional face painting at parties and events.

Cheryl, tell us your personal journey to becoming an author.
I’ve always been one to write anything that I was feeling. I started to write this novel as a form of therapy for the abusive situation I had been in when I was married to my ex-husband. I had seen a documentary about how Margaret Mitchell had written the last sentence of Gone with the Wind, put that away and started from the beginning. I decided to give it a shot like that. Write a book about a woman like me, write that last sentence and fill in the rest. The more I wrote the more I loved writing. When I was about a quarter of the way from being finished I started writing query letters. I researched acquisitions editors and agents, I emailed any and all that said they were interested in my genre. To my surprise I started getting responses within twenty four hours. Many of course weren’t interested, but some actually gave me links to ones that may be interested. So I felt encouraged and my confidence in my book began to grow.  When I started getting requests for my full manuscript I freaked out because I wasn’t finished with the book yet, in fact I wasn’t even done typing it! So I went into hibernation to finish it. When I was finished I sent it off, but waiting for a response was torcher and I decided to self- publish and keep control over my book. It was downloaded more than five hundred times in the first month. I’ve been able to get professional help editing and am really proud of it. I am going to write another as soon as my kids go back to school.

What are you working on now?
Promotion and marketing it right now. When the kids go back to school I am going to work on my next novel, it’s just a few ideas jotted down right now. I have to wait to start writing it though because my kids would kill me if I went into hiding again right now!

Are you a reader?
What genre/authors are your favorite?
Yes
I love romance, but mystery is a close second. Sally Beauman, Nora Roberts, Stephen King, Mary Higgins Clark

Cheryl, do you have any author events planned where fans could meet you in person?
Not yet. I’m researching on ways to set something up, I’m so new to this entire experience now I have to get out and do some leg work.

Thank you so much for taking the time to talk with me. Good Luck on the novel!!
Thank You for the great thought provoking questions.














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