Showing posts with label Penguin Group US. Show all posts
Showing posts with label Penguin Group US. Show all posts

Tuesday, June 10, 2014

Interview with author Shari Shattuck Invisble Ellen


Please welcome to the blog author/actress/playwright the multi-talented Shari Shattuck. She is here today talking about her newest novel release Invisible Ellen.




  • ISBN-13: 9780399167614
  • Publisher: Penguin Group (USA)
  • Publication date: 5/29/2014
  • Pages: 304
 




Read an Excerpt:

***This excerpt is from an advance uncorrected proof***
Copyright © 2014 Shari Shattuck
1
Occasionally, though not very often, Ellen Homes would wonder how she had gained two hundred and seventy-three pounds and simultaneously disappeared. Not that she necessarily needed an answer, or even wanted one, because, simply put, being unseen was everything that Ellen Homes had ever wanted.
It was also all she could remember. Her mother, a noun she used for lack of an inoffensive alternative, had apparently at some point forgotten that she’d had a daughter. Ellen had a vague memory of the woman packing up her vodka bottles and glass pipe before leaving her alone in a grubby room of a halfway house when she was five. The only thing she clearly recalled from that event was gnawing hunger, and the joy of eating a cinnamon bun someone had eventually given her. But details of life with that woman, and especially that particular day, Ellen enthusiastically and effectively smothered, preferably under artificial, nondairy dessert topping or gravy.
Her memories of being found by the police, turned over to social workers, and the different foster families she’d subsequently been forced upon were also spotty and best forgotten. Ellen had ultimately been discarded in a group home. There, adults and kids alike had either taunted or ignored her. Preferring the latter, Ellen had adopted evasive techniques, avoiding attention by adopting a silent, watchfulness and eluding all but the most necessary contact with others.
What Ellen did remember was how she sought out shadows to avoid the repulsion she met in the light. She found dark corners and attics to hide in. Hoarded packaged food, when she could get it. She learned to wear her straight brown hair longer, so that it covered the left side of her face, veiling her from the world around her and hiding the scar that permanently drew her left eye halfway closed and limited her vision. Since every human she’d ever met preferred not to look at her, a half step backward or an inverted slump was often sufficient to avoid potential scrutiny or even notice. Ellen became very good at being absent, even when she was there.
At nineteen she’d first noticed her complete visual absence. Ellen had tentatively offered help to a man staring with frustration at the bus schedule. He started as though addressed by a disembodied voice. His eyes, flicking past her, quivered slightly at the point her face would have been, and then he hurried away.
And Ellen had rejoiced, thrilled that a lifetime of cultivating the skills required for averting human interaction had finally paid off. The quality of being looked through, instead of at, felt so right.
Ellen reveled in her anonymity. She learned she could sustain her visual absence at work—the nighttime cleaning crew at a Costco—on busy streets, where people shifted their bodies away if she drew near as though shying from a cold draft and best of all, in her tiny apartment, where she spent most of her time watching the neighbors from behind the embracing arms of closed doors.
Observing silently from the shadows may have begun as a crucial survival technique, but it had eventually grown into her most passionate interest. Real life enthralled Ellen—as long as it did not include her. The rare occasions she needed to be seen exhausted her. It was just too much effort, and opened the door to participation, the prospect of which horrified her more than running out of snack food or, unthinkably, bacon.
By twenty-four, Ellen had perfected her own invisibility to the degree that even her cat, Mouse, seemed only vaguely aware of her. Ellen and Mouse shared the one-room apartment and a love of caloric excess—especially bacon—but not much else.
The front door of that narrow studio apartment opened onto the main room, a dozen steps brought her to the kitchenette, which ended in a back door featuring a small window. Gazing through a triple layer of smog-grimed screen, dirty glass slats, and wrought-iron security bars, Ellen could see into a tiny courtyard smothered in gravel the color of bleached tombstones. It was a desolate spot. No whimsical water feature softened its echoing walls and there was an utter absence of refreshing greenery. Occasionally, Ellen would notice a weed that had strained its way upward through the sharp chunks of granite, but inevitably, its goal finally realized, the vegetation would take a look at the harsh environment, topped off by a miniscule patch of smoggy, dirt-brown sky, and die. She imagined that its last thought, if plants had thoughts, had been, I’d rather be mulch.
Across that narrow back access space, she could look into the kitchens of the neighbors she so vigilantly avoided. In the window across from hers was a blanket, sun-faded and tacked up with nails she had watched the young couple pry from the molding, until the fabric blocked her view into the only other upstairs unit with infuriating opacity, but on the ground level there were two apartments whose renters were so lazy and hopeless that they had never bothered with any kind of window covering, probably because, Ellen thought, it had never occurred to them that anyone would take an interest in their lives.
Because their lives weren’t interesting, except, of course, to Ellen, who found constant fascination in how the occupants, whom she thought of as her pets, spent their hours. The girl in 1B she called Heidi because when she wasn’t dressed for work—a cocktail waitress or a prostitute, to judge from the outfits—she wore her blonde hair in two braids that hung limply down the sides of her scrubbed pink face. The man in 1A, she dubbed T-bone, because he was as thin as a rib and the bandanna he appeared intent on wearing until it rotted off was the color of raw meat.
A few months earlier, Heidi’s midsection had started to swell. Her pregnancy, now at about eight months, Ellen guessed from the soccer-ball protrusion under her straining T-shirt, caused an interruption in whatever employment she did have, and now Heidi spent most of her time in the apartment, screaming at herself in a mirror or crying at her kitchen table. Ellen followed Heidi’s antics with the enthusiasm of a sports fan during a playoff series. Tonight, with a bag of chips in one hand and a Tinkerbell pen in the other, Ellen made notes on one of the lined school pads so generously, and unwittingly, donated by her employer to her cause. “Heidi gets a beer,” she wrote as she crunched a handful of cheddar chips into paste. “Debates over whether to drink it for ten minutes, then downs it in forty-five seconds.” A minute later she added, “Throws up beer in the sink.”
Shifting her gaze to the next window, she saw T-bone. The most interesting thing T-bone did was repackage big bags of marijuana into smaller ones. Tonight he was seated in his easy chair, smoking what Ellen had overheard him call a “Bob’s Big Boy.” The smallness of the space and the unmuffled solidity of the courtyard’s walls sent any sound echoing up to her apartment, so it was easy for her to hear what she wanted to, and impossible to block out what she didn’t. T-bone kept a sad potted plant on his windowsill, which he’d forgotten to water again today, a misdemeanor Ellen dutifully recorded. She had quite a collection of these notebooks, and glancing at the shelf where she kept them, carefully labeled with the corresponding dates, she felt a sense of accomplishment.
Slow night, Ellen thought as she closed her notebook, stuffing it into a large canvas sack. The impending entry to the world outside brought on a bout of compulsive, repeated stroking of her hair down over her left cheek. A habitual, unconscious warm-up, like an athlete stretching before a workout. She donned her faded black drawstring pants and loose smock shirt in preparation for work. She scowled at the sole of her left sneaker, the toe of which had come unglued from the canvas top, causing the rubber sole to flap each time she took a step. She needed to buy new ones, but that distasteful task could be put off awhile longer with the clever combination of ingenuity and a half a yard of duct tape. After applying the technology required, and field-testing it with a lap around the apartment, requiring a grand total of eighteen steps, to see if it would hold at least for the night, she dumped some dry food in Mouse’s dish, snapped on her fanny pack, the girth of which she had extended with a child’s belt, and checked to be sure that the front stairs were free of human occupancy before venturing out.
The short walk to the bus stop was clogged with people returning home for the evening but, as usual, the busy sidewalks cleared enough for her to pass. A small group waited impatiently for the number twelve bus to stop, air brakes shushing out a harsh reprimand as it pulled to the curb. Ellen assumed her usual space in the queue, left open by people whose eyes swept past her with only the slightest shiver as their sight line crossed the space she occupied. She climbed the two steep, rubber-stamped stairs and collapsed onto a pair of open seats, effectively occupying one and a half of them. No matter how crowded the bus became, no other rider ever took what was left of the seat next to hers. She passed the time switching her attention from passenger to passenger as though changing channels in an attempt to find something intriguing, or at least educational, to watch. She tuned in first to a few seconds of a young man bullying his younger girlfriend, but quickly became bored with the girl’s frightened passivity. She flipped over to an elderly woman performing a lonely monologue, then switched to a man leaping nimbly up the stairs onto the bus. He flopped onto one of the handicapped seats, set his gym bag on the other and opened a paper. Pulling out her notebook, Ellen wrote, “Healthy guy sits in the handicapped seats.” His infraction duly recorded, she returned her attention to the teen couple, the girl was looking less frightened and more pissed as the boy taunted her. Ellen felt a shimmy of detached anticipation. Pencil poised, she settled on that channel and hunkered down to enjoy the show.
But she was distracted from the promising scenario when the doors hissed open at the next stop and Ellen heard a woman’s clear voice call out, “Is this the twelve?” She perked up. The number 12 was clearly displayed on both the front and side of the bus. Hoping for the antics of at least an eccentric personality, if not a full-out lunatic, she waited eagerly to see what would unfold.
A mumbled, indifferent reply from the semicatatonic driver seemed to satisfy her, and Ellen watched curiously as a white stick tipped in red tapped its way onto the aisle, followed by a young woman with dark hair cascading from an arrogantly orange cap. Though it was rapidly growing dark outside, the twentysomething woman wore sunglasses. Reaching one hand in front of her, she felt for an available handicapped seat. The man in running shoes rustled his newspaper in annoyance as she brushed his shoulder, saying irritably, “These are taken. There’s open seats halfway down.”
With a disdainful smile that clearly said she knew he didn’t belong there and thought people like him were descended from a long and undistinguished line of particularly disgusting silverfish, the girl groped her way on down the aisle. She was steps away from Ellen when the bus lurched out into traffic, sending her stumbling forward. She fell to her knees, one arm smacking on the empty seat next to Ellen. The girl reclaimed her balance and, holding the seat back to steady herself, struggled up.
“I’m fine!” she called out in an amused voice to the bus full of people studiously not helping her. “Don’t bother about me, save yourselves!” With a light, derisive laugh, which she clearly relished, she slid in next to Ellen, making squishy contact with Ellen’s overlapping thigh and midriff.
“Oh, sorry,” she said, turning only partially toward Ellen. “Didn’t see you there.” Then she laughed again and pulled out a book, opening it to a plain, white textured page marked by a ribbon. “The face, pretty” Ellen noted without assigning the quality any particular value, angled toward her again, as though studying some fascinating object up ahead to the right.
She said, “Sorry to be a bother, but could you possibly let me know when we get to Grant Avenue ?”
Ellen felt her neglected voice catch in her throat. She was being spoken to. Of course, the girl couldn’t see her any more than anyone else, less actually, but she had felt her. “Uh, okay,” Ellen muttered.
“I’ve always depended upon the kindness of strangers,” the girl said in a sorghum Southern accent, then added from the side of her mouth, “But I wouldn’t recommend it; most of them are bastards.” Then she put her head back and a burst of laughter so hearty escaped her that Ellen felt physically assaulted and pressed herself protectively against the cold of the window. Unaware, or uncaring, of Ellen’s reaction, the girl began to run her fingers over the blank white pages of her book.
Though Ellen was flustered by even the girl’s partial, uninvited acknowledgment, the unabashed laughter resonated in her. She puzzled over it for the next few blocks, jerking whenever the blind girl would chuckle unexpectedly at something her fingers had converted from bumps to wit.
It wasn’t, she thought, that she’d been “noticed,” though that was novel. She knew it had only been the curious accident of physical contact that had enabled the blind girl to perceive her. No, what intrigued Ellen was that this young woman—topped off with a ridiculous hat roughly the size, color, and shape of a crushed traffic cone—was utterly unconcerned with the people around her, even the ones who stared blatantly. She couldn’t see them, so they didn’t matter.
The possibility of this was a revelation with the impact of a small, localized explosion in Ellen that cracked open a thin fault line of panic. Maybe she had wished for the wrong thing, and a thought struck her. Maybe it’s better not to see than to be unseen. A strange jealousy gripped Ellen; cold green fingers slid across her rib cage and squeezed on her stomach. She could feel ragged fingernails piercing the well-developed organ.
Ellen checked her watch. As usual she was an hour early for work, a precaution that allowed her to check the assignment list and get started before the rest of the crew was still stumbling into the locker room. There were easily forty-five minutes to spare if she chose to get off the bus two stops early; why shouldn’t she? Suddenly overcome with a need to know more about this unique person seated next to her, Ellen blew the dust off her guts and cleared her throat.
“Next stop, Grant,” she said.
The girl tilted her tangerine topper to one side, causing it to flop like a day-old daisy. “Yeah, that’s what I thought. Thanks.”
Ellen hoped her reluctant grunt would suffice as an answer.
The girl put away her book and stood up in preparation for disembarking, keeping a firm hold on the back of the seat in front of her. “Have a nice day,” she said.
Turning to look out at the dusky gloom and strangely reluctant for the girl to leave, Ellen risked a connection. “Uh. It’s pretty much night.”
The girl slung her satchel over one shoulder and gripped her stick. She angled toward Ellen again, and leaned down.
“It’s all midnight to me, baby.” The laugh came again, so powerful that it triggered an aftershock in Ellen that levered open the fissure in her protective shield a few millimeters wider.
The cane tapped its way down the aisle, the air brakes hissed their discontent, and, as the Day-Glo cap bobbed out of sight, Ellen felt as though something had been stolen from her. Without thinking, she jumped up to follow the girl and, in her haste to make the door, her oversized bag smacked the newspaper of the bastard hogging the handicapped seats, ripping it in half. “What the f . . .? ” he exclaimed, but Ellen was already off the bus, the closing doors almost catching her billowing black tent of a shirt.
The crowd was a mass of gray and brown as twilight stole the color from all lesser pigment, but the intriguing stranger’s fluorescent hat bobbed above the muted waves of commuters like a beacon. As Ellen hurried to catch up with it, something else snagged the corner of her eye. Two men had peeled themselves from a doorway and started after the girl with the steady focus of predators. In their dirty jeans and baseball caps, they stood out in the upscale midtown neighborhood that was mostly peopled with men and women in business suits, or parents in Lycra yoga pants and matching tops jogging in place behind three-wheeled strollers as they checked their pulse against their expensive watches. With a nasty jolt, Ellen realized that she wasn’t the only one interested in the blind girl and this struck her as grossly unfair. She’d been following her first and she didn’t want to share. She hitched up her fanny pack and went on.
After three blocks, the girl turned off onto a narrow alley, the two men followed, and bringing up the rear was an increasingly determined Ellen, who by now was thinking of the girl as her story and the two men as interlopers. This dead-end access to the surrounding buildings had no other foot traffic and ended in a brick wall with a large dumpster pushed against it. It was clean and lit by a bright streetlamp. On either side of the alley, several large metal doors interrupted the patterned brickwork of high walls. The girl pulled a set of keys from her pocket as she tapped along. The men glanced back, surveying the busy avenue they had just left. Neither of them registered Ellen, hugging the brick, a few feet from the corner, their eyes fixing instead on a cop car sitting stopped at a light. The traffic began to move along the main avenue, and the alley was once again hidden from the prying eyes of the city’s finest.
The men returned their predatory attention back to the girl, and Ellen started cautiously down the alley after them. It was as though the window she usually only looked through had opened, and she were venturing inside instead of watching from out. The tingly feeling was alien to her, uncomfortable, certainly, but not entirely unpleasant.
All at once, the men stepped up their pace and the girl paused, tilting her head to listen and then she hurried forward. As the men overtook her, she spun, clutching the strap of her bag. Ellen saw the flash of a knife and felt a physical pain in her chest as she gulped in a sharp, silent, terrified breath. In the next second the knife swiped neatly and the girl cried out and cowered, then straightened. She was left intact, but holding nothing but the strap of her bag, now dangling useless. As the men raced back toward the avenue with her satchel, she recovered and screamed after them. “Pathetic bastards!!” she railed furiously. “Police! Police!” She shouted, the words echoing even as they were repeated.
Ellen shrunk against the alley wall, stained the same soot color as the faded black of her clothes, her heart racing. The men sprinted toward her, their eyes fixed on the avenue and escape, only a few paces away. As they came level with Ellen, some limp emotion in her suddenly stiffened. Without planning it, she thrust a foot out into the path of the thief nearest to her. He went down hard, letting go of the stolen bag to catch himself, his hands slapping smartly on the rough cement of the sidewalk and scraping off layers of skin as he slid. Obviously unfamiliar with the buddy system, his accomplice did not pause, but rounded the corner and disappeared like a rat from an attic light.
The satchel was lying on the cement. Ellen darted out and grabbed it up while the thwarted purse snatcher was shaking his head and desperately gasping for the air that had been punched from his lungs. Gulping like a goldfish whose misguided leap for freedom had ended in a rude whack on the kitchen linoleum, he stared around, clearly stunned by both the fall and its cause. Moving behind him, Ellen stomped down hard on the instep of the man’s sneaker and he wheezed a yelp, a choking, airless expression of pain.
“Beat it, asshole,” Ellen screamed, her voice so rusty with disuse at that volume that the words came out in a low, throaty rasp. The asshole struggled to his feet, holding his scraped and bleeding palms out in front of him, and ran off without looking back.
Clenching the satchel to her hammering chest, Ellen collapsed against the rough bricks. Her whole body was shaking so violently from the unexpected confrontation that she worried she might disintegrate.
It took a full minute before she could hear anything except the panicked thumping of her heart, and when she could, she realized that outside her head it was oddly quiet. The girl had stopped shouting for the police and was standing still, listening.
“Hello?” the girl called out tentatively. “Who’s there?”
“It’s okay,” Ellen gasped. “It’s me, the lady . . . from the bus. I . . .” She sucked a huge lungful of air and tried to direct the oxygen to the sharp pain in her thudding chest.” . . . have your bag.”
There was a moment of silence—then the girl said, “Really?” She sounded dubious.
Ellen couldn’t imagine anything more “really” than what had just happened, but she couldn’t be annoyed. She was having trouble believing it herself. “Yeah . . . really,” she said.
“Sweet.” The click of the cane brought the girl the few yards back up the sidewalk. She stopped just in front of Ellen, who was, no doubt, easy to locate due to the fact that she was panting like a Saint Bernard on an August afternoon. “Are you all right?” the girl asked.
“I . . . think . . . so.”
“What happened? I heard him go down.”
“Um . . .” Ellen shuffled her feet uncomfortably and said, “I tripped him.”
“Nice. I hope he scraped his face off. Thanks. I’m Temerity.” She held out one hand, only slightly off course.
Confused by the gesture, Ellen realized she was still hugging the satchel and thrust it at the hand. Temerity took it, tucked it under her left arm and then extended her right hand again. “And you are?” she asked pointedly.
“Uh, Ellen,” Ellen said. She took the hand between her thumb and fingertips and gave it an awkward shake. From the point of uncommon contact, she felt a creeping sensation spread across the skin of her wrist and up her forearm, as though a swarm of ants were following a parade route over her shoulder and across her back.
“Well, Ellen, can I buy you a cup of coffee or a beer or something to thank you?”
“No,” Ellen blurted in horror, and then fumbled, “I mean, I have to go to work. I work nights.”
“Where?”
“Costco.”
“I didn’t know they were open nights, not that it makes any difference to me.”
“They’re not, I clean.”
“You clean,” she repeated. “Do you eat?”
Ellen glanced down at her lumpy, overstuffed body, the prolonged conversation was making her increasingly anxious, and hollow. She needed food to stabilize herself. “Sure, sometimes.”
“So that’s good.” Temerity felt along the side of the strapless satchel until she located a small zippered pocket. Taking out a card, she ran her fingers over the raised lettering then held it out. “Here’s my number. I want you to call me tomorrow and I really want to take you to dinner, or breakfast, or whatever works for you. Like I said, it’s all midnight to me.”
In spite of the million-ant march advancing across her skin, Ellen gawked at Temerity in awe. “You eat at restaurants?” she asked.
Temerity’s pretty face scrunched up into a sarcastic scowl. “No, I eat at libraries and furniture outlets. Of course I eat at restaurants, don’t you?”
Ellen wasn’t sure what to say. She wanted to know more about this woman, but the thought of making an actual social engagement spurred the anxiety ants into a fit of competitive f lamenco dancing in miniature golf cleats. Uncertain of how to respond, she just said, “No, but, I mean, aren’t you afraid that you’ll, uh . . .” Her nerve failed her.
The head cocked to one side. “Make a spectacle of myself? Miss my mouth? Stab myself with a fork? Eat the toothpick? You don’t have to be a blind to make a complete fool of yourself, and anyway, who cares?” Temerity threw her arms out and spoke the last words so loudly that they echoed against the walls.
“I don’t go to restaurants.” Ellen felt ashamed to say it out loud.
Temerity let out an exaggerated sigh. “In that case, I can truthfully tell you the only thing you’re really missing out on is the onion blossom at Judy’s. So yummy, and impossible to make at home without a grease fire. Fine. Call me, I live here”—she pointed up—“we can talk about your dietary peculiarities, then. If you’d rather, you can come over and I’ll cook at home. How about that?”
“Maybe,” Ellen said, anxious to get away now. “I gotta go.”
Turning, Ellen fled from the first human who had offered her anything in almost six years. And who, ironically perhaps, saw her because she couldn’t.



Monday, March 24, 2014

**GIVEAWAY** A Hundred Summers paperback release Blog Tour


I'm so pleased to be first on the A Hundred Summers paperback release blog tour. I've included my original interview with Beatriz from when the novel came out, plus a link to my interview I did when she first came on the publishing scene with Overseas and my review courtesy RT Magazine of A Hundred Summers.
Also Beatriz's publisher Penguin Group is offering one paperback copy of this incredible historical literary masterpiece to one lucky US ONLY entrant.
See Below for details.
Enjoy the blog post




  • ISBN-13: 9780425270035
  • Publisher: Penguin Group (USA)
  • Publication date: 4/1/2014
  • Pages: 432






Penguin Group US is offering one lucky
US ONLY entrant
one newly released paperback edition of
A Hundred Summers
use the Rafflecopter form below
Good Luck!
Thanks Penguin!


Tuesday, October 22, 2013

Author Interview-Mike Maden-DRONE

This was a headline in the New York Times this morning-http://www.nytimes.com/interactive/2013/10/22/world/asia/the-drone-strike-capital-of-the-world.html?nl=todaysheadlines&emc=edit_th_20131022&_r=0


They're everywhere in the news, DRONES are, and everyone has an opinion about their use in everything from police surveillance, to military strikes, to even journalism. But what if.......
That's what debut author Mike Madden's novel is about. It's timely, it's evocative, it's the beginning of an explosive new series. So I'm pleased to bring you Mike's interview and when I asked if this novel was a morality tale, he responded––"Drone is absolutely a morality tale. Drones themselves are neutral things—it’s the people that operate them that are truly fascinating. "
See the rest of his answer and all the others below. Then rush out to get your own copy of DRONE!



  • ISBN-13: 9780399167386
  • Publisher: Penguin Group (USA)
  • Publication date: 10/22/2013
  • Pages: 432





Interview with Mike Maden 10-22

Overview:
With a fascinating international cast of characters and nonstop action, Mike Maden’s Drone kicks off an explosive new thriller series exploring the inescapable consequences of drone warfare.
Troy Pearce is the CEO of Pearce Systems, a private security firm that is the best in the world at drone technologies. A former CIA SOG operative, Pearce used his intelligence and combat skills to hunt down America’s sworn enemies in the War on Terror. But after a decade of clandestine special ops, Pearce opted out.

Praise for Maden:
"A brilliant read with astounding plot twists...Maden's trail of intrigue will captivate you from page one." —CLIVE CUSSLER
"Mike Maden understands that sometimes the most lethal warriors are those just out of sight. DRONE is action-packed with cutting-edge technology and an unforgettable cast of characters."
            —W.E.B Griffin, #1 Wall Street Journal and New York Times-bestselling author
“An engrossing techno thriller…Plenty of great drone details. Readers will eagerly await Troy’s further adventures.”
            —Publishers Weekly



Mike welcome to The Reading Frenzy

Tell us about your novel debut Drone.
Drone is the first in a techno-thriller series about a character named Troy Pearce, the owner of a private security company that specializes in drone operations.
This is the start of a series, where did the idea stem from?
The idea for Drone came straight out of the daily headlines. There are so many challenges facing our nation today but it seems as if the crisis in political leadership is the most dangerous of them all. Drone explores the political as well as the military implications of the “new” surveillance and war fighting technologies.

Mike this is a very timely release with all the news that drones are receiving in the media lately. Are these morality tales?
Drone is absolutely a morality tale. Drones themselves are neutral things—it’s the people that operate them that are truly fascinating. Drones are redefining our most basic definitions of words like “citizen” and are challenging our essential understanding of our basic civil rights. In the midst of all of that, Troy Pearce is a metaphor for the average American. Like most of us, he absolutely loves his country but his fed up with the self-serving political class that also seems to promote itself at the expense of the country at large.

Mike I read that this novel is the result of a challenge by your friends.
Can you tell us about the challenge?
I have two great friends I graduated from college years ago with and they both have labored faithfully in the vineyards of novel writing for a long time. Despite enormous story-telling talent, they were never able to land a traditional publisher. They had suggested I try novel writing way back in the day, but given their lack of publishing success, I didn’t see the point in attempting it. But two years ago they both discovered e-publishing and have had tremendous success in that venue, putting up their previously unpublished novels and writing many new ones since. With that success they once again came to me and said I should give it a throw. I’m glad I accepted the challenge! My original plan was to publish Drone as an ebook but then my friend David Hale Smith asked to read it and offered to rep it. The rest is history. I’m happy to report that both of my friends have paper publishing contracts now, too.

So now that you’ve accepted and finished the challenge what surprised you most about the novel writing process?
I was stunned to discover that the word count—which frankly seemed unattainable coming from screenwriting--really isn’t the problem. At first, a hundred thousand word document seemed out of reach, partly because it was fiction. (I had previously written a doctoral dissertation which was manuscript length.) The challenge for me in this format is that I have too many ideas, too many characters, and too many issues I want to explore and the wide open page count only tempts me to invite too many people to the party. A spec screenplay is seldom longer than one hundred and ten pages and often only ninety so one is forced to be much more disciplined, er, ruthless in one’s word choices as a screenwriter.

Was it more different or more like the screen writing you’re used to being the co-creator of Pink on WebTv writing this novel?
Story structure is essentially the same for screenplays as it is for novels. Of course, screenplays are strange beasties—they are only meant to be read by people who intend to make them into something else (movies) which means that, technically, screenplays aren’t literary documents. The job of the screenwriter is to create a movie in the mind of the script reader so that they can “see” the movie that should be made. That’s why, “Show, don’t tell,” is a cardinal rule in screenwriting. One of the greatest compliments I’ve received about Drone is that it plays like a movie in the mind of the reader and I attribute that to my screenwriting experience.

Mike this novel is getting a lot of advanced publicity. Does that make you more nervous than if it came out more unknown?
Unfortunately, too many authors blame their failures on their publishers because they think the book didn’t receive enough marketing support. I certainly won’t have that excuse! Putnam has been so incredibly supportive at every level, from editing (thank you Nita and Meaghan!) to the fantastic cover art and all the way through my publicist Kelly Rudolph. If the book doesn’t sell well there’s only one person to blame and his name is on the cover of the book--and it isn’t Troy Pearce. Am I nervous? No, not really. The folks at Putnam are the best in the business and their incredible support of Drone tells me how much they believe in the book so that actually gives me a great deal of confidence. I’m a huge fan of Steven Pressfield (The War of Art) and I agree with him. As a writer, all I can do is throw my best punches until the bell rings. The only question for me now is, did I leave everything behind in the ring? I did. I totally believe in the characters, the security challenges explored are real and the amazing drone technology is based on actual systems deployed or in development.

Can you tell us anything about the next novel in the series or will you have to kill us? :)
I’m a soft-handed scribbler and violence isn’t part of my vocabulary. Oh, wait, I take that back. My vocabulary, lexicon and oeuvre actually are chock full o’ violence, now that I think about it. So I’ll just say this about the sequel: everything I hope the reader loves about Troy in Drone will still be at play as he faces even greater challenges and worse heart breaks in the sequel. The working title is, The Blue Warrior.

Mike what kind of reader will enjoy this novel?
At this point, more women than men have read the drafts, and the world’s toughest critic I know is Mrs. Maden who is NOT shy about throwing me the Stink Eye when I toss her a goose egg. But she’s been nothing but thumbs up on Drone, and so I will confidently say that anybody who likes to read military and techno-thrillers in the vein of Tom Clancy, Vince Flynn or Brad Thor should enjoy Drone so long as they don’t mind big action, political intrigue and, well, drones—lots of ‘em. My novel also features a number of great female protagonists who work with Troy at Pearce Systems, and Margaret Myers is the president of the United States who, frankly, is the best president this country has ever seen because she has more sand than previous occupants, fictional or otherwise.

Mike thank you so much for taking the time to answer these questions.
Good luck with this novel and the rest in this new series.
Will there be any author events/signings for this novel?
Thank you so much for your interest in Drone. I’m so very fortunate to have two book signings in October at two legendary indie bookstores, The Poisoned Pen in Scottsdale, Arizona, and Murder by the Book in Houston, Texas. I post all of my events on my Facebook page and Twitter feed which also display on my web page at www.mikemaden.com I love connecting with readers so I hope they’ll stop by and chat it up sometime soon.

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Friday, October 18, 2013

**GIVEAWAY** Author Interview Stephen Donaldson- The Last Dark

I'm excited to interview fantasy/science fiction author extraordinaire Stephen Donaldson who talked to me about his new novel the 4th and final installment of The Chronicles of Thomas Covenant series which began with Lord Foul's Bane which was published in 1987. I asked Stephen which of these characters he would miss, here's what he had to say about it. ––" ...Only the characters who have cause to complain about me linger in my heart. And I’m happy--or perhaps simply relieved--to say that none of the protagonists of The Last Chronicles has cause to complain..."
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Overview:
Compelled step by step to actions whose consequences they could neither see nor prevent, Thomas Covenant and Linden Avery have fought for what they love in the magical reality known only as "the Land." Now they face their final crisis.  Reunited after their separate struggles, they discover in each other their true power—and yet they cannot imagine how to stop the Worm of the World’s End from unmaking Time.

Praise for Donaldson’s work:
"Fans can celebrate." —The Kansas City Star

Praise for THE CHRONICLES OF THOMAS COVENANT:
"A feast for epic fantasy addicts." —Publishers Weekly
"The most original fantasy since THE LORD OF THE RINGS." —Time Out
"I don't think books like this come along more than a few times in a lifetime." —Marion Zimmer Bradley
“An epic with page-turning intrigue.” —Detroit Free Press
“Impressive…filled with splendid inventions.” —Booklist
“A reawakening of a classic fantasy saga.” —Library Journal
“A trilogy of remarkable scope and sophistication.” —Los Angeles Times
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Stephen welcome to The Reading Frenzy

Debbie - Could you tell us a bit about this latest in your series the Last Chronicles of Thomas Covenant- The Last Dark.
Stephen - THE LAST DARK is the climax of The Last Chronicles:  all four books come to their final crisis and resolution here.  But it is also the climax of the whole Thomas Covenant saga.  If you’ll forgive a clichéd metaphor:  all the chickens of the previous nine books come home to roost in THE LAST DARK.


D- This is the final chapter in this series.
Why end it now?
S - Well, this is Armageddon.  Or “apotheosis,” if you prefer.  There’s nowhere to go after this.  In fact, I’ve been aiming toward this end point ever since I realized that my story wasn’t completed by The Power that Preserves (Book Three of the original trilogy, The Chronicles of Thomas Covenant the Unbeliever).  Thirty-five years ago, I decided that I wanted to arrive here.  Now I’m satisfied.

D- Now that your epic series is over which of your characters will you miss most?
S - For me, missing a character after I’m done with a story depends on whether or not I believe that I did that character justice.  When I believe that I did do him or her justice, I’m content to say goodbye.  Only the characters who have cause to complain about me linger in my heart.  And I’m happy--or perhaps simply relieved--to say that none of the protagonists of The Last Chronicles has cause to complain.  Which, unfortunately, is not a statement that I can make about some of my non-Covenant characters.

D- When creating a new character do you ever borrow personalities from other of your characters?
S- Not consciously.  Unconsciously, of course, I’m sure that I continue to wrestle with characters whose complaints echo in my ears.  But I’m not aware of doing that when I write.  When I write, I’m only aware of the specific story and the specific characters that are right in front of me.

D- Stephen with such a long and honored career as a writer how does a release day today differ from the first one?
S- Many things both internal and external have changed over the course of my career.  Internally…well, let me put it this way.  Lord Foul’s Bane, my first published book, was rejected by 47 (!) publishers before it found a home.  After so much bad news, that first release date felt like a transcendent gift.  I was almost literally beside myself.  But 22 previous books and many years later, I’m calmer about the whole process.

D- Stephen you have an eclectic background.
When did you discover your writing muse?
S- In retrospect, I can see that I spent my whole early life (starting at about age 4) preparing to be a storyteller (and specifically a teller of written stories).  But at the time, the discovery that I wanted to write stories came as a complete surprise.  This happened during my first week of college; and once that bulldog had sunk its teeth into me, it never let go.  Until that moment, I thought I was going to study Chemistry.  After that moment, I dedicated all of my energies to the study of literature in an effort to learn what I needed to know about writing.

D- Why Fantasy?
S- I don’t have a better answer than, What makes you think I have a choice?  After discovering that I wanted to write stories, my next task was to discover the best possible use for my specific talents.  Years of experimentation finally led me to fantasy (and to science fiction, which I consider a close sibling of fantasy); and when I did discover fantasy, I had an intense sensation of “coming home”--of finding the work I was born to do.  How could I have chosen anything else?

D- Which of your Awards mean the most and why?
S- I prize most highly my honorary doctorate (Litt.D.) from the University of St. Andrews School of Divinity.  In my view, that award acknowledges that my work has both literary and philosophical merit.
Of course, I’ve also received a Litt.D. from the College of Wooster.  But I graduated from Wooster:  I’m known there.  The University of St. Andrews (Fife, Scotland) knows only my work.

D- What’s next for you?
S- I can’t answer that.  I’ve never planned ahead in my writing life:  as far as I’m concerned, the only story that exists is the one I’m working on right now.  Until very recently--and for the past 12 years--that story was The Last Chronicles of Thomas Covenant.  As a result, I haven’t yet had time to make any plans, or to start on something new.

Stephen thank you so much for taking time from your busy schedule to answer my questions. Good luck with this novel and for your future works too.


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Tuesday, October 15, 2013

**GIVEAWAY** + Interview with author debut author Barbara Davis - The Secrets She Carried

Today on The Reading Frenzy I'm pleased to introduce debut author Barbara Davis who is answering questions about her novel The Secrets She Carried. When I asked about the premise  and how the idea came about she said––"One day I was waiting in the car for Tom when I noticed a single gravestone on the side of the road. Now, in North Carolina, this isn’t really unusual. They’re everywhere,..." See the rest of this answer and all the rest below





  • ISBN-13: 9780451418777
  • Publisher: Penguin Group (USA)
  • Publication date: 10/1/2013
  • Pages: 384




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Overview:
When a young woman returns to North Carolina after a thirty-year absence, she finds that the once grand tobacco plantation she called home holds more secrets than she ever imagined. Though Peak Plantation has been in her family for generations, Leslie Nichols can’t wait to rid herself of the farm left to her by her estranged grandmother Maggie—and with it the disturbing memories of her mother’s death, her father’s disgrace, and her unhappy ...
 Praise for Davis’ debut:
Davis paints a picture of two eras and beautifully flawed characters with evocative and caring words.”—Susan Crandall, author of Whistling Past the Graveyard
“Lovely and assured writing. Adele Laveau's haunting voice and Leslie Nicholl's journey toward understanding lingered long after I read the final page of this engrossing tale."—Julie Kibler, author of Calling Me Home
“A beautifully crafted page-turner with many twists but a simple theme: no matter how far you run, you can’t escape your past.  Part contemporary women’s fiction, part historical novel, the plot moves seamlessly back and forth in time to unlock family secrets that bind four generations of women….A stunning read from the first page to the last sentence.”—Barbara Claypole White, author of The Unfinished Garden
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Barbara welcome to The Reading Frenzy.

Tell my readers a little about The Secrets She Carried.
SECRETS is the story of two women from different generations whose stories eventually collide. Leslie Nichols is big-city editor forced to return her childhood home when her estranged grandmother leaves her the family tobacco plantation. Peak Plantation was never a happy place for Leslie, evoking some pretty troubling memories about her mother’s death. Her plan is to dispose of the place and its memories, as quickly as possible, until she stumbles onto a cryptically marked grave that was clearly never meant to be found. Suddenly, Leslie’s need to run away is replaced with an almost obsessive need to know the truth behind who is buried in the mysterious grave and what connection that person might have with her family. Unfortunately, there’s a man living on the property, a caretaker who isn’t quite what he appears, who has his own motives for keeping the secrets of the grave a secret. 

Barbara congratulations on your debut novel.
According to your website you left the corporate world to pursue your lifelong dream of being an author.
Tell us how and when that dream started and how you finally were able to fulfill it.
It really has been the most amazing journey, so much so that I sometimes have to pinch myself. Fourteen years ago I was promoted and my fiancé and I moved to North Carolina. At the time I was a VP with a national jewelry chain, but about four years ago, I was laid off from my job. At the time, it felt like the end of the world. Then I realized I needed to pay attention to the message the Universe was sending. Finally, with tons of encouragement from my fiancé, I realized it was time to pursue my lifelong dream of writing. I’d been simmering on the idea for SECRETS for several years, and suddenly I had no excuse not to follow through. It took a good six months to find my voice again, after so many years in the corporate world, but I finally did, and I’ve never looked back since. Sometimes disasters really do turn out to be blessings.       

Where did the premise for The Secrets She Carried come from?
One day I was waiting in the car for Tom when I noticed a single gravestone on the side of the road. Now, in North Carolina, this isn’t really unusual. They’re everywhere, along the sides of the road, in the middle of cornfields, even in a mall parking lot in Greenville, because back in the day that’s what people did. Loved ones were buried on family farms. But now those farms are gone, roads have been built—the landscape has changed, and yet these graves, these lost loved-ones, remain. And as I sat there I found myself wondering who was buried in that particular grave, and how long they’d been there. It all felt very sad to me, very lonely. I wondered if there were family members looking for that person, and what story that departed loved one might have to tell so many years later. And just like that Adele Laveau was born. In what felt like minutes, her story came to life in my head and refused to go away.

What kind of research did this novel require?
I was born in New Jersey so I had no real knowledge about tobacco farming which played a role in the backstory of Peak Plantation. I did a lot of research about the day to day operations of planting, curing, and marketing back in the thirties, much more than I needed to do, as it turned out, but it’s easy to get lost in research when the subject is so rich. I also had to research how the small-town farming economies were hurt during the Great Depression, and how folks coped with scarcity and rampant unemployment. Luckily, this information is still very plentiful here in Carolina. Also, since Peak has since been converted to a vineyard, I had to learn a lot about wine and wine-making, which, I confess wasn’t much of a hardship.

Now that your first novel’s been put to bed; whew.
What about the experience will you change for the next novel?
I think my biggest takeaway from SECRETS is that going forward I don’t need to worry about getting it “perfect” before I turn in that first draft. There’s SO much writing that happens after that. So much of the “original” draft of SECRETS was scrapped, stuff I agonized over that ended up on the so-called cutting room floor—and none of it was missed. Novel writing, as much as we may hate to admit it, really does take a village. So many hands and hearts go into taking a good novel and making it great. That happens in layers, when fresh eyes and ideas are brought into the process. I can’t say enough how much of Secrets is owed to my fiancé, my critique partners, my wonderful agent and amazing editors.

Tell us about where you were and your reaction when you learned your book had sold?
Oh, wow. Just thinking of it makes me choke up. It all happened pretty quickly, actually, certainly more quickly than I’d been told to hope for. About a month after my agent started shopping the manuscript, she called me and said we had an offer, followed by a second call shortly thereafter, that we had a second competing offer. I remember feeling numb for a minute, and then bursting into tears of relief, that it all hadn’t been for nothing, that I wasn’t the only one who thought it was a worthwhile book. Tom walked into the room, took one look at my face and thought someone had died. He still teases me about it.   

What were your reactions to your early reviews?
Do you think you’ll be one of the authors who read all the reviews or one that doesn’t?
I think my initial reaction was shock that people were actually reviewing it at all. Being a debut author, I didn’t really expect to get a lot of early attention, but so far it’s all been pleasant surprises, so that’s good. I think I’ll read most of them early on, mainly because I’m still learning about how the process works. I’d like to say I’ll one day get past worrying about reviews, but I’m not sure I will. I think you can learn from criticism, even when it isn’t particularly fun.    

Barbara are you a reader?
Fiction or Non-Fiction?
I’m a huge reader. Mostly women’s fiction, with some positive living/inspirational non-fiction sprinkled in. I’m a big fan of writers like Diana Chamberlain, Karen White, Susan Crandall and Sarah Jio. Plus, I love discovering and supporting new writers in my genre. There’s so much amazing talent out there. 

What’s next for you?
I’m currently working on my second novel, THE WISHING TIDE, which is set on North Carolina’s outer banks, and is due out in November 2014. It’s a story about three people whose lives intersect in some pretty interesting and unexpected ways. They’re all struggling to get un-stuck from their pasts, trying to learn how to fight for happiness. There are some real twists and turns, so I’m having a lot of fun writing it.

Barbara I know new fans will want to meet you in person.
Will there be a tour for this release?
My first signing is scheduled for Tuesday, October 15th at 7pm, at Flyleaf Books: 752 Martin Luther King Jr. Blvd. - Chapel Hill, N.C.
Other events are currently being scheduled, and will be posted on the Events tab of my Facebook page: https://www.facebook.com/barbaradavisauthor?ref=hl

Thank you for sharing some time, good luck with this novel and all your future endeavors as well.
Thanks, so much for having me!




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