Tuesday, August 11, 2015

**GIVEAWAY** Interview – Sarah Bannan – Weightless

Please welcome Sarah Bannan whose debut Weightless, a timely tale is getting some terrific press. Its out right now but Sarah's publisher St. Martin's Press is sponsoring a giveaway for one print copy US ONLY, details below. So enjoy the chat then enter for a chance to win a copy for yourself!




ISBN-13: 9781250078988
Publisher: St. Martin's Griffin
Release Date: 06/30/2015
Length: 336pp
Buy It: B&N/Amazon/Kobo/IndieBound/Audible
  


Overview

When Carolyn Lessing moves from New Jersey to Alabama with her mother, she rattles the status quo of the juniors at Adams High. Gorgeous, stylish, a great student and gifted athlete without a mean girl bone in her body Carolyn is gobbled up right away by the school's cliques. She even begins dating a senior, Shane, whose on again/off again girlfriend Brooke becomes Carolyn's bitter romantic rival. When a make-out video of Carolyn and Shane makes the rounds, Carolyn goes from golden girl to slut in an instant, with Brooke and her best friend responsible for the campaign.

Giveaway is for one print copy US ONLY
of Weightless by Sarah Bannan
Please use Rafflecopter form below to enter
Thanks St. Martin's Press
Good Luck!

Read an excerpt courtesy St. Martin's Press:

1

They came out in groups of three, wearing matching shorts and T-shirts, their hair tied back with orange and black ribbons. Their eyes were wide and they yelled and clapped and turned, precisely, rehearsed. They smiled and their lipstick was pink and smooth, their teeth white and perfect. They sparkled.
We sat in the bleachers, towels underneath our legs, trying not to burn our skin on the metal. We wore our Nicole Richie sunglasses and our Auburn and Alabama baseball caps and our Abercrombie tank tops and shorts. The scoreboard on the left of the field displayed the temperature—97 degrees—and the Adamsville morning news said that the heat index made it closer to 105. This is something we had learned to get used to, to air so hot and sticky that you felt like you were moving through liquid, to summers so hot you moved as little as humanly possible, and even then, only to get into air-conditioned air. The temperature flashed away and the time appeared—5.24 P.M. The sun would set in two, maybe three hours, but the sky was already turning a deeper orange; some clouds gave a little shelter, softening the glare. We sat and we let the heat do what it had to; sweat collected underneath our knees, between our legs, on the backs of our necks.
Three more moved to the field, all spirit fingers and toe touches and back handsprings. Thin, tanned and golden: they were smiling and they did not sweat. They looked fresh and impossibly clean and their mascara didn’t run and their foundation didn’t melt and their hair didn’t frizz. We clapped and we cheered and we watched and we waited. The marching band played in the bleachers across from us: brass, drums, Adams High’s fight song. We sang along to the parts we knew, we screamed during the parts we didn’t. And it always ended the same way:
“ADAMS HAIL TO THEE.”
The pep rally would have been indoors, would have taken place in the gym on the basketball court, like always, like we were used to, only a bunch of seniors had vandalized the walls the day after graduation, and they hadn’t turned up to do their punishment, to remove their spray paint with paint thinner and methyl chloride: the administration couldn’t do a fucking thing now, until the day before the school year began. But Mr. Overton refused to give in, refused to have the janitors paint over it. So, here we were, a week before that, a gym full of expletives or some kind of soft core porno crap or something. Our parents had been told that the whole school was being fumigated for asbestos, but we knew better. We knew the real story. We’d heard it from Taylor Lyon, and she’d told everybody, and eventually, it was something that everybody knew. Or everybody who was anybody.
We watched the girls run to the side of the track, but Taylor Lyon stayed in the center and we watched her cheer. All on her own. The faculty sponsors sat in the front row—Miss Simpson, Mr. Ferris, Coach Cox—and we watched them watch her, watch her as she jumped and clapped and touched her toes and yelled. She yelled so much louder than you could imagine, a deep voice from an almost invisible body:
“Jam with us! You’ve got to, got to, got to jam with us! Go AHS!”
Taylor had hair that was just a little red—mostly brown, but with fiery glints—and when the sun hit it, the little glints looked supershiny, like something out of a Crayola box. When we were in kindergarten, Mrs. Cornish picked her for everything: to be Snow White in our end-of-year production, to be the line leader, to be the Pilgrim who said grace at Thanksgiving. Mrs. Cornish loved Taylor, and said her red hair was her “crowning glory.” And when she said that, or when she picked Taylor for another honor, for another role, Taylor’s face would burn deep, a red that looked like it stung her cheeks, like it ran through her whole body. It was strange to watch her now, and we wondered if she thought it was strange too, how much she had changed.
The heat was still unbearable, and we took out bottles of Gatorade and tried to focus on Taylor as she did her back handsprings, as she tumbled across the track. She came back to the center again, gave us spirit fingers and a smile, picked up her pom-poms, and she ran to the side. Her solo was over.
Gemma Davies moved to the center, and a cloud started to drift over the sun, putting half of Gemma into the shade. Gemma’s hair was blond, almost peroxide, but we knew it wasn’t, that was her natural color, it had been since preschool. We watched as her ponytail rose and fell with each toe touch. Gemma’s gymnastics were the best—she could jump higher than any of the others, and she was the captain and probably always would be. Gemma smiled at everybody, or that’s what everybody said, and she had been voted “Best Personality” our freshman and sophomore year. Now she was going to be a junior, just like us, and her boyfriend, Andrew Wright, was going to be a senior. You’d think things like this were lame, that only in Hilary Duff movies did crap like this make a difference, but it was weird how much it meant to us, even if we didn’t say it out loud.
We’d heard that Gemma’s dad was freaked about Andrew at first—Reverend Davies was our preacher—and everybody knew that he used to come with her and Andrew to the movies and to Olive Garden for their Saturday night date. Whether he sat with them, or a few rows or tables back, we weren’t sure. We imagined he drove his own car, and that Andrew at least got to be alone with Gemma for the drive, but even that wasn’t entirely clear. Gemma’s life was a series of rules, this much we knew, and she wasn’t some preacher’s daughter who went against things, who flouted authority, like Ashlee and Jessica Simpson. Gemma did as she was told, or at least for the most part, and for that and maybe because of how she looked, she was popular. Popular and good.
We thought that Reverend Davies should have been happy about Andrew. He was good too, probably a lot nicer than Gemma. Andrew Wright was tall and thin and gangly and kind. He opened doors for girls and said “yes, ma’am” and “no, sir” and he never laughed during prayers or when somebody dropped their tray in the cafeteria. He had sandy-brown hair and freckles and our mothers used to tell us he was “darling,” whatever that meant. He wore khakis and New Balance sneakers and his face was as smooth as a little boy’s, he probably didn’t even have to shave. He was so tall compared to Gemma we said it was actually gross to watch them kiss, her on her tippy toes, him hunching over. He had a thing for tiny girls, we said later. The tinier, the better. Gemma could have fit in his pocket, he could take her home and nobody would know.
Gemma Davies wasn’t allowed to wear a bathing suit—a religious thing—and when we were in fourth grade, and we took a field trip to the water park in Moulton, she had to wear her giant culottes and an old T-shirt in the water. Nobody laughed at her—not that any of us remember—but when we went again a year later, Gemma was sick, and she didn’t come at all.
We looked at her uniform now—the top like a corset, the skirt no bigger than a postage stamp. Her navel popped out every time she raised her arms. She was toned and her body was tanned and she must have waxed her legs and everything ’cause when she did her arabesque, everything was all perfect and clean. She was so pretty. So pretty and light.
We were always surprised that Reverend Davies allowed her to cheer. We guessed he didn’t mind ’cause there were so many rules for cheerleading in Alabama, so many things they couldn’t do, most of them involving the hips and the ass. You could do stuff above the waist, but none of the hip-hop stuff that you’d see inBring It On. But the cheerleaders still danced, they still moved more than you’d think girls who couldn’t wear bathing suits would be allowed to. We wondered what the difference was between the uniform and a bathing suit—from where we were sitting we couldn’t tell—but there must have been something, ’cause Reverend Davies was there in the bleachers, with Mrs. Davies, near the front, right behind the teachers. Gemma’s mother had been a cheerleader at Adams back when she was in school, and Gemma had the old yearbooks to prove it. Mrs. Davies still kinda looked like a cheerleader, we thought, or like a Desperate Housewife, and the guys in our class called her a MILF. We wondered if they really meant it, and even though it was disgusting that guys said shit like that, we were still kinda jealous of Gemma and her mom: you’d see them walking through the mall together any time you were there, bags like accordions, from Banana Republic and Abercrombie and Parisians, and the next day in school Gemma would be wearing something new.
We watched Gemma’s miniature frame as she tumbled across the track—she was no more than five foot two. Her makeup sparkled—Benefit or Stila, we guessed—and her eyes were so blue you wanted to dive into them. Her eyes were wide and big, bigger than a Disney character’s, and new teachers, teachers who hadn’t grown up in Adamsville and didn’t know that Mrs. Davies used to be captain of the cheerleading squad and Reverend Davies used to be captain of the football team, they thought that Gemma might be a little bit slow, her eyes seemed so empty. In sixth grade, when a new social studies teacher started, Gemma had been asked who the current president of the United States was and she hadn’t answered. At first, Mr. Abbot thought she was being fresh and, as the seconds and minutes passed and she continued to sit still and silent, he thought she might suffer from a form of retardation. He sent Gemma to the principal’s office and, later, we found out Mr. Abbot had suggested she be given a basic aptitude and IQ test. She didn’t even get to the principal—the secretary, Mrs. Bullen, she knew the Davies and knew this was a misunderstanding. She sent Gemma home sick.
Gemma was the nicest girl in our class, that was what everybody said. But when you thought about it, when you really tried to remember the nice stuff she did, it was kinda hard. Looking back, we wondered if it was because she was so dumb, if that was the reason we let the label stick. Or maybe because she was so pretty, her hair so blond and smooth and her skin so perfect and tanned. Being honest, it was probably just because we said it so many times. Sometimes you will something to be true.
Gemma did her chant and while she clapped and turned and pivoted and jumped, some of the senior guys in the back started shouting.
“Hot.”
“I want Davies to have my babies!”
“One more handspring, Gemma!”
“Hhhhhhoooootttttt!”
“Take it off!”
We turned and watched the guys throw their arms around, hit one another on the back, cover their mouths as they spoke to muffle the sound. We turned back to watch Reverend Davies—he didn’t move his head. But he lifted his arm around his wife’s shoulder and held her next to him. She pushed him off. It was too hot.
Gemma ran to the end of the track and gave Taylor a hug. We watched as Brooke Moore moved to the center, now fully in the shade.
Brooke’s eyes were so brown they were nearly black, and she wore white eyeliner that made them pop—we could see that even from where we were sitting, even with her covered in shadow. She had freckles, thousands of them, but she smothered them with liquid foundation. When she started to cheer, you could hear the murmuring start, the speculation from the guys and the girls, and maybe even from some of the parents, the alumni scattered around us.
“Baby got back.”
“That’s at least ten pounds.”
“Fifteen, easy.”
“She went on the Pill.”
“I think she looks better.”
“You’re such a liar.”
“Y’all be nice.”
“Just saying.”
“Summer of Twinkies.”
“Summer of sex.”
“Shut up.”
The uniform was two sizes too small, that much was for sure, and we heard later that her mother had bought it as a kind of motivation for her to drop the weight. Brooke was tall, her legs were longer than Gemma’s whole body, we guessed, and “when you’re five foot eight, and you put on a few pounds, a cheerleading uniform isn’t kind,” we overheard Miss Simpson saying later. Whatever, we thought.
Her routine was faultless, really. Arms tight and rigid, clapping in straight lines, just below her chin. She did Candlesticks and Raise the Roof and an arabesque, but her size was distracting.
Brooke was still beautiful, this much we knew. She’d even done some modeling for our local department store, Parisians, and a couple of years ago, in the Galleria in Birmingham, she was scouted by an actual agency who wanted her to come to New York for some interviews. Why she didn’t go, we weren’t sure. Some people said this proved that the scouting never happened, and other people said it wasn’t a modeling agency at all, and that she hadn’t been scouted, but that she’d gone to Birmingham to audition for “Survivor” or “Big Brother” or “Paris Hilton’s BFF” or some other reality show, and that she had gotten a call back, but that they couldn’t afford the airline ticket to New York. But that didn’t seem likely either, we thought. Brooke Moore wasn’t that poor. It was just something people said.
Whatever the truth, Brooke’s features were flawless, her skin had never seen a zit, not even a whitehead. She was a Neutrogena ad, we said. She hadn’t always been tall—in elementary school, she’d been one of the smallest in the class, and she looked even smaller because her hair was always long, almost down to her waist, and she wore it in braids sometimes, and you could be hypnotized by the cords of brown, some parts glimmering like pennies, other parts smooth like a Hershey bar, weaving in and out of each other and tied with a perfect purple bauble.
Brooke always wanted to have it cut—she begged her mother to let her get a bob, something short she could tuck behind her ears. But her mother refused, insisted that girls were meant to have long hair, that Brooke’s prominent chin, her slightly crooked nose, all of this would be exposed with the wrong haircut. “A bob would be unforgiving,” she was overheard saying in Winn-Dixie, in church, at the country club, to whomever had just complimented her on her daughter’s beautiful hair.
When she was ten, Brooke rode her bike to a hair salon—to Cutting Edge or Just Cuts or maybe it was even Sam’s—her allowance for the past six months stashed in her pocket. She brought a photograph of Jennifer Aniston’s bob and one of Tiffani Thiessen’s shag. Her mother had arrived before the scissors came out and the cut had been aborted. Her braids stayed for years.
We watched Brooke now, her hair just shoulder length—a battle had obviously been won, somewhere in the last five years. And her chin didn’t jut, we didn’t think, her nose looked perfect to us, but we’d heard that Mrs. Moore had been exploring plastic surgery options for Brooke over the summer, had even been to the bank to see about a loan. Something about a deviated septum. And we wondered now if liposuction had been added to the list. She was the fattest of all the cheerleaders, that was obvious. She’d probably go back to her pseudo-bulimia, we said to each other. Not enough self-control to be rexy.
The uniform was too tight all over but it looked the worst in her chest—she was huge, had gotten even bigger over the summer. We’d heard before that she had to special-order her bras from the Web, nobody carried a 32 triple F or whatever freaky size she was. We wondered what she was doing for underwear now. Somebody behind us said, “Her boobs are like something out of National Geographic,” and we laughed a little, because we knew what they meant. When we were twelve or thirteen, when everybody was just getting training bras, Brooke was already stocked in Victoria’s Secret and she’d come into school wearing a white shirt with a red bra you could see underneath.
Brooke finished her chant and people yelled and clapped and called her name—fat or not, she was still popular, people loved her. We looked around and we could see Mrs. Moore—not sitting in the bleachers, but standing on the side of the parking lot, a cigarette in her left hand, a Diet Coke in her right, platinum hair catching the sun, and even from a distance you could see it was perfectly set. She wore huge sunglasses that obscured half her face—we couldn’t tell if she was even looking at the field. She didn’t clap. Her hands were full.
*   *   *
We shifted on the bleachers. Wiped the sweat from the backs of our necks, let out breath that lifted our bangs from our faces. We tried to cool down however we could.
We looked out at the field in front of us. We sat in front of the fifty-yard line, straight down the middle, and we said we had never seen the field looking so green, so polished, the white lines sharper than anything in HD. In the center, the letters “AHS” and a bear, our mascot, our hero. We looked across the field, to the other set of bleachers, to the band playing away, in a sea of black and orange. And then, beyond the bleachers, you could see a couple of telephone poles, the parking lot, half a dozen pine trees. And empty pink sky. It looked like our football field had been dropped in the middle of a wasteland, that’s how little you could see beyond it, the bleachers, the parking lot.
Lauren Brink turned to us. “I may actually die from this heat. This might actually be how I, like, go.”
We laughed and Nicole pulled her T-shirt up to her face, wiping the sweat. “I am literally sweating buckets. Literally.”
Lauren rolled her eyes. “Really? Like literally, literally?” Nicole’s lip might have trembled, we couldn’t tell.
Jessica Grady put her hand on Nicole’s arm. “Brooke in training,” she whispered. And Nicole laughed, even though we thought this might be true and that probably wasn’t something to laugh about. Another Brooke.
We looked over at Brooke’s mother, smoking another cigarette, drinking yet another Diet Coke. “I don’t even think that woman has sweat glands,” Lauren said. “Or tear ducts.” We smiled, and wondered what it would be like to have Mrs. Moore as your mother, your actual mother—not your leader in Girl Scouts or your parent rep at a youth group field trip. Your actual mother. We imagined we wouldn’t like it. At all.
The only thing that Mrs. Moore liked about Brooke, from what we could see—and from what she told our mothers at PTA meetings or in the Winn-Dixie—was Shane Duggan. Shane was popular, beautiful, a good student—not smart, but not dumb—his dad a former quarterback, a star, had molded Shane into his image. And Shane had been into Brooke for years before she agreed to go out with him. That’s what we heard, or that’s what people said. He was going to be a senior, and over summer vacation, Shane and Brooke had been seen at the movies together—at Salt, Iron Man 2, Prince of Persia—and they’d been seen at Wendy’s, sitting in the same side of the booth, sharing a Frosty or something like that. And Shane had been seen picking up Brooke from the country club, where she lifeguarded.
Nobody could say for sure that they were a couple—they never went to parties together—but people were pretty sure they were having sex, and that was why she’d gone on the Pill, and that was why she’d piled on the weight. Brooke and Gemma had taken the virginity pledge at church the previous year, wore rings on their wedding fingers just to prove it, but once she started hanging out with Shane, everybody was sure that was over. When we were freshmen, a thing had gone around on text about Brooke being a prick tease, and some people said that Shane was only into her to get her to give it up. Whatever, we thought. Pledge or no pledge, Shane Duggan was hot.
We watched as the eight girls performed together, the varsity cheerleading squad: we had watched them, along with twenty others, the last week of our sophomore year, and we had voted, voted for the most talented, yes, but also for the prettiest, for the most popular, for the ones that we knew the very best. And now here they were, representing the best of us, who we wished we could be.
We clapped and we yelled and the band played the fight song again and the football team took to the field, behind the cheerleaders. We watched Coach Cox come to the center, with his orange hair, orange cap, ears so big we could see light shining through them. What a dork.
“We have a real exciting year ahead of us, y’all.” The microphone squealed, we covered our ears, the senior guys booed, the parents grimaced. Coach Cox stepped back and waited and leaned forward again, speaking more softly now. “We’ve got here a real talented bunch of boys, boys I believe in, boys that I’ve known since they were in diapers, boys I saw the first day they threw a football, the first day they caught one too.” He paused, looked down at his hands—he wrote on his body always, had done this for years, and tonight it looked like he’d written stuff all the way up his forearms, probably reaching up to his shoulders. “I’d like to thank these boys for their dedication this summer. They’ve played through some mighty hot weather and they haven’t complained. But they need your support over the next few months to keep them strong, to keep them focused. I’d ask all y’all to come to all the games—home and away—and cheer on a team I think can go unbeaten. We only lost two games last year—and I know—Iknow—we can do it. If we trust in ourselves, if we trust in the Lord, if we stay focused, stay strong. Praise the Lord.”
Coach Cox stepped back. We clapped, the band beat the drums, and we watched as Reverend Davies came to the microphone.
He put his hand up and we got quiet. An ambulance siren could be heard a few streets away, the sound of cars just barely audible. “Let us pray.”
And then it began. The prayer, the prayer for the year. In Adamsville, we didn’t pray that we’d graduate, that we’d get along, that we’d get good jobs or get into Ivy League schools. We didn’t pray that some of us would manage to get out of here, that some of us might have a life outside of this town. We prayed for our football team, that they’d go undefeated, that we would get to State. That we would win.
We were meant to keep our heads bowed as we prayed. And we did, mostly, only it was so hot and the prayer was so long, we couldn’t help but look around, and something drew our eyes to the parking lot, just to the left of the field. We could see somebody emerge from a red car—a Honda?—and begin to walk toward the bleachers. As Reverend Davies spoke, we watched this figure, this girl, move closer and closer to us. Even from a distance, we knew we had never seen her before.
The prayer finished and people clapped again. The sun was beginning to set. The air was five degrees cooler, maybe more. We picked up our towels, and we headed down to the field—we would say hello to Taylor, if she saw us, and then we would hang around to see where people were going.
We searched the crowd for that girl—it should be easy to notice something new, we thought, when everything in our town was always the same—but we couldn’t see her. We thought she had disappeared. And then, as we got closer to the field, as we filed down the bleachers, we saw her again: tiny, beautiful. She had brown hair, long and shiny and curled just at the ends. She was wearing jeans—how could she stand the heat?—and a white tank top that was so white it nearly blinded you. Perfect.
It’s important to remember how weird this was—a new girl coming to our town—how unused to it we all were. And not just us—our parents, the teachers, the coaches—them too. Adamsville wasn’t a place that people came to. It was a place you were from, where you were born, where you were raised, where you stayed. And in spite of this, or because of this, everybody tried really hard to make things work with Carolyn, with her mom, and that’s something that nobody seems to remember or realize or know. We wanted to make things work and we wanted to know her. But it’s a two-way street, you know. It wasn’t just up to us. We couldn’t be the only ones responsible, the only ones to blame.
The girl looked uncertain, unsteady, staring at her feet, and then she took out a phone and started to type, real fast, like we would. And then Reverend Davies yelled, “Lynn.” She looked up and then she was steady. He walked over to her and she walked toward him and he called out again and this time we heard it right: “Carolyn.” He put his arm around her, and led her down the track.
We stood still and didn’t talk and we watched her walk, her hair swishing back and forth, her hands in her back pockets. Reverend Davies got a little bit ahead of her—they were dodging the band—and she stumbled a little, on what we didn’t know. She disappeared behind Michael Morrison and his tuba and then she reappeared, flip-flop in one of her hands, putting it back onto her foot. Even from where we were, we knew that everything about her was perfect, manicured, groomed. The reverend looked back and gestured to her again—and he pointed her toward the girls’ locker room. He waited outside. She walked toward the door, running into Ken Phillips, the school’s janitor—we called him Janitor Ken—on her way in. His mop, his broom, his pail of soapy water: we watched all of it tip over to one side as this tiny girl disappeared through the large double doors.
We’d think about this moment later: the first time we saw her, her flip-flop in one hand, her silky smooth hair, her perfectly small body. Later, when they showed the pictures of her on TV, we thought she looked older, and not in a good way. And her eyes: we especially noticed her eyes. They looked tired. Tired and sad and bored and fed up. And tired.
But all of that was later, after everything had been said and done. That day, the day on the football field, along the track, we saw Carolyn Lessing for the first time, with a flip-flop in one hand, nervous but smiling. We saw her the way she really was: perfect.

Copyright © 2015 by Sarah Bannan

Monday, August 10, 2015

Interview – Anita Hughes – Rome in Love

Please welcome Anita Hughes to the blog. She's talking about her new release Rome in Love. If you're an Audrey Hepburn or Roman Holiday Fan pay special attention.
Enjoy the conversation!




ISBN-13: 9781250064134
Publisher: St. Martin's Press
Release Date: 08/04/2015
Length: 320pp
Buy It: B&N/Amazon/Kobo/IndieBound
  


Overview

When Amelia Tate is cast to play the Audrey Hepburn role in a remake of Roman Holiday, she feels as if all her dreams have come true. She has a handsome boyfriend, is portraying her idol in a major motion picture, and gets to live in beautiful, Italian city of Rome for the next two months.
Once there, she befriends a young woman named Sophie with whom she begins to explore the city. Together, they discover all the amazing riches that Rome has to offer. But when Amelia's boyfriend breaks up with her over her acting career, her perfect world begins to crumble.

Read an excerpt courtesy St. Martin's Press:

chapter one

Amelia stood on the balcony of the Hassler Hotel and gazed at the twinkling lights of the Spanish Steps. She could see the dome of Saint Peter’s Basilica and the dim outline of the Vatican. She took a deep breath, inhaling exhaust fumes from the endless stream of yellow taxis, and tried to remind herself she was in Rome.
Amelia smoothed the folds of her pink satin Balenciaga evening gown and checked that the borrowed Harry Winston diamond clip still held back her hair. She stroked the white silk gloves and fingered the diamond and sapphire choker around her neck. It was all a fairy tale: the ivory Bentley that picked her up from Rome Airport, the elegant suite at the Hassler with its black-and-white marble floors, the Spanish Steps at her feet and all the places she read about in guidebooks: the Sistine Chapel with its intricate frescoes, the Via Condotti with its string of elegant boutiques, the Colosseum and the Pantheon and the museums with long, flowery names.
Amelia tried to recapture the thrill when the concierge welcomed her with a bouquet of two dozen yellow roses and her own personal butler. She tried to remember the first glimpse of her suite: the silver ice bucket, the gold tray of chocolate truffles and petit fours, the mahogany four-poster bed. But her legs were shaky from jet lag, her head throbbed from too much champagne and not enough food, and her mouth was frozen in a permanent smile.
For the last two hours she stood in the grand ballroom, her large brown eyes coated with thick mascara, her cheeks powdered, her lips painted with pink lipstick, and answered the journalists’ questions.
“How does it feel to go from being a complete unknown to being nominated for a Spirit Award for best supporting actress for your first role to starring in the remake of Roman Holiday? Warner Brothers invested a hundred million dollars in this picture, do you feel the pressure with your name above the title?”
Amelia had tilted her head and answered in the way Sheldon Rose, her producer, taught her.
“Why, Mr. Winters”—squinting so she could read the reporter’s name tag and then waiting so the journalists focused on her white shoulders and creamy skin instead of her words—“when you put the question like that, I don’t feel any pressure at all.”
The room erupted into polite laughter but the questions kept coming.
Variety quoted you as saying ‘Audrey Hepburn is my idol and I can’t imagine ever hearing my name in the same sentence.’ Are you nervous about playing the role that made her famous?”
“Is it true you were premed at USC and Spike Jonze discovered you when you drove a friend to an audition?”
“Are you and Whit breaking up? Does he really wish you’d give up acting and pursue a career in medicine?”
Amelia paused again, longer so that she didn’t say what she was thinking: it’s none of your business how Whit feels, I could never give up acting, we’re madly in love, he bought me these gorgeous teardrop earrings before I left for Rome. Instead, she touched her earrings gently, smoothed the folds of her gown and smiled.
“There’s a reason why they call it one’s ‘private life,’ Mr. Gould”—again reading his name tag, trying to look him in the eye so he wouldn’t fire off some scathing article that she refused to answer personal questions, and finally a slow genuine smile—“because it’s best to keep it private.”
Then more champagne plucked from the trays that floated past carrying crystal champagne flutes and silver goblets filled with plump prawns and slices of melon. She smelled tomato sauce and garlic and longed to sit down to a plate of steaming ravioli and thick bread dipped in olive oil. But her dress was so tight it was almost spray-painted to her hips, and it was impossible to answer questions with a mouth full of pasta, so she guzzled champagne and waited for Sheldon to say, “Thank you all for coming, Miss Tate cherishes each and every one of you, but if she doesn’t get her rest she’ll miss her six A.M. call.”
But Sheldon seemed to have disappeared and Macy Smith, editor of Vogue, came gunning down the Oriental runner. Amelia remembered her vicious critique of her choice in Oscar dresses and desperately needed some air. She ran out of the ballroom, down one flight of marble stairs and onto the balcony. Now she stood, wishing she had grabbed a puffed pastry or at least a stone wheat cracker, and gazed at the ancient, glittering city.
Amelia had always been fascinated by Rome: the elegant restaurants opposite cramped trattorias, the modern stores flanked by stone arches, the women wearing sleek dresses and smooth pageboys and large gold earrings. She had only been once, on a school chorus trip in the eighth grade, but she loved the creamy fettuccine and sweet gelato and the boys wearing leather jackets and driving Vespas. She remembered standing in the middle of the Via Appia and a boy with curly brown hair driving around her in circles and never wanting to leave.
Now Rome was her home for two glorious months. They were shooting the whole movie on location, at the Trevi Fountain and the Piazza Navona and the Castel Sant’Angelo. Sheldon had given her the Villa Medici suite—the same hotel room where Audrey Hepburn stayed more than fifty years ago. Amelia remembered standing in front of the gilt mirror in the pink marble bathroom and picturing Audrey Hepburn brushing her hair and fixing her lipstick and slipping on a floral dress with a tiny waist and full flared skirt.
Amelia heard laughter on the street below and heels clicking on the sidewalk. She imagined late-night dinners of spaghetti and red wine and brisk morning walks to the Colosseum. Then she remembered everything she heard about Sheldon Rose: he arrived on the set when the sun came up and didn’t release anyone until nighttime. She thought of the paparazzi who would trail her after hours, hoping to catch her without makeup in sweats and sneakers. Suddenly she had a desperate desire to slip out of the borrowed Balenciaga gown, unstrap the jeweled Prada sandals, and disappear into the street.
She ducked into the hallway and down the staircase. She walked quickly to the back of the hotel, past the sumptuous Imago restaurant and ornate conference rooms and dark, elegant library. She ran through the kitchen door, past the huge granite islands and giant chrome refrigerators and double sinks. She took the back stairs to the basement and searched for a door that would empty into the street.
Amelia blinked in the dark and realized she was in the laundry. She saw massive washing machines and dryers and rows of silver irons. She saw tall lockers and piles of neatly pressed uniforms. She stopped to catch her breath and suddenly had an idea.
She unzipped her gown and carefully folded it into a square. She slipped it into a laundry bag and added her sandals and sequined evening bag. She buttoned the starched black maid’s uniform and tied a white apron around her waist. She covered her hair with a cotton scarf and stored the laundry bag in a locker. She found the back door and ran onto the street.
The night air hit her like an electric current. The air was damp and the clouds hung low over the rooftops. She glanced around to make sure no one was looking and dashed down the Spanish Steps and onto the Piazza di Spagna.
Amelia skipped along the cobblestones like a child released from Sunday school. She pictured Macy Smith waiting to grill her about her wardrobe and wanted to collapse on the sidewalk in a fit of giggles. She smelled espresso and cinnamon and amaretto and longed to sit at a café until her head stopped spinning.
She saw a couple leaving a restaurant; their heads pressed together, the man’s arm looped around the woman’s waist. Suddenly she missed Whit so much, it felt like an invisible weight pressed against her chest. She remembered their last dinner before she left for Rome, at Alembic in the Haight. She flew up from Los Angeles and they had two glorious days in San Francisco.
Whit took a whole day off work and they rode bicycles in Golden Gate Park and visited the Legion of Honor. Amelia gazed at the paintings by Leonardo da Vinci and Raphael and shivered. She couldn’t believe in forty-eight hours she would be surrounded by Italian art and architecture.
Amelia remembered sitting across from Whit and holding hands in the candlelight. Whit wore a white collared shirt and a navy blazer and tan twill slacks. His dark hair touched his collar and he smelled of Hugo Boss cologne.
“Do you remember our first date?” he asked, eating a garlic baked potato fry. “We lined up to see Titanic at the campus theater and laughed that an engineering major and a premed student could never sit through a three-hour movie. We’d fall asleep before we finished our first bucket of popcorn.”
Amelia looked at Whit’s clear blue eyes and remembered the first time she saw him. She was camped out in her usual corner of the science and engineering library cramming for a physics exam. Her calculator clattered to the floor and she reached down to pick it up. When she looked up she saw a young man with eyes as clear as a lake. He wore a baseball cap over curly dark hair and had a day’s stubble on his chin.
“Just think,” Whit mused, eating chicken pavé with beet gnocchi, “if you stayed with medicine you’d be finishing your residency at San Francisco General. We’d eat Chinese takeout every night and you’d be living in Gap sweatpants and my Adidas T-shirts. Instead we live in different cities and you own couture gowns by Valentino and Dior.”
Amelia’s stomach clenched and her throat closed up. She remembered when Whit received his first round of funding. It was a year after graduation and they lived in a studio apartment in Santa Monica. Amelia just finished filming Hannah’s Secret and Whit spent his days trying to secure investors for his electric car company.
“I met with Caufield Perkins.” Whit dropped his briefcase on the coffee table. “They’re ready to write us a check.”
Amelia glanced up from a pile of scripts and saw Whit’s navy suit and white shirt and black leather shoes. She smiled, thinking she still wasn’t used to seeing him in anything except Adidas T-shirts and running shorts.
“They want us to move our operation to San Francisco,” Whit continued, loosening his tie.
“San Francisco?” Amelia raised her eyebrow.
“We looked at an industrial space in Potrero Hill, they want to keep an eye on their investment.” Whit shrugged. “We can rent an apartment on Russian Hill and eat at Italian restaurants in North Beach.”
“I’m an actress.” Amelia bit her lip. “I need to live in Hollywood.”
Whit drummed his fingers on the coffee table. “I thought after this movie you might go back to medicine.”
“Why would you think that?” Amelia asked.
“It was all just a fluke,” Whit mused. “You got it out of your system.”
“I love acting, I don’t want to give it up,” Amelia said slowly.
“We haven’t gotten any other offers,” Whit replied. “This is our one shot, I need to be in San Francisco.”
Amelia pictured a quaint apartment on Russian Hill. She saw sidewalks filled with bougainvillea and corner groceries stocked with gourmet coffees and cheeses. She imagined preparing dinners of spinach salad and stuffed ravioli and sourdough bread. She saw nights spent on the roof-deck, sipping a Kenwood Cabernet and gazing at the twinkling lights of the city.
She loved visiting San Francisco. She loved the steep hills and the white houses and the wide views of the bay. She loved the outdoor markets in Chinatown and the vintage clothing stores in the Haight. But if she was going to be an actress she should live in Hollywood, where producers could bump into her at Coffee Bean & Tea.
“I’ll fly up every weekend.” Amelia blinked away sudden tears. “We’ll go wine tasting in Napa and eat at Chez Panisse in Berkeley. We’ll spend Sundays in bed with the New York Times and mugs of Peet’s coffee.”
The first few months were one long honeymoon. They flew kites on Crissy Field and hiked to the top of Mount Diablo. They ate at trendy new restaurants on Union Street and in the Castro. But then Whit started working longer hours and complained he was tired of playing tourist. He wanted to curl up with Amelia in front of the television and eat pizza and watch CSI.
*   *   *
“The lead in Roman Holiday is the chance of a lifetime.” Amelia brushed her brown hair behind her ears. She wore a green cotton sweater and beige capris and flat Tory Burch pumps. Her face was free of makeup except for mascara and a hint of clear lip gloss. “After the movie wraps I’ll take a month off. We’ll drive up the coast and stay in a bed and breakfast in Mendocino.”
“I’m proud of what you do.” Whit cut beef tendons with white truffles. “I just wished we didn’t live five hundred miles apart and the paparazzi didn’t write down our orders at Starbucks.”
“They’ll find some new ingenue.” Amelia nibbled shishito peppers with anchovy salt. “Soon I’ll be newspaper wrapping for old fish.”
They drank vodka gimlets and listened to soft jazz and Amelia turned the conversation to Whit’s new prototype.
“I think it’s ready for the road.” Whit stirred melting ice cubes. “We’re going to drive from San Francisco to Santa Barbara without recharging.”
Amelia gazed at Whit’s bright eyes and hard cheekbones and thought he was lit by some inner fire. She sipped the bitter vodka, feeling his fingers press into her shoulder, and wished he understood how much she loved acting.
They paid the check and walked onto the sidewalk. They passed sushi restaurants and smoothie cafés and oyster bars. Amelia felt Whit’s hand on her back and suddenly wished she wasn’t going to Rome. She wanted to spend every weekend at dark restaurants sharing plates of baked fries. She wanted to listen to Whit’s dreams of a whole fleet of electric cars.
They drove Whit’s Prius to the underground garage and took the elevator to his apartment. Whit opened the door and Amelia saw her Coach luggage stacked neatly in the entry. She saw her light winter coat and her Burberry umbrella and her carry-on packed with an Italian dictionary and a stack of magazines. She gazed into the small living room and saw a ceramic vase filled with pink roses. She saw a bottle of champagne and two crystal champagne flutes and a silver tray of chocolate truffles.
“What’s this?” Amelia asked.
“You didn’t think your last dinner would be beef tendons and vodka gimlets in a smoky bar?” Whit drew a black velvet box out of his pocket. “This is for you.”
Amelia sat on the navy Pottery Barn sofa and snapped open the box. She saw sparkling diamond teardrop earrings and her eyes misted over. “They’re beautiful! But you can’t afford this, they must cost a fortune.”
“We got our second round of funding.” Whit poured champagne into chilled champagne flutes. “You’re going to be playing a princess, you have to look like one.”
Amelia felt Whit’s lips on hers and her shoulders relaxed. She reached for Whit’s shirt and slowly undid the buttons. He kissed her harder, biting her lower lip and tracing her mouth with his fingers.
Amelia leaned against the cushions and felt Whit’s mouth on her breasts. She unzipped her capris and let them slip to the floor. She sucked in her breath, guiding Whit’s hands between her thighs. She slid off his shirt and buried her face in his chest.
Whit put one hand under her panties and slid his fingers inside her. He pushed his fingers in deeper, sending shivers down her spine. Amelia strained toward him, rubbing his chest with her palm. She gripped his shoulders, feeling the deep throbbing and the long, infinite release.
Whit took her hand and led her to the bedroom. He unzipped his slacks and slipped off his socks. He pulled Amelia’s sweater over her head and unsnapped her bra. He turned down the white cotton sheets and lay down on the bed.
Amelia kissed him on the lips, tasting champagne and chocolate. She wrapped her arms around him and drew him on top of her. She dug her fingers into his back, catching his rhythm, feeling the slow build, the delicious pause and then the final bolt of pleasure.
Amelia tucked herself against his chest and thought about the brochure of the Hassler Hotel. She pictured the Villa Medici Suite with its marble bathtub and gold brocade curtains and wide stone balcony. She heard Whit’s soft breathing and closed her eyes, wishing they were lying in the four-poster bed with the windows open and the sound of music and laughter floating up from the piazza.
*   *   *
Amelia felt a raindrop on her forehead and shivered. She had been walking for an hour and didn’t recognize any street signs. She wanted to ask directions to the Spanish Steps but suddenly the rain fell harder and the sidewalks were deserted.
She hurried to a taxi stand and stood next to a man wearing a trench coat and holding a large black umbrella. She searched for her purse and realized she left it in the laundry bag with her evening gown and her jeweled Prada sandals.
“You take the cab,” the man said when a yellow taxi pulled up and the driver honked impatiently.
“I don’t have any money.” Amelia bit her lip. “I forgot my purse.”
The man shrugged and got into the cab. The driver was about to pull away when the man put his hand on the driver’s shoulder. The taxi skidded to a stop and the man opened the door.
“You look like a drowned rat. We’ll share the cab, you can pay me later.”
Amelia climbed into the back and smelled wet vinyl and stale cigarettes. Suddenly she felt sheepish for running away. She should be relaxing in her suite at the Hassler, wearing a silk robe and drinking hot tea and eating scones with butter and strawberry jam.
“Where are you going?” the man asked. He was in his early thirties, with dark brown hair and a slightly crooked nose. He carried a black briefcase and had an American accent.
Amelia gazed at the damp maid’s uniform and frowned. She could try to slip in the kitchen door but someone might see her. She imagined her picture plastered over tomorrow’s papers and shuddered.
“I don’t know.”
“You don’t know where you live?” The man wrinkled his brow.
“I don’t know where I left my purse,” Amelia hesitated. “Could we drive around until I remember?”
The man shrugged and said something to the driver in Italian. The driver mumbled under his breath and slammed on the accelerator.
Amelia shut her eyes, suddenly woozy from the champagne and jet lag. She pictured Sheldon and the throng of journalists waiting for her at the Hassler. She felt a great weight pushing her down, like a strong current carrying her out to sea. She fell sideways and everything went black.

Copyright © 2015 by Anita Hughes