Thursday, January 21, 2016

Interview/Review Claire Delacroix - The Crusader's Heart

Please welcome back to the blog my all time favorite author, Deborah Cooke, aka Claire Delacroix. She's here today to chat about the second in her historical romance, The Champions of St. Euphemia series, The Crusader's Heart.
Her novels range from the middle ages right up to a post apocalyptic future. Some are filled with fantasy and some aren't but I promise you every one will take you on a journey you'll never regret going on!





















ISBN-13:2940150868854
Publisher: Deborah A. Cooke
Release Date: 10/20/2015
Length: 350pp
Buy It: B&N/Amazon/Kobo/IndieBound (Soon available in audible)



Overview

A company of knights chosen to deliver a sealed trunk from the Templar treasury in Jerusalem to safekeeping in Paris. A group of pilgrims seeking the protection of the Templars to return home as the Saracens prepare to besiege the city. A mysterious treasure that someone will even kill to possess...

A valiant warrior sworn to the order of the Knights Templar for life, Wulfe resents being dispatched on a quest to Paris just when the Latin Kingdoms are at their most vulnerable. He is determined to fulfill his duty as quickly as possible and return to fight for justice--but the courtesan he defends in Venice is resolved to remain at his side. The alluring and perceptive Christina will not be left behind, and soon Wulfe finds himself forced to choose between his vows and his heart...

Read en Excerpt courtesy of Deborah Cooke/Claire Delacroix:

Venice
Wulfe could not believe his ill fortune. The list of his woes was long indeed, and he ground his teeth as he marched through the twisted streets of Venice in search of relief.
First, he had been compelled to leave Jerusalem just when that city was doomed to face a challenge to its survival as a crusader holding. As a knight and a Templar, he knew his blade should be raised in defense of the Temple, not undertaking some errand that could have been managed by a clerk or lay brother.
Worse, this duty demanded that he ride all the way to Paris to deliver said missive, which meant that by the time he returned to Outremer, any battle might be completed. He might miss the opportunity to defend what he loved best, which was an abomination by any accounting.
Thirdly, he had only the appearance of leadership of the party that traveled with him. In reality, he had to cede to the dictate of Gaston, a former brother of the Temple who secretly was in command of this quest. That a knight who had left the order was more trusted than Wulfe was salt in the wound.
That Gaston made choices Wulfe would never have made, and Wulfe had to present them as his own notions, was galling. It was Gaston’s fault that the mission had so nearly failed at Acre, for Gaston had insisted upon riding for that port instead of departing more quickly from the closer port of Jaffa. Wulfe snarled that he should be blamed for such a close call.
Though it was somewhat mollifying that Gaston had defended the party alone when they had been attacked and might have paid for his error with his own life.
Still, had the choice been Wulfe’s, no one would have been compelled to render any price at Acre.
The final straw was that Wulfe had been saddled with the most vexing company imaginable for the journey to Paris. A fortnight trapped on a ship with them all had left him nigh murderous.
There was Gaston, so calm and deliberate, so unshakeable in his confidence, that Wulfe was tempted to challenge him to a fight. He wanted to see Gaston riled over some matter or another. There was Gaston’s wife, Ysmaine, a beauty who, like all women, should neither be trusted nor riding with knights on an errand. Indeed, she had evidently acquired toxins and brought them along. Such irresponsibility was yet another source of annoyance to Wulfe.
There was Gaston’s squire, Bartholomew, a man of such an age that he should long ago have been knighted himself. Wulfe had no patience for men with little ambition. Although the younger man did not appear to be lazy, Wulfe could not understand why he did not aspire for more. It was unnatural to be content with one’s lot.
Another former Templar, Fergus, had completed his military service and returned to Scotland to wed his betrothed. Wulfe could not comprehend why he would stick to the date of his planned departure when the Holy City was likely to be besieged. Indeed, he could make no sense in the decision of any of these men to abandon Jerusalem in its moment of need.
That the secret treasure they carried in trust for the Temple in Jerusalem was entrusted to the care of Fergus, another brother who had left the order, and not himself, made Wulfe’s blood fairly boil. He did not even know what the prize was!
There was also the merchant, Joscelin de Provins, as soft as a grub and rightly fearful of his survival in any trouble. It was perfectly reasonable that such a plump man, so concerned with the value of his goods, would wish to be away from war. Wulfe neither liked nor respected Joscelin, but it was the sworn task of the order to defend pilgrims and he would do as much.
There was the knight, Everard, who apparently left a holding in the Latin Kingdoms to visit the deathbed of his father in France. Wulfe was incredulous that any man would abandon his wealth over sentimentality. He had little patience for men who squandered the gifts granted to them, and less for those who forsook opportunity, as this one surely did. It seemed to him that Everard made a poor choice in leaving Outremer and his holding. Perhaps he was a coward.
As a man who had been given few gifts in this life, and who had labored hard for all he had won to his own hand, Wulfe knew he was a harsh judge of others. He found much of mankind wanting, but was protective of those for whom he took responsibility. He would have laid down his own life in defense of either of his squires, for example, and had taken blows intended for his destrier. In return, the loyalty of those beings—Stephen, Simon, and Teufel—was complete.
He also was a man who knew how best to manage his own passions. By the time the party reached Venice, disembarked, saw to the care of an injured squire and found accommodation, he knew his temper was incendiary. How could such simple feats consume so much time? Contrary to his expectation that they would take a single night to fortify themselves before riding out, Gaston was resolved to await the three days decreed by the apothecary as being necessary rest for the injured squire.
For a squire, who was sufficiently clumsy to have inflicted his own injury.
Wulfe could bear their company no longer. He had left the rented house, knowing that he had need of a war or a whore. The only way to control his escalating frustration was to expend passion in one feat or the other. Venice was at peace, its laws against violence and its courts known to be harsh.
Its courtesans were also highly reputed.
The choice was an easy one.
Stephen and Simon hastened behind him, undoubtedly guessing his intent. They would ensure that he was neither robbed nor injured on this quest, though more than once a whore had found their presence unsettling. Wulfe did not care what such women thought. They were paid and paid well, and he knew himself to be a considerate lover, if a passionate one.
He was demanding in this pursuit as in all others.
He would choose a young and vigorous woman on this night.
Doubtless she would never forget him. The prospect made Wulfe smile.
* * *
Another day.
And worse, another night.
Christina turned from her prayers to survey the large room where the women slept together. The draughty room took up most of the top floor of the house and was roughly finished. The roof leaked and the wind was always cold, just as the blankets were always too thin. The door was locked each night from the outside and in all of Christina’s time at the house, only one woman had been brave enough to try to escape from the window. She had slipped and her cries had awakened the entire house as she fell.
The silence after she had struck the stone road below had been chilling.
It was yet more troubling that Christina sometimes found appeal in that woman’s choice.
The attic’s sole redeeming feature was the view. Christina knelt each morning at the window that faced east, praying toward distant Jerusalem. Though it had been her destination years before, Venice was as far as she had journeyed before tragedy struck.
Every morning she recalled Gunther’s routine jest that she prayed like a heathen, and missed him all the more.
She surreptitiously kissed the ring that he had put upon her finger one fine day that might have been an eternity before, then secreted it once again from view. On some days, it was impossible to believe that she had ever been young, filled with hope and love, affluent and treasured. The ring with its blue stone slid into the pocket she had created for it in the hem of her chemise, perfectly disguised from view. She had sewn a tiny pocket into the hem of every garment she owned to ensure that Gunther’s ring was never separated from her. Losing the sole token that remained of her previous life would ensure that she lost hope of ever escaping this place.
She rose from her prayers and stretched, looking down into the city. The wind was crisp and there were new ships in the harbor. The rain at least had ceased. There were a few people abroad in the cobbled streets below, and several small craft plied the canals. Vendors making deliveries, to be sure. More than one would halt at Costanzia’s abode.
The house was on a corner, the main entrance on a broad canal where guests disembarked each night. Once inside the building, there was a pretty stone courtyard with a fountain and gardens that could be used by the guests in afternoons or evenings. A guest would see only the lavish luxury of the public rooms, perhaps the fine bedrooms above the mezzanine where music played and appetites were encouraged.
The attic was part of the hidden side of the house. From this vantage point, Christina could see small courtyard behind the kitchens, a meaner, simpler space than the garden courtyard. Here chickens were kept and herbs grew. A door in the rear wall led to the dock on that smaller canal. Deliveries were made there, and vendors sometimes tried to peer into the windows above, seeking a glimpse of Costanzia’s beauties.
Costanzia was already arguing with someone, her voice rising shrilly from below. Christina couldn’t distinguish the words of her patroness, though she guessed that the older woman was swearing at a vendor in the local Venetian dialect. Though Christina could make a fair job of sounding Venetian, when Costanzia spoke quickly and with vulgarity, she often could not follow the words.
The meaning, however, was always clear.
Next, Costanzia would be swearing at the women.
Christina sighed. Another day began as all the others. Costanzia’s routine was as relentless as her will. Yet another day when the girdle of orange stones fastened around her waist seemed so much more weighty than it was in truth.
A large tub had been set in the smaller courtyard and maids were pouring hot water into it. Christina heard footfalls on the stairs and knew there would soon be a pounding upon the door. Then the key would turn in the lock, and the women would all be marched down to the courtyard to bathe, in order of Costanzia’s preference.
Christina had not entertained a man the night before, which suited her well but had not pleased her patroness. She would be one of the last to bathe, no doubt. She did not care. She had not liked the look of the one man who had approached her, a gleam in his eye that hinted at violence. She had lied—again—about her courses.
There was a delicate balance to be managed between her ethics and her safety, and not for the first time, Christina wished she had other options. For years, she had had two: stay in this bordello or flee, to starve in the streets or be hunted by Costanzia’s enforcers. They were brutal and quick with their knives. Any escaped woman caught by them would be so scarred that she could never work as a whore again.
Then she would starve. Christina shivered and wrapped her arms around herself as she turned from the window. The current favorite, Lucrezia, was snoring softly on her pallet when Christina returned to hers. She watched the other woman sleep, admiring her beauty. Lucrezia’s ebony hair cast over the pillow and her lips were parted, as if in invitation even while she slumbered. The woman was luscious and bold, nigh irresistible to the patrons of the house.
She deserved her slumber. Lucrezia had an audacity about her that Christina tried to emulate. It was a kind of armor to laugh at disapproval, to flaunt one’s charms, to even cultivate a reputation.
Christina and Lucrezia were of an age, and often displayed together for contrast. Lucrezia, dark-haired and dark-eyed, with her red lips and lush curves, drew the attention of many men. Christina, auburn-haired and green-eyed, more slender but of a similar height, attracted others. Lucrezia was bold and daring, challenging men outright, while Christina was more demure, perhaps appearing to have a dozen secrets. When they stood together, it seemed no man could keep himself from staring. Costanzia profited mightily from the view.
At least she did as much when Christina did not lie.
The two women were different in more than coloring, though. Christina was a reluctant member of this household, and one who would never find comfort in its many pleasures. Whoring was better than starving to death in the street, but only by a narrow margin. There had been nights when she would have argued the other choice. Lucrezia, in contrast, had sought out this life, determined as she was to make her own decisions without marrying. She swore she would never be beholden to man and intended to establish her own house. Her ambition had already intrigued Costanzia, who without a daughter of her own, might well be seeking an heir.
Christina, in contrast, sought an escape.
The lock was turned, a fist hammered upon the door as it was opened, and Costanzia herself strode into the chamber. “Up, all of you!” she cried and the sleeping women who awakened with a jolt. “Lucrezia, you are first to the bath, my beauty,” Costanzia continued in a coo, tickling Lucrezia under the chin. She rapped a younger girl on the shoulder. “Teresa, if you do not yet have your courses, you will see Raoul for a potion.”
Christina prayed that she would not be singled out. Costanzia strode up and down between the pallets, dispatching directions, praising the lusty and the profitable, scolding the old and the unchosen. Christina’s heart beat loudly as the older woman approached.
It sank to her toes when Costanzia paused directly before her. “And you,” the patroness said softly. Her tone sounded threatening, and Christina dared to peek at her face, only to find those dark eyes narrowed. “You have forgotten your very good fortune, my dear,” Costanzia said, her voice as hard as her gaze. “I do not need mouths to feed who do not bring in coin.”
“I cannot help that he chose another…”
“Can you not?” Costanzia mused, and Christina wondered what she had heard. “On this night, you will ensure that you are chosen. I do not care what you have to do to see it done.”
Christina knotted her hands together. “Of course.”
“In fact, you will be occupied the entire night, or in the morning, you will be on the streets. There are nights for which you have not yet earned your keep.”
Christina’s lips parted in dismay. The entire night?
“Are we understood?”
Christina nodded and bowed her head in agreement, as much to disguise her anger as to feign compliance. By all that was holy, there had to be a way out of this hell.
She had but one day to find it.
* * *
The best house of courtesans was located with relative ease, for Wulfe asked in the marketplace by the port. Sailors always knew where to find whores. The boys, too, sought information, and by the time they conferred in the mid-afternoon, one answer was clear.
He should seek the establishment of one Costanzia.
The canals and bridges were confounding, and the directions less clear than might have been ideal. Wulfe became convinced that Venice was a burg designed to aid the trade of thieves, for it seemed a warren of crooked streets with a hundred places for a villain to hide and await his prey. Worse, many of those alleys ended abruptly with a wall or a canal. The houses were shuttered tightly on the street level, and he glimpsed that the lowest floor of the richest ones sheltered docks on the bigger canals. They all had at least two stories overhead, often with high arching windows, and he imagined that people preferred to be away from the water.
It did have a foul smell when the breeze stilled.
They finally located the house in question and were questioned before the heavy door was unbolted. The patroness came halfway down the flight of stairs on the far side of the foyer, her garb appearing as rich as the men in her employ looked dangerous. She was shrewd-eyed but well-mannered, and what he could see of the house was in good repair. Wulfe could see that once she had been a beauty and wondered whether she had labored upon her back in her youth. She certainly was direct. A short conversation ensured his preferences were made clear and his coin was good, then the patroness gestured that he should follow her up the stairs.
Wulfe was astounded by the generous proportions and richness of the room that nigh filled second floor of the house. Sunlight shone through high arched windows and there was a view of the harbor, the sea sparkling blue. Velvet draperies hung alongside those windows, their dark hue unmistakably costly. A long table was laid with fine cloths and rich fare, and young boys poured generous goblets of wine. The women were both numerous and beautiful. Some stood and chatted with each other, several played lutes, more than one lounged and granted him encouraging smiles. They did not look to be starved or bruised, and he decided that, in this case, rumor had provided the truth. They all wore girdles of stones that were clearly not gems, their hues revealing that they must be wrought of glass. Was this jeweled belt a mark of the house?
In truth, Wulfe did not care.
Indeed, his mood improved by the moment. It must be that the company was amiable, for he had no taste for luxury.
“A maiden?” the patroness suggested, gesturing to a pair of young girls. They flushed and dropped their gazes as if shy, but Wulfe did not doubt that their maidenhead had already been sold at least once.
“I have little fondness for innocence,” he said, for it was true. He liked to be with a woman who knew her body and her desires, as well as one who could anticipate his own. “Teaching is not a pastime I care to pursue abed,” he clarified, and the patroness gave a throaty chuckle.
“Ah! A tigress, then,” this Costanzia countered, gesturing to a woman who might have seen thirty summers. “Lucrezia will make you roar!” There was a slyness in Lucrezia’s expression that Wulfe did not find alluring. Her hair was dark and her smile was knowing, and truly she had curves enough to tempt any man.
But not Wulfe.
The patroness noted how his gaze slid past her suggestion and snapped her fingers for other women to come forward. “You are early this day, sir, which gives you the finest choice. Of course, given the time, I must assume that you desire companionship only for the afternoon.” She clapped her hands when the women did not move quickly enough for her taste, and Wulfe caught a glimpse of one at the far end of the room.
She was exquisitely beautiful, her hair like red-gold silk. She wore it loose and the length of it gleamed, falling as it did to her hips. The color of her hair was rare in this city, where most of the other women had tresses of dark brown or black. She was taller than the other women, as well, slender and elegant in the way that Wulfe preferred. She was dressed in gold and green, the richness of her garb not unlike that of a noblewoman. Wulfe knew that the neckline was more revealing than would have been the choice of any aristocrat, but as she walked toward him at her mistress’ summons, he could imagine that a queen approached him.
There was a reluctance in her manner that he admired as well. Not for him the harlot who threw herself at his feet, willing and eager for his touch and his coin. Perhaps she merely took her time. Perhaps she had the confidence that once a man looked upon her, he would wait. Wulfe did not care. He was entranced by her grace, by his own impression that she might have been a noblewoman.
By the way her smile hinted at mysteries that would not be confessed.
He supposed the rich garb revealed that she earned well for her patroness, but preferred to not consider that. Her full lips tightened slightly, as she followed the other women. He thought he spied both defiance and resignation in her expression, but then she lifted her head and smiled.
And there was the key. Hers was not a genuine smile, for its light did not reach her eyes. Her lips curved in sensuous welcome, but her gaze remained wary, another hint of that reluctance.
Wulfe understood immediately that this life was not her choice, and with that realization, his own decision was made. Indeed, he felt a strange affinity with this woman, though he did not know even her name as yet. He knew what it was to put aside one’s own desires to serve those of another. He knew what it was to feel trapped, and to have few options. He knew what it was to make the best of one’s circumstance, regardless of the price. Indeed, he did that hourly on this quest.
Wulfe also knew what it was to await a better choice, with as much patience as could be mustered.
“This one,” he said, gesturing to the temptress who had claimed his attention. He did not care that he was interrupting the patroness as she listed the charms of her women.
“Ah, Christina is a popular choice,” she acknowledged, even as the woman’s gaze rose to meet Wulfe’s own. Her eyes were a bewitching shade of green, thickly lashed and not without intelligence. She halted before Wulfe, more gracious and lovely than any woman he had ever seen. He liked that he could not discern her thoughts, that she kept some part of herself in reserve.
He understood that inclination, as well.
Costanzia looked between them. “You may find her price high,” she warned, more than a little gleeful.
Wulfe cared only for the lady he had chosen. Christina held his gaze, as if knowing her own worth and perhaps not expecting him to pay it. Aye, there were shadows in those wondrous eyes, shadows that told of disappointment.
Perhaps from men.
Perhaps from a man.
Wulfe felt an unexpected valor rise within him and heighten his need.
“Name it,” he said, unable to imagine what Christina had seen of the world. He doubted it had all been good, and wished to surprise her.
The patroness did as much, clearly expecting Wulfe to haggle. He did not, though, for he never tainted the acquisition of any desire with such mean bargaining. His purse was not so light as that. He exercised restraint and saved his coin, so when he indulged, he could acquire the woman he desired most.
“That, of course, is only for the afternoon,” the patroness added slyly.
“And for the night as well?”
A flicker of interest made Christina consider him anew.
“Triple,” the older woman said crisply. “For there are ships in the harbor.”
Christina lowered her lashes, evidently anticipating his refusal.
“Triple,” Wulfe agreed so readily that he was certain the patroness regretted not asking for more. He cared only for the way Christina’s gaze flew to his face again. She was surprised, and he was glad. He smiled outright at her, paid the patroness, then offered his hand to the lady he so desired. He kissed her hand and saw her eyes narrow slightly. “I assume you have a private chamber where our pleasure might be pursued?”
“Of course, sir,” she said, and he liked that her voice was both rich and husky. She spoke in the same Venetian dialect as her patroness, but not so fluidly as one born in this city of cities.
“Wulfe,” he corrected and she nodded acquiescence.
“Wulfe,” she said, smiling ever so slightly as she gripped his fingers, turned and led him toward the display of food and drink. The patroness stood back, smiling with satisfaction, but Wulfe was interested only in the alluring Christina.
Where was she from? What had brought her to this house? Wulfe was surprised by how much he wished to know.
Indeed, his frustrations faded already, and the pursuit of pleasure had not yet begun.
Excerpt from The Crusader’s Heart ©2015 Deborah A. Cooke



Claire/Deb hi! Welcome back to the blog!
Thanks so much for inviting me, Deb!

Tell my readers a little about The Crusader’s Heart.
The Crusader's Heart is the second book in my new series of medieval romances called The Champions of Saint Euphemia. This is a story I've wanted to tell for a while - a group of knights take on a quest to deliver a sacred relic from Jerusalem to Paris. This series begins in 1187 when the Latin Kingdoms are under attack by Saladin's forces, and there is fear that the Holy City will be lost. (It was surrendered to the Muslims in October 1187.) I find this a fascinating period of history, and also wanted to explore the relationships between these companion knights. There are friends and strangers in their party. Along the course of their quest, they find danger, deception and true love, often in unexpected places.

This is the second book in the Champion’s of St. Euphemia series and I’ve noticed that the time line intertwines with The Crusader’s Bride.
Will the whole series be this way?
Yes and no. :-) Each knight's story begins when he meets the heroine who will claim his heart. His part of the adventure is achieved during his romance. So, Gaston's book (The Crusader's Bride) began in Jerusalem and ended in Paris. Wulfe's book (The Crusader's Heart) began in Venice, when Christina joined their party, and ended after they had all reached Paris. Bartholomew's book (The Crusader's Kiss) begins at Gaston's estate - there's a brief prologue - but really gets moving when he reaches the English holding of Haynesdale and meets Anna. Fergus' book (The Crusader's Vow) again will have a prologue with Leila, but will really begin when he reaches Killairic and discovers that his betrothed has married someone else.

My plan was for the whole story of the quest and the HEA's to be told over the course of these four books, but when I began Bartholomew's book, I realized that Gaston's arrival home had fallen between the two stories. We need to know that Gaston and Ysmaine are secure in their estate, so I've added a fifth book. The Crusader's Handfast is the story of Duncan (Fergus' companion) and Radegunde (Ysmaine's maid) who met when this company left Jerusalem. They've been falling in love behind the scenes, but they also ensure that their respective nobles get their HEA. Duncan thinks his heart was buried with his lost wife, but I'm pretty sure Radegunde will convince him to take a chance on love again. :-) Their book is being published in monthly instalments from December through May, and will be available in its entirety in July.

I think of this series as a big faceted gem. For each book, we look through one facet of the stone and see the adventure from one angle. Then we turn the stone for the second view into the heart of the adventure. So on and so on, until at the end of the series, we've fully explored this gem, its nuances and subtleties. Or I could think of it as one of those continuing television series that I find so addictive - like Downton Abbey. The shifting perspectives and the stories of the various characters give a rounder view of the era. In romance, it's common in structuring linked series to make each story stand alone, and for the stories to follow in chronological success with no overlap between them. I wanted to have the stories in this series entangled a bit more, because that's more the way the world works. I feel immersed in this world when I'm writing the books, and hope readers feel that way, too.

Does the intertwining timelines make them stand-alone better or is reading them in order the best choice?
Each romance stands on its own, but I think it would be more satisfying to read the books in order. It's fun, for example, to see the other side of Wulfe in his book - he comes across poorly in Gaston's book, but Wulfe's own book, we see that he has his reasons for doing as he does. I'm the kind of reader who always starts at the beginning and works through series in order, though, so others might feel differently.


Most chapters start with a particular Saint feast day most of whom I’ve never heard of.
I know you're a history geek but…
Are these real Feast Days?
And was it hard finding them?
The calendar of saints' days has been revised several times since the Middle Ages, and many of the popular medieval saints didn't "make the cut". There were a lot of local and legendary saints included in their calendar, so it also varied regionally. The saints on the current calendar of saints are better documented and known over a wider area. There are websites with medieval saints' feast days, so they're pretty easy to find online. The tricky thing is choosing which saint to feature - many days have a choice of six or eight, once the various calendars are consulted! I think that listing them anchors the book in its setting and also gives a taste of the era. I particularly enjoy when I can connect the events of the day with that saint's story or patronage, but it doesn't always work out that way.

Your heroine in this novel was quite the eye opener even though I’m sure back in the actual era this happened more than not.
Tell us about Christina and why you chose her path.
Christina isn't the first prostitute heroine I've ever written (although she would insist that she's a "courtesan"). It was a role that has been an historical reality for a lot of women, and not always part of their plan. In the Middle Ages, women who departed on pilgrimage, could be stranded far from home like Christina. It's not too much of a spoiler to mention that Christina was widowed when her husband was robbed and killed - because of deceit, she was left penniless in a strange city with no way to get home. I like that Christina is sustained by her faith through her ordeal and doesn't lose hope that a change will come. When she meets Wulfe, she knows he's her best chance of escape (even if Wulfe needs some convincing of that) so she forces that change to occur. I also admire how she's determined to ensure Wulfe doesn't regret his good deed, by helping him to solve the challenges that confront him and becoming his partner. Wulfe isn't much for working with others, so this shakes his tree a bit (and I like that too!) Christina is a strong heroine for me, and a surprising character - not just because she, as the former courtesan, is the one who tells the story of Saint Euphemia to the others.

The heading on your Website is “Romance with a Touch of Magic” how true for many of your titles but not this series.
You're right. I often write romance with paranormal or fantasy elements. With this series, though, I wanted to focus on the history and a bit of suspense. It's not alone in having no fantasy elements - my contemporary romances, like the Coxwell Series and my upcoming Flatiron Five series, have no fantasy elements, and neither do my older historicals, like the Bride Quest I and II. Some stories lend themselves to the inclusion of such elements and some don't

Would you please tell us how this series was born?
I wanted to write a straight historical series featuring a group of heroes on a quest. I knew the chronologies of the books would overlap, and that the structure would be part of the challenge. Originally I had thought they would be good friends, like the Three Musketeers, but in the writing, that gave the books a tone that seemed better suited to a Regency to me. I wanted more danger! So, several in the party know each other but Wulfe is a stranger. That adds to the mystery, because none of the heroes are certain of who to trust.

Another thing I did with this series which was new for me was use Pinterest boards for inspiration. When I was planning out the four books, I created a board for each one, then spent a long time sorting through the images. It meant that I had a clear idea not only what the hero and heroine looked like for each book but what their home estates looked like, what the setting for their story looked like and even some interesting ideas for their respective stories. For The Crusader's Kiss, which I knew would be set in England, I realized that my Pinterest board reminded me of Robin Hood stories. There were crossbows and forests and a mysterious maiden (who is a crack shot), and that sent me looking for the original Robin Hood ballads. In a neat bit of synchronicity, they date from the 12th century, the same time as the book is set, so the imagery either helped to shape the story or helped me to get a better grasp on my idea. (My Pinterest boards are here: 
https://www.pinterest.com/Cooke_Delacroix)

Deb and Claire are both very busy and I’m happy to see you have gotten assistants to help out.
Do you miss any of the things they’ve taken over?
The first things I've delegated are the things I don't usualy got around to doing, so they were easy tasks to pass along. It's getting tougher now, as I'm starting to delegate tasks I enjoy, but there are only so many hours in the day. Writing my stories is the one thing that only I can do, and I need to focus on that.

You had a very nice New Years gift - The Crusader’s Bride book1 in the Champions of St. Euphemia series is ranking very high on Amazon.
Yes! The Crusader's Bride was on special between Christmas and New Years, and many readers picked up a copy. Seeing it do well was a nice way to start the year. It looks as if a number of readers have dug into the series, too, as The Crusader's Heart is doing well this month, too.

Why do you think historical romance has such a timeless allure to readers?
I think it appeals in a number of ways, or that maybe different elements of historical romance appeal to different readers. There's the luxury of immersing yourself in another time or place, which is very appealing to me. It's not escapism - it's more like tourism! Armchair travelling because it's impossible to really journey to other times and places. Another element is that conviction that all will turn out right in the end of the book. We do like happy endings! And finally, there may be a notion that other eras make more sense than our own, maybe that distance gives perspective.

Deb I’m a huge resolution breaker so I pretty much don’t make them. I’m trying to change that but who knows. LOL
What about you?
Oh, I'm always trying to improve my work habits, practice better time management and take better care of myself. I guess the fact that I keep making similar resolutions means that I have more room for improvement!

Happy New Year to you! Thanks for taking the time to answer my questions.
Happy New Year to you, as well, Deb. I hope that 2016 treats you well. :-)

Are you attending any author events soon for fans to meet you in person?
I decided last year to take a break from airline travel. This year I'll be at two reader events - both in Ottawa, Canada - which are within driving distance. Otherwise, I'm planning to do a lot of writing in 2016. You can find me online, though. :-)

My Review
The Crusader’s Heart by Claire Delacroix

Claire Delacroix’s second in her Champions of St. Euphemia series is a fantastic mix of historical romance, mystery and suspense, and shares a compelling intertwining storyline with book one. Her era accurate narrative, fabulous visual vistas and historical facts fused with her fiction makes for a spine-tingling page-turner. Her use of archaic Saint Feast days to start a new chapter gave the read a genuineness that had me constantly googling to find out more about one Saint or another. The stars of this show are not as opposite as you might at first think and the beautiful ending and the courage and endurance of her heroine make this a real stand out.

With the fall of Jerusalem by the Saracens immanent, the Temple priory master has entrusted a few good Knights with the responsibility of secreting a sacred Temple treasure to Paris under the guise of escorting pilgrims out of harms way.

Annoyed by his orders to accompany a party of misfits to camouflage this secret Temple mission W├╝lfe seeks respite in the arms of a Venetian courtesan. But instead of saying goodbye after their night together she convinces him to help her escape from the brothel.
When her husband is murdered while on a pilgrimage to Jerusalem Christina is left with little choice of survival and becomes a whore to stay alive. When a handsome Templar Knight chooses her for a full night of passion she hopes she has time to persuade him to take her with him.

Books in the series
#1-Out now                           #3-available 1-31-16                    #4-available 4-30-16             #5-available July 2016


The Champions of St. Euphemia Pinterest Board-
https://www.pinterest.com/Cooke_Delacroix/champions-of-st-euphemia/


Connect with Deb/Claire- Website - Facebook/Deb - Facebook/Claire- Twitter

MEET DEB/CLAIRE:New York Times bestselling author Claire Delacroix sold her first book in 1992, an historical romance called THE ROMANCE OF THE ROSE. Since then, she has published over forty romance novels and novellas, and has also been published under the names Claire Cross and Deborah Cooke. She has an honours degree in history, with a focus on medieval studies. She is an avid reader of medieval vernacular literature, fairy tales and fantasy novels. 







Today's Gonereading item is:
Some fabulous January
clearance items
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16 comments:

  1. I haven't read Cooke in a LONG time, but I love the sound of the Templar knight theme. I have only read one romance featuring the Templar knights and I loved it!

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  2. Saint's feast day sounds fun and exciting. I bet some of it feels pagan(?). I guess it was like in the early days when old and new religion are transitioning so it blends someways

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  3. Ooo a courtesan heroine? That's not one you read too often. I need to read more medieval ones I know. Sounds like an entertaining read :D

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    1. It is Anna, and yes she was a different kind of heroine, probably more true than fiction about those times

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  4. Thanks for the great review, Deb! I loved writing Wulfe's book, and turning all the preconceptions about him from The Crusader's Bride upside down! We're just finishing the review of the audiobook of Wulfe's book, so it should be available in early February.

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    1. It sure did Deb, I have to admit he wasn't my favorite character in book 1

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  5. All the best Deborah they sound exciting reads

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  6. I like the idea of the setting and time frame. Fun that the stories are told parallel and that there is some suspense. I look forward to these especially with such a heroine and hero.

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  7. Sounds good. Thanks for introducing this author to me Debbie.

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