**GIVEAWAY*** Interview with Sally Hepworth - The Things We Keep

Please welcome back to the blog an author who was here to talk about her book The Secret of Midwives. She's back today to tell us a little about her new emotionally heart wrenching tale, The Things We Keep.
Sally's publisher St. Martin's Press is offering a copy as a giveaway, details below.
I'm linking my friend and fellow blogger Kathryn from The Book Date's review, HERE.

ISBN-13: 9781250051905
Publisher: St. Martin's Press
Release Date: 1/19/2016
Length: 352pp
Buy It: B&N/Amazon/Kobo/IndieBound/Audible

Overview

Anna Forster, in the early stages of Alzheimer's disease at only thirty-eight years old, knows that her family is doing what they believe to be best when they take her to Rosalind House, an assisted living facility. She also knows there's just one another resident her age, Luke. What she does not expect is the love that blossoms between her and Luke even as she resists her new life at Rosalind House. As her disease steals more and more of her memory, Anna fights to hold on to what she knows, including her relationship with Luke.

When Eve Bennett is suddenly thrust into the role of single mother she finds herself putting her culinary training to use at Rosalind house. When she meets Anna and Luke she is moved by the bond the pair has forged. But when a tragic incident leads Anna's and Luke's families to separate them, Eve finds herself questioning what she is willing to risk to help them.

The Giveaway is for one print copy
of The Things We Keep US ONLY
Please use the Rafflecopter form below to enter
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Read en Excerpt courtesy St. Martin's Press:

1

Anna



Fifteen months ago …

No one trusts anything I say. If I point out, for example, that the toast is burning or that it’s time for the six o’clock news, people marvel. How about that? It is time for the six o’clock news. Well done, Anna. Maybe if I were eighty-eight instead of thirty-eight, I wouldn’t care. Then again, maybe I would. As a new resident of Rosalind House, an assisted-living facility for senior citizens, I’m having a new appreciation for the hardships of the elderly.

“Anna, this is Bert,” someone says as a man slopes by on his walker. I’ve been introduced to half a dozen people who look more or less like Bert: old, ashen, hunched-over. We’re on wicker lawn chairs in the streaming sunshine, and I know Jack brought me out here to make us both feel better. Yes, you’re checking into an old folks’ home, but look, it has a garden!

I wave to Bert, but my gaze is fixed across the lawn, where my five-year-old nephew, Ethan, is having coins pulled out of his ears by a man in a navy and red striped dressing gown. My mood lifts. Ethan always jokes that he’s my favorite nephew, and even though I deny it in public, it’s true. He’s the youngest of Jack’s boys, and definitely the best one.

Once, when he was four, I took him for a spin on my motorcycle. I didn’t even bother asking Brayden or Hank; I knew they’d just say it was dangerous and then tattle to their mother. As far as I know, Ethan never tattled. Brayden and Hank know what’s wrong with me—I can tell from the way they constantly glance at their mother when they talk to me. But Ethan either doesn’t know or doesn’t care. I really don’t mind which one.

“And this is Clara.”

Clara wanders toward us with remarkable speed (compared to the others). She’s probably in her eighties—but portly, more robust looking than the rest. With a cloud of fluffy yellow-gray hair, she reminds me of a newborn chick.

“I’ve been looking forward to meetin’ you,” she says, then gives me a whiskery kiss. A burst of fragrance fills my airspace. Normally I don’t like to be kissed, yet from her, the gesture feels oddly natural. And these days, I make a point of respecting people who are natural around me. “If you need anything at all, you let me know, honey,” she says, then wanders off toward a huge oak tree. When she gets there, she kisses the man in the navy and red striped dressing gown full on the mouth in a way that feels vaguely territorial, like she’s staking her claim.

Beside me, Jack is talking to Eric, the center’s manager—a paunchy, red-faced man with a thick Tom Selleck mustache and a titter of a laugh that, by rights, should belong to a female in her eighties. Every time I hear it (which is a lot, he seems to chortle at the end of every sentence), I jerk around, looking for a ladies’ auxiliary group giggling over its knitting. He and Jack talk, and I listen without really hearing. “We do a lot of activities … we’ll keep her active … twenty-four-hour care and security … experience with dementia … the best possible place for her…”

Blah, blah, blah. Eric has a certain desperate-to-please manner about him that, a few years ago, Jack and I would have exchanged a look over, but today Jack is eating it up. He’s happily oblivious to Eric’s false laugh, his too-tight chinos, his gaze that wanders to the right (and vaguely near my chest), every few moments. Eric’s only redeeming quality so far is that when we arrived, he asked my advice on an old knee injury that had been giving him some trouble (probably because he hoped I’d offer to give it a rub). He needed a doctor, not a paramedic, and I explained this, but I appreciated him asking. These days, the most interesting conversations I have are about my favorite color or type of food. I like it when people remember that I’m a person, not just a person with Alzheimer’s.

Jack seems to have forgotten that. Ever since I went to live with him and Helen, he’s stopped being my brother and started being my dad, which is beyond annoying. He thinks I don’t hear when he and Helen whisper about me in the kitchen. That I don’t notice them exchanging a look whenever I offer to walk the boys to school. That I don’t see Helen trailing after me in the car, making sure I don’t become disoriented on the way there.

Jack’s been through this before—we both have—and I know he considers himself an expert. I have to keep reminding him that he’s an attorney, not a neurologist. Anyway, the situations are different. Mom was in denial about her disease. She fought to hang on to her independence right up to the point when she burned down the family home. But I have no plans to fight the inevitable. It’s why I’ve checked myself into residential care.

The upside of this place, if I’m choosing to be positive, is that not everyone is nuts. Jack and I looked at a few of those dementia-specific units, and they were like Zombie City, full of crazies and folks doing the seven-mile stare. This place, at least, is also for the general aging community—the ones who need their meals cooked and laundry done—kind of a hotel for the elderly (the wealthy elderly, judging by the zeros on the check Jack wrote this morning).

Still, I’m not exactly thrilled to be here. It was bad enough when Jack sent me to “day care.” Seriously, that’s what it’s called. A day program for people like me.Also for people not like me, because with only 5 percent of Alzheimer’s cases occurring in people under the age of sixty-five, there aren’t a lot of people like me.That’s what makes this situation all the more unusual. I’m not checking into justany residential care facility—no sirree. We’ve traveled all the way to Short Hills, New Jersey, from Philadelphia so I can live in a facility with someonelike me. A guy, also with younger-onset dementia, someone Jack heard about through the Dementia Support Network. Since learning about the guy, Jack has been hell-bent on getting me into the very same care facility as him. It’s like he thinks having two young people in a place filled with oldies makes it spring break instead of residential care.

“Would you like to meet Luke, Anna?” Eric asks, and Jack nods enthusiastically. Luke must be the guy. I wonder if he’s going to rappel down from a tree or something. His entrance will have to be pretty impressive if they think it’s going to make a difference to my mood.

“I just want to go to my room,” I say.

Jack and Eric glance at each other, and I feel the wind leave their sails.

“Sure,” Jack says. “Do you want me to take you there?”

“Nope. I’m good.” I stand. I don’t want to look at Jack, but he stands, too, gets right in my face so I can’t look anywhere else. His eyes are full and wet, and I catch a glimpse of the softhearted man he used to be before his brushes with dementia and abandonment hardened him up.

“Anna,” he says, “I know you’re scared.”

“Scared?” I snort, but then my vision starts to blur. I am scared. One thing about being a twin is that you get used to having someone right by your side whenever you want them. But in a moment, Jack’s going to leave. And I’m going to be alone.

“Get lost, would you?” I tell Jack finally. “I have a pedicure booked in half an hour. This place has a health spa, right?”

Jack laughs a little, shooing a drop from his cheek. When we were younger Jack sported a golden tan, but now his skin is vaguely gray, almost as white as my own. I suspect this has something to do with me. “Ethan! Come and say good-bye to Anna.”

Ethan thunders across the lawn to us and tosses himself into my arms. He strangles me in a hug. “Bye, Anna Banana.”

When he pulls away, I take a long hard look at the large white bandage covering his left cheek and try to remember the angry red burns and welts underneath. Ineed to remember them. They’re the reason I’m here.

* * *

The first time I knew something was wrong with me, I was at the mall. I was lugging my bags toward the exit when I realized I had no idea where I’d parked my car. The parking lot was seven stories high. In the elevator, I stared at the buttons. None seemed any more likely than the other.

Eventually I made my way to the security booth. The man behind the desk laughed and said it happened all the time. He picked up his walkie-talkie and asked for the license plate number. When I looked blank, he smiled. “Make and model?”

It was such an easy question. But the more I tried to find the answer, the more it blacked out. Like a photograph with a question mark over the face, a criminal with his jacket over his head—something was there, but my brain wouldn’t let me see.

The man’s smile faded. “The color?”

All I could do was shrug. I waited for him to say this happened all the time. He didn’t.

I caught the bus home.

If I’d been tested for the mutated gene, as Jack was, I’d have known for sure it was coming. But finding out you’re going to be struck down in your prime didn’t fit into my life’s plan.

After that, things started happening all the time. Usually, I could explain the incidents away. Sure, I forgot a lot of appointments, but I was a busy paramedic. Getting lost on the way home from work was a little stressful, but directions had never been my strong suit. Unfortunately, there were things that were harder to explain. Like the time I smashed my car window with a ski pole when I couldn’t get the keys to open the door (and then found out the car belonged to the family across the road). And the time I showed up to work on my rostered day off (for the fourth time in a row).

It was the time I forgot the word “twin” when introducing Jack to my buddy Tyrone, from work, that I really started to worry. It was a year after the parking lot incident. I remember staring at Jack, wondering if there was indeed a word for what we were. I searched the dark, dusty corners of my brain, but it was useless. Eventually I called him a person who my mother carried in her uterus at the same time as me. I know, I remember “uterus” but not “twin.” Tyrone laughed; he’d always thought I was nutty. But Jack didn’t laugh. And I knew the jig was up.

I quit my job that day. If I couldn’t remember the word “twin,” what would happen when I couldn’t remember how to resuscitate someone or when I decided it was a good idea to move a patient with a possible neck injury? I had a feeling I’d already been off my game. And when I know something’s going to happen, I don’t see the point in dragging it out.

The same theory applies to life. Life’s going slowly in one direction. I can stay in the slow lane, just keep rollin’ on down that hill, gathering moss and cobwebs until finally, when I come to a stop, I’m so covered in crap, I’m unrecognizable. That’s what Mom did. That’s what most people do. But that’s never been my style.

* * *

At Rosalind House, there are a lot of drugs. Enough that everyone has their own basket. Every morning and afternoon, the nurse rolls her table-on-wheels through the halls with the baskets, a veritable candy woman of pharmaceuticals. In my basket is Aricept, a round peach-colored tablet responsible for slowing the breakdown of a compound that transmits messages between the nerve cells. Also in the basket is vitamin E, clear and yellow, long and thin. Lastly there is Celexa, a powerful antidepressant responsible for making all of this feel like no big deal. That’s the one I know for sure isn’t working.

I don’t get dressed until my second week at Rosalind House. When I do, I wonder why I bothered. All I do here is lie in bed, scribble in my journal, and stare out the window. Any visitors I might have had (Jack notwithstanding) have been told, at my request, that I’m at a facility on the other side of the country (Hey, I’m not likely to remember them anyway, and I need a “pity visit” like I need a hole in the head). Eric, the manager guy, stops by continually, trying to cajole me into bingo. (Yeah. Like that’s gonna happen.) Various nurses and staff have popped in. But I’ve been out of my room only once, and when I did leave it, I got so twisted around that I couldn’t find my way back. As far as blips went, this one wasn’t so bad. At least I knew I was at Rosalind House. I knew I had a room. But the only thing my little trip out of my room taught me is that I’m in the right place. Residential care.

Today, outside my window, a handsome gardener prunes the boxwood. It’s warm out, and he’s stripped to a thin white T-shirt, which allows me to enjoy his ripped physique. A few years ago, I’d have leaned out and asked for a sprig of something, or even asked if he needed any help. (When I was a kid, Jack and I used to spend a lot of time in the garden with Mom, planting and weeding and mulching.) But now I can’t even be bothered to return the gardener’s smile. I’m too busy thinking about Ethan. About the incident.

It happened at night. I get restless at night, one of many joyous side effects of “the disease.” I was in the living room, trying to figure out how to use the Xbox when I heard his little footsteps behind me.

“Let’s make fongoo.”

“Fongoo” was a loose derivative of fondue, and it was our word for melting candy bars on the stove and then dipping cookies, marshmallows, or whatever else we had handy into the melted goo. I said yes for several reasons: One, I love fongoo. Two, I’m not his mother—it is not my job to worry about his teeth or his lack of sleep. Three, my life is hurtling toward a point where I’m not going to know myself anymore, and while I do know myself, I sure as hell want to be making fongoo with my nephew.

We’d finished the fongoo and were playing Xbox when we smelled the burning. Ethan and I locked eyes.

“Shi—oot!” I said. “The fongoo.”

I bolted for the kitchen, cursing. Burning the house down would do nothing to assure Jack I was a competent adult. I threw the door open, ready to reach for the fire extinguisher, but instead of finding it, I found the bathroom. I turned, opened another door. A cupboard filled with towels. I spun again. Where, in God’s name, was the kitchen?

It wasn’t the first time this had happened. I knew all I had to do was stay calm and wait for a few moments, and everything would come back to me. But the burning smell was getting stronger, and I couldn’t see Ethan anywhere. And I couldn’t even find my way out of the fucking bathroom!

That was when I heard Ethan scream.

According to Jack, after I ran in the opposite direction, Ethan tore into the kitchen and tried to take the saucepan off the stove. The handle was red-hot. He’d whipped his hand off so fast, he toppled the saucepan, splattering the burning chocolate onto his cheek. The worst part, except for hurting Ethan, was that it confirmed they were right about me. I can’t be trusted with my nephew. I can’t be left alone, even for a second.

“Knock knock.”

I roll my head toward the door, which is eternally open, thanks to the skinny helper lady, who has an unnatural obsession with fresh air. Every time I try to close it, she appears like a magical air fairy—fresh air, fresh air, FRESH AIR! But this time when I look, Eric is there with a huge lion of a dog by his side. I feel my insides pull together to form an internal shield.

“Hey,” he says. “How are you doing?”

“Fine.” I address the dog since I can’t seem to look anywhere else.

“Everyone being nice to you?”

“Yep.”

It’s a German Shepherd. Its teeth are yellow and shiny with saliva; its mouth is curved into that smile-snarl that dogs always wear to keep you on guard. Am I happy? Am I angry? Come a little closer and find out.

“Oh,” Eric says. “Are you afraid of dogs?”

I try to put on a brave face, but I obviously fail, because Eric sends the dog out. On his way into my room he pauses at a watercolor of a leaf that Jack must have hung on my wall. It belonged to my mother.

“This is lovely,” he says.

“Keep it,” I say.

He frowns at me. “You know you don’t have to just sit in your room all day. There’s a bus that goes into town twice a day. Some folks like to go to a shopping center or to a movie.”

I sit up. “I’m allowed to do that?”

“Sure. Trish, one of our staff, is escorting the bus group today.”

I sink back into my bed.

“Or there are board games in the parlor,” he says. “We try and encourage residents to congregate in there when they’re home. We find that people feel isolated when they spend all their time cooped up in their rooms.”

“I’m okay with being isolated.”

Eric perches on the edge of my bed, a frown bobbing on his forehead. My heart sinks. It must be time for the pep talk. I actually feel bad for Eric. He doesn’t want to give it any more than I want to hear it. Deep down he probably knows that if he were a resident here, he’d stay in his room, too. But that’s not the dish they’re feeding us.

“Fine,” I say, cutting him off before he can start. (Mostly because I want him to get off my bed.) “The parlor? That’s the place to be? I’ll go there today. Promise.”

Eric sighs. “You don’t have to go to the parlor. That wasn’t my point. My point is that I want you to be happy here.”

“I know.” Everyone wants me to be happy here. If I’m happy, they don’t have to feel guilty.

Eric rests his hand dangerously close to my thigh. “Give us a chance, Anna. I won’t pretend I know what it’s like to be you. But I do know that your brother didn’t put you in here to wither away and die in your room. There’s still a lot of life to be lived, but you need to stay in the game.” He winks. “Jack told me you were an adrenaline junkie. I have to admit, I was pretty excited when I heard that. The most adrenaline we get around here is on bingo night.”

He grins and I think I might actually vomit. “You’re right,” I say. “You have no idea what it’s like to be me.”

* * *

They say when you lose some of your senses, others get heightened. I think it’s true. There was a time when I had a razor tongue. If there was a joke at the offering, I was the first to snap it up (and then deliver it with more pizazz than anyone else). Now I’m not as quick as I used to be, but I’m more observant, especially when it comes to people’s state of mind. So when a young woman with spiky blond hair bursts through my door, I know at a glance that she’s not only lost, but that there’s something on her mind.

“Oh, um,” she says. “Which way is the visitors’ bathroom?”

Obviously, I have no idea. When I was diagnosed, my neuropsychologist (Dr. Brain, I called him) explained that memories tended to evaporate in reverse order. This meant my oldest memories would be the ones to hang around the longest, and new information, visitor’s bathrooms included, were quick to disappear into the black hole of no return in my brain.

“I’m sorry, I don’t know,” I tell the woman. Her face, I notice, is crumpled and red. Wet. “Are you okay?”

She sighs, and I half expect her to turn and leave—continue on her search for the visitors’ bathroom. But she stays.

“Yeah.” She sniffs. “I mean no. It’s my grandpa. He’s … impossible.”

“Who’s your grandpa?”

“Bert. Bert Dickens.”

“Oh,” I say, though I have no recollection of meeting Bert. “Is he … okay?”

“He’s fine, physically. Mentally, not so much. Sorry, I shouldn’t have just barged in like this. Are you—?”

“I’m not busy.” It’s the understatement of the century. “What’s going on with Bert?”

“Are you sure you want to hear this?”

“Sure I’m sure.”

“Okay.” She comes farther into the room. “The thing is—” She extends a hand and wiggles her fingers. “—I’m getting married.”

I eyeball the diamond and smile like I’m supposed to, even though I’ve never seen what all the fuss was about when it came to those sparkly rocks. “Congratulations.”

“Thanks.”

I glance at own my ring finger, naked for almost a year. The knuckle seems to protrude higher now, without its anchor weighing it down. “Does Bert not like the guy?”

“No. I mean, yes. He likes him. But he doesn’t want us to get married.”

“Why not?”

“He thinks our family is cursed. Yeah, and he’s not senile either. He’s always thought that. His wife, my grandma, died when my mom was a baby. And Mom died when I was four. He thinks if I get married, then the curse will continue.”

“I’m sorry about your mom.”

“Thanks.”

“Why does he think it’s marriage causing the curse? Why not the baby?”

She gives me a strange look. This, I realize, is probably not helpful.

“Hey, I’m just pointing out that his theory isn’t watertight. Maybe you could convince him the baby part causes the curse?”

“But what happens when I have a baby?”

“You want a baby, too?”

She nods. Somewhere deep in my soul, I think she’s being a little greedy.

“Well, do you believe the curse?” I ask.

“No. I mean, my family has had bad luck, but … No. I don’t believe it. But I want Grandpa to come to the wedding, and he says he won’t. He says he can’t bear to watch me seal my fate.”

“Tell him if you don’t get married, your fate will be worse than death.”

She watches me through narrowed eyes.

“Tell him if you go to your grave with him as your husband, you’ll go a happy woman. Tell him that even if he’s right, you’d rather have a year of true happiness than die without knowing what happiness is.” I think for a moment. “If he says you’re wrong, ask him if he wishes he’d never married his wife.”

“Wow,” she says. “You’re good.”

There’s an expression that says this exactly, and I try to conjure it up. Slowly, it starts to come. “A life lived in…” I try to continue, but the rest slips away. Poof.Gone.

“A life lived in fear is a life half-lived?”

“Right. Exactly.”

“You’re right. He adored Myrna. There’s no way he wishes he hadn’t married her. Besides, if I listen to his silly superstitions, I’m reinforcing the idea that this curse could actually be true.” She sighs. “Thanks for being the voice of reason. I’d better get back.” She cocks her head toward the closed bathroom door. “Do you think she’s okay in there?”

“Who?”

“Your … grandmother?” She squints at the silver name-thingy on the wall. “Anna, is it?”

I often have trouble understanding things, so I don’t worry too much that this goes over my head. I’m about to nod as if I understand completely—when suddenly, it dawns. She thinks I’m visiting an old person named Anna.

“Oh … yes. She’s fine.” I smile at the girl whose name I didn’t catch, if she told me at all. “She’ll be out of here really, really soon.”



Copyright © 2015 by Sally Hepworth

Sally hi! Welcome back to The Reading Frenzy.
Tell us a bit about your new novel, The Things We Keep

The Things We Keep is the product of my desire to tell a story about love overcoming the most challenging of obstacles.

Anna Forster, in the early stages of Alzheimer's disease at only thirty-eight years old, knows that her family is doing what they believe to be best when they take her to Rosalind House, an assisted living facility. She also knows there's just one other resident her age, Luke. What she does not expect is the love that blossoms between her and Luke, even as she resists her new life at Rosalind House. As her disease steals more and more of her memory, Anna fights to hold on to what she knows, including her relationship with Luke.

When Eve Bennett is suddenly thrust into the role of single mother, she finds herself putting her culinary training to use at Rosalind house. When she meets Anna and Luke she is moved by the bond the pair has forged. But when a tragic incident leads Anna's and Luke's families to separate them, Eve finds herself questioning what she is willing to risk to help them.

Both women are facing futures they didn’t expect. And with only unreliable memories to guide them, they have no choice but to lean on and trust something more powerful. Something closer to the heart.

So now that you’re no longer a novice author and have three published books under your belt. How would you say you’ve changed as an author from the first book until now?

Things haven’t changed all that much. I still firmly believe there is a more efficient way to write novels and I’m convinced everyone else is doing it better J. My processes involve everything from plotting my scenes on a giant pin board to stringing pages up across the room and trying to make sense of them. Once or twice I’ve even made my husband read dialogue aloud with me in a role-play of sorts, trying to see if it feels authentic. Good God, I can’t believe I just admitted that.

Like I said, there must be a better way. Alas, until I find one, I soldier on.

Sally you received some fabulous reviews for The Secrets of Midwives.
Do you think this was an unnecessary burden on you when you started to pen The Things We Keep, or did it act as an inspiration?

What a lovely burden to have! The truth is, each novel is a challenging in its own way, but The Things We Keep’s challenges were more around the dual timelines and the writing from the perspective of a person with Alzhiemer’s (!), than any success of the previous book. I do, of course, hope that The Things We Keep will appeal to the people who enjoyed The Secrets of Midwives, and there are many of the same elements—women’s health, romance, family relationships, motherhood—so I’m confident they will.

When we last spoke about the release of The Secrets of Midwives you said that humor in your books is very important. So how do you input humor in such a poignant theme as early onset Alzheimer’s disease?

One of the biggest things I learned over the course of researching this book is that people with Alzheimer’s are just that: people. If they were once funny, they are still funny. If they were once grumpy, they’re still grumpy.

So, I asked myself, why not have humor?

The essence of this book was always going to be, not the illness, but the people behind the illness. Humor can really show people’s souls. Some people hide behind humor, some people use it cruelly. It brings people together. It lightens dark moments. And as a longtime believer in the catharsis of humor, I really can’t help but inject it onto the page.

Sally keeping on the same topic of early set Alzheimer’s disease, I remember one Christmas season when my daughter was young and her Girl Scout troop visited a nursing home to sing carols to the residents and there was a relatively young woman there with this devastating disease. What was the catalyst for your writing this novel?

The seed was planted several years ago, when I watched a TV segment about a young woman—a newlywed—who was pregnant with her first child. She had also recently been diagnosed with Alzheimer’s disease at 31 years old. I couldn’t stop thinking about it. I had no idea people so young could have this disease. And I wondered: what must it be like to lose your memories when you are supposed to be making them?

Then, only a year or two ago, I was having coffee with a friend who is a nurse at a dementia facility. She told me about an elderly man and woman who held hands in the communal living area of the center every day. They were both non-verbal and their memories were less than five minutes long. Yet every day, they sat next to each other and held hands.

It got me thinking about that TV segment I’d watched years earlier. And about the relationship between love and memory. I thought to myself: maybe, just maybe, this is a book.

Was this written to educate, entertain or a bit of both?

First and foremost, I write to explore. In writing this book, I wanted to try to understand the emotions of having this terrible disease, and the emotions of having a family member with the disease. It can be tempting to view these things simply, but there are very few situations in life that are black and white. I love looking at the shades of gray—it’s the reason I write multiple point of view fiction. And, of course, if I entertain people and make them think along the way, I am happy.

Sally we’ve talked a bit about you the author, now fill us in on you the reader.
What do you enjoy reading?

What’s the last book you recommended to a friend?

I adore Liane Moriarty. I have multiple copies of all of her books so I can gift them to friends to read. To me, her books are like friends, and I miss them when they’re over. I had the pleasure of meeting Liane a few months ago and she is as lovely and charming as her novels.

Sally it has to be a rather hectic life raising children and taking care of family.
Do you write on a schedule? Have a certain place to write? Do you feel the need to isolate yourself when you write or can life go on all around you without a negative reaction?

I write three days a week from home while my kids are at school / in daycare. And the rest I sneak in whenever and wherever I can. In an ideal world, I’d isolate myself at a cabin in the woods with a lake, and take long walks every afternoon, but in real life, I often write at my dining room table while my kids stand beside me shouting “Mom, mom, mom, mom!!!”

(Side note: I have designed my perfect study on Pinterest, complete with a reading nook, pin boards and chalkboards, and a big cozy fireplace, but even if I had such a study, I suspect I’d still be at the dining room table (and my kids would still be screaming “Mom, mom, mom …”)

Since we’ve just put the holidays to bed. Do you look forward to this time of year or does it depress you?

Oh, I love it. In Australia it is summer and January is one of my favorite months. (But speak to me in July when it’s our winter and I assure you, I’ll be thoroughly depressed).

Sally thanks for taking the time to answer a few questions. Good luck with the new novel!

Thanks for having me back!

Connect with Sally- Website - Facebook - Twitter

MEET SALLY:

Sally Hepworth is the bestselling author of THE SECRETS OF MIDWIVES (St. Martin's Press, U.S. paperback releasing December 29, 2015) and the upcoming THE THINGS WE KEEP (January 19, 2016), a love story about a man and woman with dementia. To share your experience with how love transcends dementia, please visit the below link:http://thethingswekeepbook.tumblr.com)
Sally has lived around the world, spending extended periods in Singapore, the U.K., and Canada, where she worked in Human Resources.
Sally lives in Melbourne, Australia with her husband and two children. Sally is currently working on her next novel.

Today's Gonereading item is:
A collection of drinking mugs
Great for that hot beverage on

those cold winter days. 

Click HERE for the buy page

a Rafflecopter giveaway