Enjoy!
ISBN-13: 9781250060761
Publisher: St. Martin's Press
Release Date: 06/13/2017
Length: 400pp
Buy It: Amazon/B&N/Kobo/IndieBound/Audible
Publisher: St. Martin's Press
Release Date: 06/13/2017
Length: 400pp
Buy It: Amazon/B&N/Kobo/IndieBound/Audible
Overview:
Two strangers take the road less traveled...
Heather Mulgrew’s world is already mapped out: she is going to travel abroad with her friends after college, come back to a great career in September, and head into a life where not much is left to chance. But that was before an encounter on an overnight train introduces her to Jack, a passionate adventurer who changes the course of her journey and her life.
Throwing Heather's careful itinerary to the wind, they follow Jack's grandfather's journal through post-World War II era Europe: Vienna, Budapest, Turkey—exotic places that serve only to heighten their feelings. As September looms, Jack urges Heather to stay with him, to keep traveling, to give in to the romance of their experience; Heather convinces him to return to the United States.
Jack has a secret that could change everything. And Heather’s world is about to be shaken to the core.
J.P. Monniger's The Map That Leads to You is a breathtaking novel about love, loss, and the best-laid plans that are meant to be broken.
Excerpt courtesy St. Martin's Press––
1
Here’s the thing: the rest of it wouldn’t have happened if the train to Amsterdam hadn’t been crowded. It was that kind of obnoxious crowded, with everyone greedy for space, everyone annoyed that the train was overbooked and jammed, so I kept my head down once I had a seat, and I tried not to look up. I was reading The Sun Also Rises, which is a cliché, of course—recent college grad reading Hemingway on her first trip to Europe with her two friends—but I didn’t care. I had already made Constance and Amy drink coffee and cognac at Les Deux Magots, and I had walked the Left Bank in Paris and sat with the pigeons alone in the Jardin du Luxembourg. I didn’t want to leave Paris. I didn’t want to leave its wide boulevards, the men playing boules in the Tuileries, the cafés, the harsh swallows of strong coffee, the funny little horns on the scooters, the paintings and museums and the rich crêpes. I didn’t want to leave the early mornings when the café workers swept the cobblestones and rinsed down their areas with black hoses and silver water, or the evenings, either, when sometimes you smelled smoke, or chestnuts, and the old men with the long fishing poles sat on their three-legged stools and threw their lines baited with maggots into the Seine. I didn’t want to leave the booksellers along the river, the moldy stalls lined with old, yellowed books, the landscape painters who came and spread their oils across stretched canvas, attempting to capture what could never be captured but only hinted at, turned into a ghost of what the city held. I didn’t want to leave Shakespeare & Co., the English bookstore, the echo, the long, long echo of Hemingway and Fitzgerald, of nights splashing in the Ritz fountain, or squinty-eyed Joyce nibbling through his prose like a mouse hungry for print. I didn’t want to leave the gargoyles, either, the surprising, watchful stone eyes staring down from cathedrals, from Notre Dame and a hundred other churches, their white faces sometimes streaked with mysterious black, as if stone could hold tears and release them over centuries.
They say you can never leave Paris; that it must leave you if it chooses to go.
I tried to take Paris with me. In Paris, I had read A Moveable Feast, and A Farewell to Arms, and Death in the Afternoon. I had them all on my iPad, a mini-Hemingway portable library, and although I was traveling with Constance and Amy, I was also traveling with Hemingway.
* * *
So I read. It was late. I was in Europe and had been for two and a half weeks. I was on my way to Amsterdam. Constance fell asleep next to me—she was reading The Lives of the Saints and was on her own spiritual journey to read and see everything she could about saints, and to see every statue or representation of saints, which fed her special passion and the subject of her senior thesis, hagiography—and Amy stuck her head over the seat behind me and began chatting up a Polish guy named Victor. Victor smelled like sardines and wore a fatigue jacket, but Amy kept elbowing me a little when he said something she thought was cute, and her voice got that singsongy flirtatiousness that meant she was roping a guy and tying him up. Victor was good looking and charming, with a voice that made him sound vaguely like Dracula, and Amy, I saw, had hopes.
That’s where everything stood when Jack appeared.
* * *
“Could you hold this?” he asked.
I didn’t look up. I didn’t understand he meant me.
“Miss?” he asked.
Then he pushed a backpack against my shoulder.
I looked up. I saw Jack for the first time.
Our eyes met and didn’t let go.
“What?” I asked, aware one of us should have looked away by now.
He was gorgeous. He was actually more than gorgeous. He was big, for one thing, maybe six foot three and well built. He wore an olive fleece and blue jeans, and the way they hung on him made the combination look like the most interesting outfit anyone had ever thought to wear. Someone or something had broken his nose a long time ago, and it had healed in an apostrophe shape. He had good teeth and a smile that started in dimples just an instant before he knew it was going to start. His hair was black and curly, but not ’Fro-ish, just Dead Poet-y. I noticed his hands, too; they were large and heavy, as though he wasn’t afraid to work with them, and he reminded me—just a little bit, just a bit, because it sounded silly to say it even to myself—of Hugh Jackman, the freaking Wolverine. This fellow looked insouciant—a stretch of a word but accurate nonetheless—a man who lived behind a wink that indicated he got the joke, was in on it, didn’t take it seriously, but expected you to go along with it. What that joke might be or how it counted in your life wasn’t quite clear, but it made the corners of my mouth rise a little in the ghost of a smile. I hated that he drew a smile out of me, even the reflex of a smile, and I tried to look down, but his eyes wouldn’t permit it. He dog stared me, humor just on the other side of his look, and I couldn’t resist hearing what he wanted next.
“Could you please hold this while I climb up?” he asked, extending the backpack again. His eyes stayed on mine.
“Climb up where?”
“Up here. In the baggage rack. You’ll see.”
He plunked his backpack on my lap. And I thought, You could have put it in the aisle, Wolverine boy. But then I watched him roll out his sleeping bag in a space he had cleared on the baggage rack across from me, and I had to admire his skill. I also had to admire his hindquarters, and the V of his back, and when he reached for his backpack, I looked down out of shyness and guilt.
“Thanks,” he said.
“No problem.”
“Jack,” he said.
“Heather,” I said.
He smiled. He put the backpack into the baggage rack as a pillow, then climbed up. He appeared too big to fit, but he wedged himself in and then took out a bungee cord and roped it around the supports so that he wouldn’t fall out if the train went around a bend.
He looked at me. Our eyes met again and held.
“Good night,” he whispered.
“Good night,” I said.
Copyright © 2017 by Temple Hill, LLC.
One of New York Post's "This week's must-read books"
"Will strike a chord with fans of Nicholas Sparks' sweeping and sentimental tales." –Booklist
"Readers who love romance novels with a bittersweet twist will cling to every word...Recommended for fans of Kristin Hannah and Nicholas Sparks." –School Library Journal
School Library Journal 06/01/2017
Heather realizes it's a cliché: graduate from college, head to Europe with friends, and meet a cute guy. But when she gazes into Jack's eyes, she just can't look away. Dubious about the idea of love at first sight, Heather tries fending him off with barbed insults and flat-out rudeness. But she likes him too much. Heather and Jack have their first kiss on the train platform in Amsterdam. In Berlin they make love. In Switzerland they find the exact spot where Jack's grandfather stood in 1946. After Paris, the plan was to fly back to the States together. But things go wrong. Romance fans could hardly hope for a more luxurious love story. Heather and Jack share plenty of sensuous moments, and their banter is smart and funny. Even skeptical Heather has to admit that the universe seems to be bending around them, creating a romance that seems too wonderful to be true. Readers will be as stunned as Heather when Jack doesn't show up for the flight home. On the plane ride back, Heather finds Jack's grandfather's journal in her bag. Is the relationship between her and Jack really over? Debut author Monninger expertly captures Heather's emotional devastation; readers who love romance novels with a bittersweet twist will cling to every word. VERDICT Recommended for fans of Kristin Hannah and Nicholas Sparks.—Diane Colson, formerly at City College, Gainesville, FL
A Walden temporaty Tattoo Set
Jack's grandfather's journal sounds really interesting. This sounds like an interesting book.
ReplyDeleteHe's a great storyteller Mary
DeleteI had not seen this one around before :=)
ReplyDeleteglad to put in on your radar blodeuedd :)
DeleteOooh a book that will take us places, me likey!
ReplyDeleteMe gladey LOL ;-)
DeleteGood to have you back Braine!
Following a journal from the past and then the big life decisions sounds really good.
ReplyDeleteI know I'm on the fence because sometimes NA is just as angsty as YA you know, but he is a great storyteller so maybe I'll give it a try
DeleteOh I remember seeing this one a long while back and thinking it looked interesting.
ReplyDeletehe's a good writer Anna, kind of Nicholas Sparks like
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