She is also a tireless women's advocate and is involved in many charitable endeavors.
Read about the novel, my review and then stick around because Helaine's generous publisher, Oceanview is sponsoring a giveaway. Details below.
Enjoy!
ISBN-13: 9781608092925
Publisher: Oceanview Publishing
Release Date: 07-03-2018
Length: 368pp
Maggie O'Shea #2
Source: Author/Publisher for review
Buy It: Amazon/B&N/Kobo/IndieBound/ITunes
Publisher: Oceanview Publishing
Release Date: 07-03-2018
Length: 368pp
Maggie O'Shea #2
Source: Author/Publisher for review
Buy It: Amazon/B&N/Kobo/IndieBound/ITunes
Overview:
In 1945, an Austrian girl discovers a priceless Nazi treasure near a remote alpine lake and sets in motion a decades-old secret that will change lives for generations to come. Many years later, classical pianist Maggie O’Shea is preparing her return to the world of music. Instead, a nightmare of a haunting rhapsody and hundreds of roses from a deranged stalker propel her into a world of terror. Forces drive her to revisit the mystery of her mother’s death, her father’s startling disappearance, and a terrible secret from World War II. Maggie finds herself on a collision course with a brutal, disfigured killer who threatens those she holds dear—an aging pianist with a long-buried secret, a haunted cellist, a charismatic Maestro, and the crusty retired colonel she has come to love.
A story of loss, intrigue, vengeance, courage, and love.
Giveaway is for one print copyDark Rhapsody US ONLYPlease use Rafflecopter form to enterGood Luck!
Q&A from Helaine's website:
Q: Why do grief and mourning play an important part in your novels?
Easy first. As a writer, more than anything, I want people to really care about my characters. I have learned that most readers want to like a character, invest in them, have empathy, feel for them.
For me, the most interesting characters are those who have layers, depth—some difficulty, struggle or loss to overcome. Readers will respond very strongly to a character who is conflicted, trying to deal with a loss, trying to overcome pain and sorrow, trying to find the courage to move on. The heart of the story then becomes how they move on. And hopefully the reader will want to take the journey with them—and take heart from them as well.
The more complicated answer is that, at my age, I am losing people I love. We have lost many dear friends, and I am very close to several women who have suddenly become widows. I see the grief and loss in their eyes, the confusion and distance... I've learned that every person must grieve in their own way, in their own time. Some will move on, and some will not. All will be different. And so, in creating the characters of Alexandra and Maggie,—and now Gigi, Johann and Finn in Dark Rhapsody—I really am trying to imagine the unimaginable—my own grief, and how I would react to loss. In a way these scenes are my own "year of magical thinking."
While there are many moments in life that we cannot change or control, I know that it's how we deal with what happens to us that matters. This is when we learn who we truly are. For me, I hope to meet grief with grace. This always will be a theme in my novels.
That meant writing about something I love—classical music. In The Lost Concerto, and now in Dark Rhapsody, it is music that sets this story apart, music that tells Maggie's story.
My son, Sean, began asking for piano lessons when he was five. The months became years, and he graduated to a grand piano, competing frequently in classical competitions. As I listened to him practice, I fell in love with classical music. There was just one small problem... I can't even find middle C on a piano. So that meant research. Hours and hours of research. The good news is that one article on music led to missing music, and that article led to music lost during WW2, and—voila!—a plot was born.
Then the magic of the "What Ifs" kicked in. What if my main character is a classical pianist? What if she has lost her ability to play music? What if she is drawn to France to search for her missing godson? What if, what if...
Finally, as Robin Williams often said, sometimes inspiration is just "a little spark of madness."
My reading interests always have centered around novels of World War 2 and the Cold War, and international novels of mystery and suspense. So it was no surprise to me that my first novel, Firebird, told the story of a forgotten spy from the Cold War. The Lost Concertodeals with a decades old war-time mystery involving missing music. And now, Dark Rhapsody explores not only the search for art looted during WWII, but the challenge to return those priceless pieces of art that are recovered to the rightful owners and heirs.
Living in the DC area, our daily news is international news. Just reading page 1 of the Washington Post will give you several ideas for a novel. And I did work at the White House for eight years... Timely plots and characters just fall from the sky onto your page.
I've also been inspired by characters in books and movies. A vet suffering from PTSD. Or a dancer on TV, for instance. Something just hits me, or moves me. Two of my favorite scenes in Dark Rhapsody were inspired by scenes in movies that touched my soul.
I read somewhere that, for a writer, there is no such thing as a walk in the park... it's a setting for a scene. No such thing as a simple conversation. It's heard as 'dialogue.' That sums it up.
Classical pianist Maggie O'Shea is my favorite character because she has been fighting to overcome grief, bring back the music lost to her, and find herself. The challenge with a sequel is that you need to keep the familiar character readers have grown to love while at the same time find new layers for her. So—what challenges must Maggie face now? Is there a place for the Colonel in her future? Why would a father abandon his young daughter, as we learn in Dark Rhapsody? Well, there is always so much more to the story, isn't there...?
The Colonel and his rescue dog are my other favorite characters. And then there is Simon. And Hannah. And Finn. And Gigi. Not to mention the Archbiship! And of course Alexandra and Juliet, from Firebird. And... You get the idea. These characters are very real to me, and I miss them when the book is finished.
One last note. Do I have any sympathy for my violent character, Dane? I hope readers at least will understand his complexity.
To me, crafting a realistic, complex plot that hangs together is like doing a 1,000 piece puzzle. Every piece has to fit exactly to make the big picture. And I am awful at jigsaw puzzles. Also, I will admit that the brutal characters are much harder for me to write. Any kind of violence is an awful struggle for me. Give me a conversation to write any day. (I also find male characters more difficult to write than women—although men seem to enjoy my books very much as well.)
This answer, I think, explains why I decided to write Dark Rhapsody as a sequel. Readers, myself included, wanted to know what happens next in Maggie's world. Knowing people have 'fallen into' my stories and care about these characters means the world to me.
Like those writers who went before me, my stories have international and evocative settings, political intrigue, timely plots and complex characters. The women in my novels, especially, are strong, intelligent, funny, loving, accomplished and brave. Women who somehow find the courage to do the right thing, no matter what. Who run toward, rather than away. The woman I would like to be.
I read every single one of these writers' books. And I miss them.
I don't sail but I think, for me, writing must be like sailing. On a day with no wind, I am still. But on a day when the sails fill, I just fly with it.
Frequently, when I can't sleep, a scene unrolls in my head, complete with dialogue. I try to write it down in the morning. And sometimes, it's actually good!
One last thing. I am a very slow writer. For me, inspiration comes in bits and pieces, over time. I can get the bones down. It's the polishing—the heart, the 'giving life'—that takes time. I've just started a new book—and I have no idea where it's going. But I love the not knowing.
- "Don't apologize." I am writing what I want to write, and I don't pretend to be someone I'm not.
- "Don't give up." At some time or another, every writer is hurt by painful rejections or bad reviews, myself included. The first draft of The Lost Concerto spent two years in a drawer. But this story deserved more than 'death in a drawer.' Because I believed in these characters, I finally just forced myself to OPEN THE DRAWER, learn, make the changes I needed to make, and look at the novel through new eyes. And now, the sequel Dark Rhapsody has been written and is being published. All because I opened that drawer...
- "Even when you think your manuscript is absolutely-positively-for-certain done, edit it again."
- This is the best, and my favorite, from Pat Gussin—written in a letter to me years ago when Oceanview rejected an early manuscript of my first novel, Firebird. She said, simply, "Deepen your characters." A light went on, and I found my true 'writing home.' (Oceanview has since offered Firebird as an e-book, and I am grateful)
From the same agent: "Take out all the political and international stuff. Women want to read about the ordinary woman in their home town." What I write isn't for everyone, clearly, but I'm so glad I didn't listen. International suspense is where I fit—with a dash of old fashioned romance. You really do need to be true to yourself.
PS—I no longer have that agent. ☺
As for my European settings... I always will go back to Paris in a heartbeat. My husband's international business gave me an opportunity to visit this glorious city many times over the years, and I wandered and got to know so many of the neighborhoods—the 'arrondisments.' The Marais, the Left Bank, Invalides, Montmartre, Ile de la Cite... I had the time to find the intimate and 'out of the way' places, and these, in turn, found their way into my novel. The Bird Market, the cemetery of Pere Lachaise, Notre Dame's tower walkway, the houseboats along the Seine, Musee d'Orsay. There are scenes set in all of these evocative places, and more.
Having said this... I would go back to the South of France in a heartbeat as well. The lavender, the abbeys, the ocher villages, the scent of olive trees, the outdoor markets and cafes, the distant glimpse of bright sea. There is no other place quite like it.
And then there is my first novel, Firebird... I am a New Yorker who loves art, and so my character Alexandra is an art curator on the Upper West side. And because I worked at the White House, in the office of the Vice President, during the 8 years of Clinton/Gore... well, of course Firebird is rife with Washington's political intrigue.
I recently returned from my first visit to Vienna, and was so taken by the Opera House and the Lipizzaner stallions that I have set several scenes in my third book there—the sequel to The Lost Concerto, Dark Rhapsody, which will be available July 3, 2018.
After a visit with my husband to the Isle of Skye, I would very much like to write a novel set in those mists...
Finally, if I could choose a new place to visit, a place I've never been, I would visit Great Britain's Cornwall, big sky Montana, and Washington's San Juan Islands. I am absolutely certain that beautiful, complex new characters would walk toward me from the ferry, or out of the deep green forests.
Most importantly—while there are too many moments in life that we cannot change or control, I know that it's how we deal with what happens to us that matters. That is when we learn who we truly are. This always will be a theme in my novels.
Click HERE to read Helaine's article about the challenges and rewards of writing a sequel!
My Review:
Dark Rhapsody
Helaine Mario
Helaine Mario
Mario’s Dark Rhapsody, sequel to The Lost Concerto has something for
everyone; terrifying twists and turns, beautiful settings on both US and
foreign soil, well developed intriguing complex characters and a continuing
love story between the main protagonists, Maggie and DOJ agent Michael Beckett.
The story picks up right after The Lost Concerto ends but this storyline
centers around WWII art stolen by the Nazi’s from a prominent Jewish art
dealer. With a fabulous plotline, eloquent narrative, musical references all
throughout the novel plus a secondary blooming romance, readers are treated to
a non-stop action packed page-turner. The sadistic killer from the prequel is
back now out for revenge and the good guys who want to see the art returned to
its rightful heirs are back from book 1 as well. While readers might benefit
from the insights and history from The Lost Concerto, Dark Rhapsody does well
all on it’s own. Maggie’s past being revealed, and flashbacks to the dark days of
Nazi occupied Europe make this hard to put down perfect for fans of both
romantic suspense and thrillers and headed straight for the keeper shelf.
SUMMARY:
After the harrowing events of the last few months including almost being the victim of a sadistic killer Maggie O’Shea is ready for healing and some well earned normalcy. She’s getting stronger every day, practicing her precious piano and almost ready to start performing as a concert pianist again. There’s a lot to be thankful for and although the pain of losing her husband is still a raw ache she has found a way to cope and even better she’s found love again.
Colonel Michael Jefferson Beckett, an agent for the Department of Justice, is battle-scarred but loyal almost to a fault and would protect Maggie at any cost even keeping her in the dark when the madman who recently tried to kill her strikes out against him hoping for a clear a path to her.
Little do they know they will both soon be knee deep in mystery, secrets and danger involving not only a killer from Maggie’s past but also art stolen by the Nazis keeping them on their toes and unfortunately in the line of fire.
After the harrowing events of the last few months including almost being the victim of a sadistic killer Maggie O’Shea is ready for healing and some well earned normalcy. She’s getting stronger every day, practicing her precious piano and almost ready to start performing as a concert pianist again. There’s a lot to be thankful for and although the pain of losing her husband is still a raw ache she has found a way to cope and even better she’s found love again.
Colonel Michael Jefferson Beckett, an agent for the Department of Justice, is battle-scarred but loyal almost to a fault and would protect Maggie at any cost even keeping her in the dark when the madman who recently tried to kill her strikes out against him hoping for a clear a path to her.
Little do they know they will both soon be knee deep in mystery, secrets and danger involving not only a killer from Maggie’s past but also art stolen by the Nazis keeping them on their toes and unfortunately in the line of fire.
In 1985, Helaine’s life took an unpredictable turn when her husband’s career brought her family to Potomac, Maryland. For all eight years of the Clinton Presidency, she was a White House volunteer for Tipper and Al Gore, and continues to be a passionate advocate for public service and women & children’s issues.
Because Helaine believes strongly in “giving back,” she has worked on several non-profit boards and, in 1998, founded The SunDial Foundation, Inc., which benefited our most vulnerable women, children and families for 20 years. She also created Project PJs, offering new books, bears and pajamas to under-served children in the community. Now, the Helaine and Ronald Mario Fund continues to support some 40 charities. All royalties from book sales go to programs that support reading programs and the well-being of children and families.
Helaine and her husband, Ron, now spend their time in Arlington, Virginia—where she continues her advocacy work—and Cape May, New Jersey.
She is grateful to be a cancer survivor and is most proud of her two children and five beautiful grandchildren. Her son, Sean, is the pianist who inspired the classical music background in The Lost Concerto.
When it comes to writing, Helaine wants, more than anything, to tell a good story, create characters with depth, and paint pictures with words. To make people feel. She wants to be a storyteller forever.
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Thanks for this compelling and thrilling novel which I would enjoy greatly. The characters, storyline, and era all are appealing and interest me very much. The author is very talented and creative and I would love to read this book since The Lost Concerto was memorable and unforgettable.
ReplyDeleteOh glad to know you liked The Lost Concerto traveler. You'll love Dark Rhapsody!
DeleteOh that sounds like it would be a really interesting book.
ReplyDeleteI Loved it Mary
DeleteThis sounds right up my alley. Thanks for sharing your thoughts on it.
ReplyDeletemy pleasure Jenea!
DeleteOh, I do love when a sequel delivers the same level of impact as the first one. Neat how it drew you in with the music aspect and now tackles another art.
ReplyDeleteyes Sophia Rose it was everything I imagined and more
DeleteWHo does not love twists and turns!
ReplyDeleteI can see why you liked this one Debbie, it certainly has much going for it. And the fact it stands well on its own is great.
ReplyDeleteexactly thanks Kathryn!
DeleteThis does sound like an interesting story. You always find so many ones that I haven't heard from anywhere else. Thanks for sharing.
ReplyDeleteMelanie @ Hot Listens & Books of My Heart
My pleasure Melanie and ditto girlfriend backatcha! ;-)
DeleteI am not familiar with this author but after reading her thoughts and bio, I find her to be just as interesting as the book sounds like it is. One question though, are the two main characters older? Just curious. Thanks for sharing!
ReplyDeleteHi Lorna yes they are 50 or so. Thanks for commenting and yes she is very interesting
Delete