Tuesday, August 30, 2022

Review: Other Birds by Sarah Addison Allen

Today I'm excited to be bringing you Sarah Addison Allen's long awaited fantastical new novel, Other Birds. Sarah put a lot of blood sweat and tears into this incredible piece of fiction so don't miss the author's note at the end for a poignant message to her readers. This read was definitely one of a kind and I won't be forgetting any of these characters any time soon. Find out why I thought this.

ISBN-13: 9781250019868
Publisher: St. Martin's Press
Release Date: 8-30-2022
Length: 304 pp
Source: Publisher/Netgalley for review
Buy It: Amazon/ B&N/ IndieBound



From the acclaimed author of Garden Spells comes an enchanting tale of lost souls, lonely strangers, secrets that shape us, and how the right flock can guide you home.

Down a narrow alley in the small coastal town of Mallow Island, South Carolina, lies a stunning cobblestone building comprised of five apartments. It’s called The Dellawisp and it is named after the tiny turquoise birds who, alongside its human tenants, inhabit an air of magical secrecy.

When Zoey Hennessey comes to claim her deceased mother’s apartment at The Dellawisp, she meets her quirky, enigmatic neighbors including a girl on the run, a grieving chef whose comfort food does not comfort him, two estranged middle-aged sisters, and three ghosts. Each with their own story. Each with their own longings. Each whose ending isn’t yet written.

When one of her new neighbors dies under odd circumstances the night Zoey arrives, she is thrust into the mystery of The Dellawisp, which involves missing pages from a legendary writer whose work might be hidden there. She soon discovers that many unfinished stories permeate the place, and the people around her are in as much need of healing from wrongs of the past as she is. To find their way they have to learn how to trust each other, confront their deepest fears, and let go of what haunts them.

Delightful and atmospheric, Other Birds is filled with magical realism and moments of pure love that won’t let you go. Sarah Addison Allen shows us that between the real and the imaginary, there are stories that take flight in the most extraordinary ways.

Read an excerpt:

Chapter One

The empty wicker birdcage beside her began to rattle impatiently. Zoey gave it a sharp look as if to say they were almost there. It stopped.

She glanced at the cabdriver to see if he had noticed. The old fig-shaped man was watching her in the rearview mirror, his silver eyebrows raised. Several seconds passed and he continued to stare, which she found disconcerting because she felt his eyes should really be on the long bridge over the water. But he seemed to be waiting for her to respond.

“Did you say something?” Zoey said. He hadn’t spoken a word since his Where to? when he’d picked her up at the airport.

“I asked if this was your first trip to Mallow Island.”

“Oh,” she said. “Yes.” The birdcage rattled in disagreement, but she ignored it this time. It was her first trip. The first trip she could remember, anyway.


“I’m moving there. I start college in Charleston this fall.”

“Well,” he said, drawing the word out like a tune. “Don’t hear of too many people moving to Mallow Island. It’s mostly a tourist place because of that book by Roscoe Avanger. You know it?”

Zoey nodded, distracted now because the small sea island had just appeared on the horizon and she didn’t want to miss a moment of it. It was rising from the marshy coastal water like a lackadaisical sea creature sunning itself, not a care in the world.

The closer they got to it, the more her excitement grew. This was really happening.

As soon as they were off the bridge, the cabdriver took a left and traveled down a two-lane highway that skirted the perimeter of the island. The water, dense with reedy vegetation, ended just inches from the pavement. But it didn’t seem to bother the drivers of cars with out-of-state license plates. They zipped along confidently, following decorative metal signs that read:




Afraid he might miss the turn, Zoey was about to point it out to the cabdriver, but he’d already put on his blinker. She sat forward, not knowing where to look first. If she hadn’t known that Mallow Island had been famous for its marshmallow candy over a century ago, Trade Street would have told her right away. It was busy and mildly surreal. The sidewalks were crowded with tourists taking pictures of old, narrow buildings painted in faded pastel colors. Nearly every restaurant and bakery had a chalkboard sign with a marshmallow item on its menu—marshmallow popcorn, chocolate milk served in toasted marshmallow cups, sweet potato fries with marshmallow dipping sauce.

Zoey rolled down the window, and a thick combination of salt from the Atlantic and sugar from the bakeries blew in. It was both strange and familiar. She wondered if the smell was bringing up a long-forgotten memory from when she was a little girl. She struggled to recall anything but, as with most things concerning her mother, her memory was more wish than real.

“Are you sure the place you’re looking for is on Trade Street?” the cabdriver asked, braking hard when a dazzled tourist decided to cross the street without looking. Zoey had to put her arm out to stop the birdcage beside her from toppling over. Pigeon was going to be seriously pissed when Zoey finally let her out. “This is a business section, not residential.”

Nervous that she might have gotten some detail wrong, Zoey rooted through her backpack to find the piece of paper on which she’d written the information. “Yes,” she said, reading from the paper. “It’s called the Dellawisp Condos. The building manager said the turn wasn’t marked, but to go down the alley beside Sugar and Scribble Bakery and you’ll find it.” That was the hope, anyway. If this didn’t work out, there was no backup plan. She’d be stuck here with no place to live this summer.

The cabdriver shrugged as they crawled down the street with bumper-to-bumper traffic. He found the bakery—a pink confection of a building with peeling white trim that looked like icing—and turned. The alley was darkly shaded by the buildings on either side of it, which didn’t bode well for finding anyplace livable back here. Just when Zoey was beginning to think that this was a colossal joke being played on her, and that her father and stepmother were having a good laugh about it right now, the alley opened up and there it was—a beautiful old cobblestone building shaped like a horseshoe. A wrought iron gate was the only entrance. It gave the place an air of magical secrecy, probably bewildering anyone who happened to take a wrong turn down this dead-end alley.

It was smaller than Zoey thought it would be. Every story she’d ever heard her father tell of her mother had been prefaced by her love of money and her conniving ways of getting it, so this wasn’t a place Zoey would ever have thought her mother would want to be—tiny and quiet and hidden. She felt a small thrill of happiness. Already she was learning something new.

“Huh. Who would’ve thought this was back here?” the cabdriver said. “How did you find out about this place?”

“My mother used to live here,” Zoey answered, handing him some cash. Then she grabbed her backpack and the wicker birdcage and got out.

She purposely kept her back to the cab as it left. As soon as she could no longer hear it, she looked over her shoulder to make sure it was gone, then opened the birdcage. She felt Pigeon dart by her on angry wings.

Zoey took a steadying breath and walked to the gate, which bore a weathered brass sign that read THE DELLAWISP. She pushed it open and the hinges squeaked, piercing the silence. In front of her was a small, overgrown center garden. She stepped inside and followed a brick pathway lined with short trees bearing clusters of disproportionately large, bell-shaped blooms. They gave off a cloying scent like a bottle of dropped perfume. Her backpack brushed one of the trees as she passed, and suddenly a swirl of tiny turquoise birds flew out.

With a shriek of surprise, Zoey ran the rest of the way to the U-bend of the building. She stepped onto the sidewalk in front of a door marked MANAGER. The birds, disconcertingly, landed on the sidewalk and began to hop around her.

They were exquisite little things, some no bigger than ring boxes. She watched as one found her shoelace and began to pull on it with its sherbet-orange beak.

“Please don’t do that,” she said, not wanting to move for fear of hurting it. “Can’t you tell it to stop?” she asked Pigeon.

Pigeon gave a crisp coo from the garden, as if to say this move hadn’t been Pigeon’s idea, so Zoey was on her own.

Zoey knocked on the manager’s door, her eyes still on the birds. When the door opened, she looked up to see an elderly black man in faded jeans and a khaki work shirt. He had a long white beard tied at his chin with a rubber band, like a pirate. The little birds seemed to take the open door as an invitation to enter and hopped past him into the office.

The man just stood there. His rheumy brown eyes, magnified behind square glasses, were focused on something over Zoey’s shoulder in the garden. Zoey had to resist the urge to wave her hand in front of his face to find out if he could actually see her.

“Hi,” Zoey finally said. “Are you Frasier?”

His eyes snapped to hers and he gave a rusty laugh. “I’m sorry, yes. And you must be Zoey. Welcome.”

“Thank you.” She pointed past him into his office. “Um, should they be doing that?”

He turned to see that the birds were on his desk, scattering papers and pencils. “Hey, come on now. Get off of there,” he said, shooing them away as he opened a drawer and produced a set of keys. Zoey stepped aside as he herded the birds out and closed the door behind him. “They’re a little spoiled, and bad for stealing. If you lose something, let me know. I keep a box of things I find in their nests.”

“What kind of birds are they?” Zoey asked while the birds chittered complaints back and forth to each other as they hopped back into the garden.

“They’re called dellawisps. They’re native to the island. The man who renovated this building years ago found them nesting here, and he named the place after them. Not his most creative moment. But fitting, I suppose.” He held up the keys. “Ready to see your place?”

Zoey nodded, wondering which of the landing units was hers. There appeared to be only five condos—two landing units each on either side of the U-bend, and one second-story unit perched above Frasier’s office in the bend itself. A twisting metal staircase led to its balcony like a long curl of hair.

She was surprised when Frasier went to the staircase and began to walk up. She hurried after him, her backpack in one hand and the birdcage in the other. “This place isn’t what I was expecting,” she said as she followed him around the spiraling stairs.

Frasier stopped on the balcony and waited for her to join him. “The best things never are. I wish I could go back and see it for the first time.” He watched her with his magnified eyes as she reached the balcony and took in the view. “This was the only structure to survive after all the houses on the island burned during the Civil War. The shops on Trade Street were later built in front of it, so it just sat here for years, forgotten by everyone but the birds. It was once horse stables. You can see where the stall doors were down there, where the patio doors are now. Your studio here was the hayloft.”

Zoey turned to him with surprise. Her mother had lived in a hayloft? In her wildest dreams she wouldn’t have come up with that.

At that moment, one of the glass-paned patio doors flew open and a woman in her forties with dark, greasy hair stepped out. She looked like she’d secretly raided someone’s dirty-laundry basket. She was wearing a skirt over a pair of pants and what appeared to be three different shirts, badly buttoned, one over another. She stared up at Zoey with protuberant green eyes that made her seem slightly mad.

“What are you doing?” she yelled. “Who are you?”

“This is Zoey Hennessey,” Frasier called. Zoey gave her a small wave. “I told you about her this morning. She’s our newest resident.”

“I don’t like it! I don’t like it one bit!” She pointed at Zoey. “No noise! Do you hear me? I’m trying to find the story I lost. It’s in here somewhere and I can’t concentrate with all this activity!” She turned and walked back inside.

“That was Lizbeth Lime,” Frasier said before Zoey could ask. “You’ll get used to her. We all have. The rest are a quiet bunch. Next to her is Charlotte Lungren. She’s an artist. On the opposite side of the garden is Mac Garrett. He works nights. And next to him is Lucy Lime, Lizbeth’s sister.” At Zoey’s obvious alarm that there might be another version of Lizbeth living here, Frasier smiled and said, “Don’t worry. Lucy never complains about anything. She never leaves her condo.”


Frasier shook his head. “She doesn’t like being around people.”

“Not even her sister?”

“Especially not her sister. She even has her groceries and prescriptions delivered.” He turned to unlock the balcony doors. “Speaking of deliveries, your boxes from Tulsa arrived yesterday. I had them put inside for you.”

Frasier stepped in and reached for a wall switch. A crystal light fixture popped on, raining down variegated light. The building revealed itself to be like a geode—rocky on the outside but sparkling with unexpected decadence inside.

It was small, just one room. The furniture was covered with white sheets, but everything else she could see was lovely—the golden parquet floor, the whitewashed rafters, and the long kitchen counter on the far wall, which sported kitschy, pale pink appliances.

“I thought about uncovering all this for you, but I figured it was something you would want to do yourself.” He handed her the keys. “If you have any questions, let me know. I’m here until five every day.”

Pigeon flew in, bringing with her a wave of perfume from the strange blossoms on the trees. Questions. Yes, Zoey had questions. Tons of them. But the only one she could think to ask was “What are those trees in the garden?”

“Brugmansia. Some folks call them angel’s trumpet. The man who renovated the place planted several different bushes and trees to see which kind the birds liked. He said it was the least he could do, since he had to evict them from their nests in the horse stalls. They liked the brugmansia best.”

Pigeon circled the room restlessly. She moved the fragrance around like a ceiling fan. “The blooms have a very strong scent.”

“Could’ve been worse.” Frasier shrugged as he left. “They could have liked stinkweed.”

A smile slowly formed on Zoey’s lips as Pigeon swooped overhead. This was it. She dropped her backpack and the birdcage and immediately began pulling the sheets off the furniture in great sweeps. On one side of the room there was an over-the-top white leather sofa, a glass-topped coffee table, and two armchairs. On the other side were a white bed, a night table, and a tall chest of drawers.

Giddy with the possibility of all she might discover, Zoey started going through the drawers and cabinets.

But they were all empty.

The closet, too, was bare save for a set of pink sheets and bath towels.

Panic setting in, she took a second turn around the room to make sure, but there was absolutely nothing personal here of her mother’s. Nothing. Not even under the mattress or between the couch cushions. There were no photos, no books with dog-eared pages, no half-written letters, no old address books, no clothes left in the closet. There was only this dust-covered furniture, new and impersonal, as if her mother had had the place redecorated just before she’d died twelve years ago.

Zoey sat on the stiff leather sofa and looked around, stunned.

To her right were the boxes Zoey had mailed a few days ago. They contained books and clothes, the only things she wanted to bring with her from her old life. She’d been told her mother’s condo was furnished, so she’d left all her bedroom furniture behind in Tulsa. Earlier that morning when Zoey’s Uber had arrived to take her to the airport, there had already been a charity truck idling in the driveway to haul it all away. Her stepmother, Tina, had timed it down to the minute.

Zoey hadn’t been surprised. Tina had been talking about turning Zoey’s bedroom into a craft room for months. She even had a name for it. Wonderland.

I can’t wait to get started on Wonderland.

That room is perfect for Wonderland.

Zoey, start packing so I can get to work on Wonderland as soon as you leave.

Zoey finally reached for her backpack and emptied its contents onto the coffee table in front of her. These were things she didn’t want to risk mailing—her laptop, her tablet, her phone, important papers, and the small wooden box in which she kept the precious few items she had of her mother’s.

She opened the box and took out the only photo. In it, Paloma was wearing red shoes and had a dark, high ponytail that rested like a question mark against the back of her head. With her short bangs and arched eyebrows, all she would have needed was a scarf around her neck and a bicycle with a basket and she would have looked like something from an old movie. Zoey didn’t know when the photo had been taken. Zoey’s father had only given it a cursory glance and told her he didn’t remember when Zoey had asked years ago. But Zoey figured it couldn’t have been long after Paloma had immigrated from Cuba. Zoey knew the story by heart. She used to recite it to herself over and over when she was a child, sometimes reenacting it in her bedroom. Paloma and her brother had been raised by their grandfather, who had been a birdkeeper. When he died, Paloma and her brother decided to leave Cuba on a small boat. There was a horrible storm, and her brother died. Paloma then drifted on the upturned boat for three days before a fishing boat found her. She looked so young in the photo, far too young to have been on her own, far too young to have taken up with Zoey’s much older father once she arrived in America. Paloma had only lived here in South Carolina four years before Zoey’s father retired and they all moved to Tulsa, where his family was from. But Paloma came back frequently to visit, sometimes for weeks at a time with baby Zoey, to this same condo Zoey’s father bought Paloma as an extravagant gift early in their relationship.

Zoey got up and went to the pink refrigerator. She tacked the photo there with a promotional magnet bearing the name of a local appliance store. She hadn’t eaten all day—she’d been too excited—so she automatically reached for the silver refrigerator handle and pulled it. She stared at the empty interior, realizing she needed to buy groceries and she had no idea where to get them.

She closed the door and leaned her forehead against it, suddenly feeling very alone.

But she could do this.

She would.

* * *

It was now after midnight, but Zoey hadn’t moved from her sitting position on the balcony floor with her back against the stone wall. The humid air almost had a texture to it, and was unusually still.

Copyright © 2022 by Sarah Addison Allen

My Review:

Other Birds
Sara Addison Allen


Other Birds is Southern Fried Fiction meets Magical Realism, a poignant and a bit otherworldly coming of age story, a love story and a story that tells readers families aren’t always blood related. Beautifully set on a touristy fictional South Carolina barrier island this master storyteller will have her audience entranced as she weaves her multilayered tale about love, loss, starting over and letting go. Readers will be mesmerized by Sara’s fluid narrative, whimsical dialogue and exceptional quirky characters both corporeal and spectral, especially Zoey who is simply enchanting, a misfit who just wants to belong who just so happens to move into a condo complex full of other misfits who just want to belong and as Sara fills in all the blanks of her story readers will find themselves totally hooked. Fans of Karen White, MJ Rose, Beatriz Williams and Lauren Willig will find this extraordinary novel absolutely unputdownable. 

Zoey Hennessey hasn’t had it easy growing up in a family who always made her feel like an outsider but now she’s ready to make a fresh start, start living, ready to start college in the fall but first she’s ready to come home to Mallow Island and move into the condo at the Dellawisp she inherited from her late mother. So armed with all her earthly belongings and her invisible pet pigeon she takes her first baby steps into adulthood. Her neighbors, including the tiny pesky turquoise birds the condo complex is named for, a henna artist, a chef, two sisters, plus the condo manager are a quirky bunch and all seem to be ships that pass in the night. When one of the sisters dies accidentally at home, Zoey takes on the job of cleaning out the woman’s apartment because she needs something to do until school stars and decides it’s also the perfect way to meet her neighbors, learn their stories and hopefully be able to share hers as well.


“Whimsical, wise, and delightfully mysterious.” --Real Simple

“If you’re looking for a bit of mystery, whimsical characters and a keen sense of place, Other Birds offers all these delights and more. Allen immerses readers in this island world, as well as in the processes of self-discovery, the experiences of being haunted and the gift of surrendering to what we can and cannot control.” --Book Page

"The biggest challenge for the reader is to try to not turn the pages so quickly in order to extend the fun. ... An outstanding reading experience. Readers who enjoy a Southern story, a touch of the unexplained, and works by Fannie Flagg and Karen White will all be delighted by this novel." --Booklist (starred review)

"A lyrical mystery that embraces letting go and living freely." --Kirkus

“Languid and peaceful, gentle and comforting, Allen’s newest showcases her talent for tender stories of near magic. Her fans will be lining up for this.” --Library Journal

“Allen skillfully weaves the various threads, as vignettes narrated by ghosts of former building residents provide further context as the plot unfurls…This will move readers.” --Publishers Weekly

"This story is so magical, beautiful and wise, with a wonderful cast of eclectic characters, and even a few ghosts. It filled my heart." -- Clare Pooley, New York Times bestselling author of THE AUTHENTICITY PROJECT

"A master of her craft, Sarah Addison Allen draws you in with her whimsy and poetic language, only to lay bare the deep emotional truths of being human. Other Birds captivated me by its utter uniqueness. Is it a ghost story? A fairytale about a girl and her imaginary pigeon? A character study of a motley crew of hard-knocks survivors? It is all these things—along with being one of my favorite books of the year." -- Colleen Oakley, bestselling author of THE INVISIBLE HUSBAND OF FRICK ISLAND

"Oh, joy of joys! A new book by Sarah Addison Allen, and Other Birds is her best yet! Dark and sweet, brutal and wise, full of delectable food and plenty of meddling ghosts, and soaked with an abiding tenderness and hope. One of my favorite books this year." —Barbara O’Neal, author of Write My Name Across the Sky and When We Believed in Mermaids

“This delightful novel is rife with magical realism as Zoey learns what home really means and how helping others can help heal one's own heart, too.” --Good Housekeeping

“Allen’s gift for whimsical, poetic language, makes Other Birds one of our most-anticipated books for 2022. You’re going to want to read this one with your book club.” --Reader's Digest

“Tinged with magic, interlaced with loss and longing, each character’s story unfolds in layers creating an intricate puzzle that teases and delights." --Southern Bookseller Review

“Fans of Hulu’s ‘Only Murders in the Building’ and Netflix’s ‘Dead to Me’ will warm to this quirky tale.” --Los Angeles Times

 About the author:
SARAH ADDISON ALLEN is the New York Times bestselling author of Garden Spells, The Sugar Queen, The Girl Who Chased the Moon, The Peach Keeper, and Lost Lake. She was born and raised in Asheville, North Carolina.


  1. I loved this one and share my review in September. I've read almost all of her books. Great review Debbie!

  2. Looking forward to this one and doubly so now Debbie after reading your great review.